As the possibility of theatres resuming operations with full occupancy in months to come starts to look bleak, several films that were originally scheduled to release in cinemas are heading to streaming media platforms.
The latest one to join the bandwagon is the much-awaited spy thriller Bell Bottom, starring Akshay Kumar, Vaani Kapoor, Lara Dutta and Huma Qureshi in prominent roles. Initially, the makers were completely against the idea of releasing the film digitally and had locked May 28 to release it in theatres.
However, the coronavirus situation in India took a tragic turn and several states had to reimpose lockdown to contain the spread of the virus in the second wave. Since May 28 release in theatres is next to impossible for Bell Bottom, the makers have reportedly locked the deal with Disney+ Hotstar for a direct-to-digital premiere.
Yesterday, we also reported that Bell Bottom is being sold to Disney+ Hotstar for a digital premiere. Confirming this development, producer Nikkhil Advani says, “I believe it is being considered. But the final monetizing lies with Pooja Entertainment.”
Bell Bottom, directed by Ranjit M Tiwari, is a joint venture between Emmay Entertainment and Pooja Entertainment. If Disney+ Hotstar manages to add the high-profile film to its catalogue, it will be its second premium acquisition featuring Akshay Kumar. The actor’s horror-comedy Laxmii also premiered on Disney+ Hotstar in November 2020.
Aside from Bell Bottom, Akshay Kumar has several other exciting films in the pipeline, including Sooryavanshi, Bachchan Pandey, Atrangi Re, Prithviraj, Ram Setu, Raksha Bandhan, and Mission Lion. The actor has also signed on to headline a streaming show on Amazon Prime Video.
Keep visiting this space over and again for more updates and reveals from the world of entertainment.
Ian McKellen teased that Gandalf and Frodo will appear in Andy Serkis’ upcoming film The Hunt for Gollum.
McKellen made the revelation during a The Lord of the Rings panel at the For the Love of Fantasy convention in London.
Elijah Wood was also present, sparking speculation about his return as Frodo.
The film, produced by Peter Jackson, Fran Walsh, and Philippa Boyens, is set to release on 17 December 2027.
Sir Ian McKellen has raised excitement among The Lord of the Rings fans by suggesting that Gandalf and Frodo will feature in The Hunt for Gollum, the next Middle-earth film from Warner Bros. and New Line Cinema. Speaking during a panel at the For the Love of Fantasy convention in London, McKellen told fans that the film “has a character called Frodo and another called Gandalf,” before adding, “Apart from that, my lips are sealed.”
Although McKellen stopped short of confirming that he or Elijah Wood will reprise their roles, Wood’s presence at the same event, alongside co-stars Sean Astin, Dominic Monaghan, Billy Boyd, and John Rhys-Davies, has fuelled speculation about an on-screen reunion.
Ian McKellen hints at Gandalf’s return during the Lord of the Rings panel in London Getty Images/Newsbytes Screengrab
What is The Hunt for Gollum about?
Directed by Andy Serkis, who famously played Gollum in the original trilogy, the film will dive deeper into the creature’s journey after losing the One Ring to Bilbo Baggins. While The Fellowship of the Ring briefly mentioned Gandalf’s investigation into Gollum’s past, this new project will expand on that thread. Industry insiders suggest the story will connect events between The Hobbit and The Lord of the Rings, giving fans new insight into Gollum’s twisted arc.
The project was first announced in 2024 and has since been delayed from its original 2026 release to 17 December 2027. Filming is expected to begin in May 2026, with New Zealand once again serving as the backdrop for Middle-earth.
Ian McKellen hints at Middle-earth return in The Hunt for GollumIMDB
Who is behind the new The Lord of the Rings film?
The Hunt for Gollum reunites the powerhouse team behind the original trilogies. Peter Jackson returns as producer alongside longtime collaborators Fran Walsh and Philippa Boyens. The screenplay is being developed by Walsh, Boyens, Phoebe Gittins, and Arty Papageorgiou.
Serkis, who directed second-unit sequences for The Hobbit, will not only step behind the camera but also reprise his role as Gollum. Warner Bros. Discovery has placed the film at the centre of its upcoming franchise strategy, alongside new projects in the Harry Potter and DC universes.
