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Neil Nitin Mukesh turns producer

Bollywood actor Neil Nitin Mukesh has decided to add a new feather to his cap by turning producer. And the first project which he has taken up to finance will be helmed by his brother, Naman.

Neil Nitin Mukesh’s maiden venture also stars actress Adah Sharma as the protagonist. Through his production house, NNM Films, the actor is planning to work with a lot of fresh faces.


“Our entire casting is quite offbeat because we don’t want to embrace a tried and tested formula. There are so many stories to be told, so many new faces to be discovered and I’d like to use NNM Films as a platform to showcase raw talent,” said Mukesh.

Talking about her role in the untitled movie, Adah Sharma said, “I’m playing a fashion entrepreneur. Fashion and style are very innate to my persona. I’ve grown up watching films like Me Before You (2016), so I instantly connected with my character that lends an emotional graph to the film.”

The film will start production in the coming few months.

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5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

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5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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