TALENTED singer, songwriter and musician Taha Hussain announced himself with his debut single Jee Lunga and recent release Bewafa. The exciting Pakistani talent has shown that he is definitely one to watch out for in the coming years and like many young artists has diverse influences.
Eastern Eye decided to find out more about Taha Hussain by looking into his music collection and getting him to select 10 songs he loves.
Slow Dancing In The Burning Room and Edgeof Desire by John Mayer: I am a huge fan of John Mayer and wish I could add more songs of his on this list. Slow Dancing In The Burning Room is one of the legendary composition/arrangement’s there ever will be and everything about this song is on point. Edge Of Desire is the same kind, but so different and that’s the beauty of this artist I absolutely love.
Faasle by Kaavish: Another band who I love listening to, especially their Coke Studio rendition of Faasle. It has peace in its groove, sound and lyrics. The beauty lies in its tempo and minimalistic approach, which makes it an easy listening masterpiece.
Jee Lunga by Taha Hussain: This is my original song. The reason I put it on the list is because it is full of good vibes and energies, which makes me want to hear it repeatedly, as usually I don’t listen to my own songs all the time.
Let’s Make A Night by Bryan Adams: An iconic track by a great artist. I grew up listening to Bryan during my teenage years and love his music. Let’s Make A Night is a pure song. It makes your soul feel good.
Everglow by Coldplay: Although I put just this song of theirs on the list, I listen to Coldplay on repeat all the time. This is one of my favourite compositions by the band and definitely part of my 2020 playlist.
Circles by Post Malone: Some new music that I like and I listen to is by artists like Post Malone. This particular song from my 2020 playlist is melodic and well written. It’s a wonderfully refreshing song.
Kiss Me by Olly Murs: This track is so well produced and mastered. Every time I listen to it, I feel like composing a song myself. His songs maintain high energy and good melody, which is beautifully supported with meaningful lyrics.
Titliyan by Strings: I absolutely love this song by the pop-rock legends Strings. The simplicity and the raw feel this song possesses gels perfectly with the great message – what the song is all about.
Somebody Else by 1975: Another song from my 2020 playlist. I love the live version of this song by the English rock band as it has so much more
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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