Elijah Wood fuels Frodo comeback talk at London fan event Wiki Screengrab
How will Frodo appear in the story?
Frodo’s inclusion raises questions about timeline continuity, as his story unfolds later in Tolkien’s saga. Fans speculate that his role might be framed as a narrator or through a flash-forward sequence, similar to Bilbo’s storytelling device in The Hobbit films. This approach could allow Elijah Wood’s return without disrupting the established chronology.
McKellen, who has often expressed eagerness to return as Gandalf, may finally have the chance to don the wizard’s robes again. Last year, he admitted he was waiting for the right script and timeline to come together. With Wood in attendance and Jackson’s creative team back on board, many believe both actors are closer than ever to reprising their beloved roles.
Gandalf and Frodo may reunite in Lord of the Rings The Hunt for GollumNewsbytes Screengrab
Fan reactions and future of Middle-earth on screen
The announcement sparked thunderous cheers at the London convention, reflecting the enduring global appeal of Tolkien’s world. On social media, fans expressed excitement at the possibility of seeing Gandalf and Frodo reunited after more than two decades since The Fellowship of the Ring.
With Warner Bros. setting The Hunt for Gollum for a December 2027 release, anticipation will only grow as casting confirmations and story details emerge. If McKellen and Wood do return, it will mark one of the most celebrated comebacks in fantasy cinema.
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From Swinging London to Priscilla: 10 moments that defined Terence Stamp
Immortalised as General Zod in Superman (1978 & 1980)
Career revival in The Hit (1984)
Missed iconic roles like James Bond and Alfie
Final performance in Last Night in Soho (2021)
Terence Stamp never played life safely. He wasn’t the sort of actor who coasted on charm or looks, though he had both in abundance. Instead, he kept disappearing and reappearing, reinventing himself each time, with roles that felt daring, unsettling, or quietly revolutionary. He could have been a matinée idol forever, but that would’ve been boring. Stamp preferred to be unpredictable.
10 unforgettable roles that made Terence Stamp a legendGetty Images
Here are ten turning points that tell the story of an actor who refused to be ordinary.
1. Billy Budd (1962) — the angelic debut
Stamp began with a thunderclap. His first film role, as the doomed sailor in Billy Budd, earned him an Oscar nomination and a Golden Globe. Critics called him the face of Britain’s “angry young men.” It was a beginning that announced a star.
Playing the butterfly-obsessed kidnapper Freddie Clegg, Stamp chilled audiences with a mix of vulnerability and menace. He won Best Actor at Cannes, proving he wasn’t content to be just beautiful, he wanted to disturb.
3. Spirits of the Dead (1968) — Fellini’s decadent Englishman
When Federico Fellini singled him out as “the most decadent English actor,” it wasn’t an insult. Stamp leaned into the description, playing a drunken actor lured by the devil. The part cemented his image as an enigmatic outsider and led him deeper into European arthouse cinema.
4. General Zod in Superman (1978 & 1980) — “Kneel before Zod”
After nearly a decade in retreat, including years in an Indian ashram, Stamp returned with fire. As Superman’s Kryptonian nemesis, he turned a comic-book villain into an unforgettable cultural figure. His command: “Kneel before Zod!” became legend.
In Stephen Frears’ The Hit, Stamp played Willie Parker, a gangster waiting for death. The role was quiet, philosophical, almost weary, a man facing the inevitable. It revived his career with the force of understatement.
6. Priscilla, Queen of the Desert (1994) — dignity in sequins
Few actors of his era would have taken the risk. Stamp did. As Bernadette, a transgender woman crossing the Outback with two drag queens, he gave a performance full of grace, humour, and resilience. He earned Golden Globe and BAFTA nominations and left a lasting mark on queer cinema.
Steven Soderbergh handed him one of his greatest roles: Wilson, a Cockney ex-con chasing answers about his daughter’s death. Stamp played him with raw fury, grief, and weary toughness. The use of old footage from his 1960s films made it a haunting dialogue between the young man he was and the old lion he had become.
Stamp wasn’t just on the screen in the 1960s, he was the era. Photographed by David Bailey, dating Jean Shrimpton and Julie Christie, rumoured muse for Waterloo Sunset, he embodied a time when London thought it could change the world. His film roles in Modesty Blaise and Far from the Madding Crowd made him the face of stylish rebellion.
10 iconic roles that define Terence Stamp\u2019s career \u200bGetty Images
9. The roles he turned down
He wasn’t afraid to say no. Stamp refused Alfie, opening the door for Michael Caine’s breakthrough, and lost the chance to play James Bond when producers balked at his radical take on the character. Those decisions say as much about him as the parts he did play.
10 standout performances that made Terence Stamp a star Getty Images
10. Last Night in Soho (2021) — full circle
In Edgar Wright’s eerie thriller, Stamp played a silver-haired gentleman prowling London’s night streets. It was a ghost of his own past, the Swinging Sixties icon turned into a shadow. A fitting final bow.
Terence Stamp’s career wasn’t tidy. He didn’t climb neatly upward, collecting blockbusters or safe roles. He wandered, disappeared, re-emerged. He risked ridicule for the chance to surprise. He could be angelic, monstrous, or quietly devastating.
That restlessness was his power. And it’s why, even now, his career doesn’t feel like a story with an ending, it feels like a challenge he left behind: don’t settle, don’t coast, don’t play it safe.
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Bad Omens announce 2025 tour dates including London Alexandra Palace
Bad Omens confirm 13-city Do You Feel Love tour across the UK and Europe in late 2025
London’s Alexandra Palace, Manchester Co-op Live, and Dublin 3Arena among the venues
Support from The Ghost Inside and Bilmuri throughout the run
Tickets on general sale from Friday, 22 August at 10am via badomensofficial.com
Metalcore powerhouse Bad Omens have announced a major UK and European arena tour for late 2025, marking their biggest run of shows on this side of the Atlantic to date. The Virginia quartet will bring their Do You Feel Love tour to 13 cities between November and December, with stops in Dublin, London, Manchester, Nottingham, Paris, Berlin, and more.
The tour follows the release of their haunting new single Specter, the band’s first new track since their 2022 album The Death of Peace of Mind and 2024’s Concrete Jungle (The OST) project. Frontman Noah Sebastian, who co-directed the cinematic video for Specter alongside Nico, described the new era as “a darker, more immersive chapter” for the band.
Bad Omens announce 2025 tour dates including London Alexandra Palace Instagram/mddnco
When does the Bad Omens 2025 UK and Europe tour start?
The tour kicks off on 21 November 2025 in Dublin at the 3Arena, before moving through the UK with arena dates in Glasgow (23 November), London (26 November), Manchester (28 November), and Nottingham (29 November). From there, the band heads to mainland Europe with shows in Belgium, France, Switzerland, Germany, and the Netherlands, closing at Amsterdam’s AFAS Live on 12 December 2025.
This marks Bad Omens’ most ambitious UK schedule yet, with Alexandra Palace in London and the newly opened Co-op Live in Manchester highlighting their rapid rise from club shows to arena stages in just a few years.
Bad Omens won’t be alone on this tour. They will be joined by The Ghost Inside, a post-hardcore favourite known for their comeback following a devastating 2015 bus crash, and Bilmuri, the genre-blurring project from ex-Attack Attack! guitarist Johnny Franck.
Both support acts previously appeared alongside Sleep Token on their 2024 European Rituals tour, and their inclusion here signals a night of diverse heavy music appealing to fans of metalcore, hardcore, and experimental rock.
Tickets for the Do You Feel Love tour go on general sale from Friday, 22 August at 10am local time via badomensofficial.com. An artist presale opens on 19 August, while Mastercard cardholders in the UK, France, Belgium, and the Netherlands will have exclusive presale access on 20 August and 22 August through Priceless.com.
Given the band’s skyrocketing popularity, boosted by the viral success of tracks like Just Pretend and The Death of Peace of Mind, demand is expected to be high. Fans are advised to secure tickets early, as previous UK dates have sold out within hours.
Instagram StoryInstagram/Badomensofficial
Why this tour is a major moment for Bad Omens
Bad Omens’ rise over the last three years has been nothing short of explosive. Their 2022 album The Death of Peace of Mind amassed over 2.7 billion global streams, cementing them as one of the most-streamed modern metal bands worldwide. The release of Specter earlier this month, featuring actor Ryan Hurst (Sons of Anarchy, Remember the Titans) in its music video, further teased what could be the foundation of a new album cycle.
For frontman Noah Sebastian, the growing attention has been a double-edged sword. He previously spoke about stepping back from social media due to the intensity of fan culture, saying, “I got tired of seeing a stranger’s opinion of me every day. It’s not healthy.” Despite that, the band’s trajectory shows no signs of slowing down, with their 2025 tour positioning them as headliners of the next generation of heavy music.
Roma Riaz, a Miss Universe Pakistan 2025 finalist, has surged to number one on the “Universal Radiance” ranking.
In a candid interview, she described entering the pageant as an answer to people who questioned her identity.
Her platform focuses on representation and tackling female illiteracy in Pakistan.
Voting for the ranking was promoted on Instagram; supporters were urged to vote at missuniversepakistan.1voting.com.
Roma Riaz is not just another beauty queen hopeful, she is a British-Pakistani woman who has turned self-doubt into strength and made space for herself on an international stage. One of the first Pakistanis to walk at Copenhagen Fashion Week, she is now a Miss Universe Pakistan finalist determined to use her platform to push for representation and girls’ education. Speaking to Eastern Eye, Roma Riaz opened up about the push from family, the grind behind the glamour, and why representation, especially for darker-skinned Pakistani women, matters to her.
Roma Riaz shares how her family pushed her to chase the Miss Universe dreamInstagram/_romariaz/asiaburrillweddings
Why she entered: an answer to doubt
Roma described a childhood of constant identity questions and blunt remarks. “So, growing up, I have always been so outspoken that no matter where I live, no matter where I am, my roots will always be Pakistani, but my identity has always been questioned. I've constantly heard, ‘You're so dark, you can't be Pakistani,’ or ‘You're Christian, so you're not really Pakistani.’ So, I think for me, this pageant and applying for this crown was more than just becoming Miss Universe Pakistan. It's kind of an answer to everyone that has ever questioned my identity.”
She credits her sister for the nudge. “We were sat at an airport, flying to Paris, and she said, ‘The applications are open. Why don't you apply? You would be so good at this. You are so powerful, you're so beautiful.’ And I was like, ‘No, there's no way I'll ever get in.’ But yeah, my sister really pushed me to apply, and that is how I got here.”
Beyond beauty Roma Riaz champions education for girls in PakistanInstagram/_romariaz
Beyond the crown: representation and education
Roma is clear about what she wants from the platform. “I want to be the change for the beauty standard. There are so many different kinds of beauties in Pakistan, and beauty is not just a single mould that we have to fit into. So, there needs to be much more representation.”
Her advocacy reaches beyond looks. “My advocacy has always been to improve the illiteracy rates in Pakistan. Almost 40% of Pakistanis cannot read or write, which is so alarming, and it's even higher for women in rural areas. I want to challenge the mindset that an educated girl isn’t, in any way, shape or form, less cultured or less religious. Education is empowerment, and I want our girls to be more educated, more respected. Beyond the crown, that is my goal.”
She says her mixed upbringing — Pakistan, Saudi Arabia, and the UK — helps her connect with varied audiences. “I want people to see that beauty in Miss Universe is more than just superficial looks. It's about representing the richness of who you are and inspiring others to embrace their own identity.”
Fighting colourism and stereotypes Roma Riaz brings a new voice to the pageant stageInstagram/missuniversepakistan
The reality behind the runway
Peeling back the pageant gloss, Riaz offers a candid look at the unseen grind. “Most people don't have much knowledge of the process, so they only see the online aspects of our pictures being posted. I think people don't see the endless interviews, the training, the studying, and the behind-the-scenes work that goes into getting you there.” She also added a plea for basic decency: “We're just humans… people kind of objectify us and don't see us as real humans with real emotions. They just throw whatever they want to say.”
On fatigue and doubt, she was honest about juggling a nine-to-five job with pageant training and family life. “I came home exhausted… and I just sat in my room and said to myself, ‘Maybe I can't do this. Maybe this is all too much for just a little girl like me.’ But my family remained my constant rocks. They always remind me of my purpose and my power.”
Roma Riaz says the crown is an answer to years of doubtInstagram/_romariaz
Sisterhood and small moments
Amid the pressure, Roma found camaraderie. A light moment in the Maldives filming brought the group closer: exhausted, her arm aching from wrestling her hair into a ponytail, she desperately yelled for a "bubble" (hair tie). American contestant Jessica Zain's confused “What's a bubble?” sparked hysterical laughter over the British-American English divide. “But even through the whole process, all the girls were so good to each other — with words of advice, comfort, offering each other clothes, hair appliances.”
Her non-negotiable ritual? Faith. “Praying. I think I wouldn't be anywhere without God… before any important step, any interview, any photoshoot, I have to pray and thank God… it's non-negotiable for me.”
Roma Riaz, surging to the top spot in the Miss Universe Pakistan 2025 “Universal Radiance” ranking, isn't just vying for a crown. She's answering a lifetime of doubters. She’s the dark-skinned Pakistani woman reclaiming her identity, the advocate for girls' education, the exhausted professional who found her power, and the girl who just wants her dal chawal. Her message is clear: “I want younger girls to feel as proud in a shalwar kameez or lehnga as they would in a designer gown… I want people to see that beauty… is about representing the richness of who you are.”
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Stratford’s THE SOURCE launches South Asian Film Nights with Zindagi Na Milegi Dobara
South Asian Film Nights will launch on 30 August at THE SOURCE in Stratford, East London.
The monthly screenings will begin with Zindagi Na Milegi Dobara, followed by classics like Devdas and English Vinglish.
Each evening also features short films from emerging London-based South Asian filmmakers.
Tickets priced at £5 (₹500) will be available soon via THE SOURCE website and Eventbrite.
South Asian cinema is set to find a new cultural home in East London as South Asian Film Nights launches at THE SOURCE in Stratford. Beginning on Saturday 30 August, the monthly series will bring together classic Bollywood blockbusters and contemporary South Asian gems, creating a consistent platform for both audiences and emerging filmmakers.
Organised in partnership between Newham Council and the University of East London, the initiative aims to celebrate storytelling from the subcontinent and its diaspora, offering affordable screenings for the borough’s diverse communities.
South Asian Film Nights bring Bollywood classics and new voices to Stratford
What is South Asian Film Nights?
The programme will run on the last Saturday of every month, with a special pre-holiday screening on 20 December. Unlike one-off festivals, South Asian Film Nights is designed as a regular fixture, turning THE SOURCE into a hub for cinema lovers in East London.
“Newham is a borough shaped by South Asian life, culture and creativity,” said Kritee Gower, Executive Director of THE SOURCE. “Through South Asian Film Nights, we want to create a consistent space where stories from across the subcontinent and its diasporas can be shared, celebrated and reimagined together.”
The launch line-up mixes celebrated Bollywood hits with stories of self-discovery and resilience. Each evening starts at 6:30pm with short films by London-based South Asian filmmakers, followed by the feature at 7:00pm.
30 August – Zindagi Na Milegi Dobara (12+) – A feel-good road movie about friendship and courage.
27 September – Devdas (PG) – Sanjay Leela Bhansali’s grand tale of doomed love.
25 October – English Vinglish (PG) – A heartfelt story of self-worth and confidence.
29 November – Tanu Weds Manu (PG) – A quirky romantic comedy full of chaos and charm.
20 December – Dil Dhadakne Do (PG) – A cruise-ship drama exploring family dysfunction and renewal.
Located in Stratford, THE SOURCE offers excellent transport links through the Elizabeth Line, Jubilee Line, Overground, and National Rail, making it accessible for audiences across East and Greater London. Tickets are priced at £5 (₹500) plus a small booking fee, ensuring affordability while creating a community-driven cinema experience.
Refreshments will also be available at THE SOURCE Café, turning each screening into a social as well as cultural gathering for attendees.
THE SOURCE Stratford becomes home to monthly South Asian cinema screeningsInstagram/thesourcestratford
A cultural space for South Asian storytelling
What makes this series different is its community-first approach. Rather than being a one-time celebration, South Asian Film Nights is designed to be sustainable, ongoing and welcoming.
“Cinema reflects who we are and sometimes, who we could be,” added Gower. “We’re not just screening films; we’re creating a cultural space where identity, imagination and community meet.”
With its mix of nostalgic classics and emerging voices, South Asian Film Nights promises to become a cultural anchor for East London’s South Asian diaspora and wider cinema enthusiasts.