TALENTED British Asian newcomer Gaurika announced herself to the music industry last month with her debut single I’m Alive, which featured pop star Sean Kingston.
The young singer/songwriter has been connected to music her entire life and grew up with eclectic global influences. That was apparent when the rising star selected songs she loves.
Everything I Wanted by Billie Eilish: I could literally listen to this song on repeat. It’s so chilled out, with such simplistic yet evoking lyrics. Opening line; “I had a dream, I got everything I wanted” gives me chills.
They Don’t Really Care About Us by Michael Jackson: It’s difficult to pick just one MJ song. Listening to this makes me wanna get an army of people and just march/ dance to this beat. Such power in its musicality and then you add the lyrics, and video.
My Heart Will Go On by Celine Dion: This song got me into trying to actually write my own songs, so it’s one I treasure. It’s an emotional one for me because it was the last movie we watched as a family before my mum passed away. This song will live forever in my heart.
Silsila Yeh Chahat Ka & Dola Re from Devdas: Both are equally fantastic. Dola Re makes me want to get up and dance; it’s also cinematically beautiful. Silsila Yeh Chahat Ka is a beautiful love song filled with the right amount of beauty and angst. Takes me back to when I was in Canada and went to a soldout cinema, and I remember being mesmerised by it, with plenty of tears.
I’m Alive by Gaurika Ft. Sean Kingston: I have to love this song because I created it. Literally birthed it from conception to ‘pushing it out’ to share with the world. This song has many meanings, from being in love and loving yourself to appreciating life. This song gives you ‘life’. I might be a little biased, but just finding out that I broke out into the billboard dance charts at number four certainly seems like others feel the same way as me.
Jesus Walks by Kanye West: One of Kanye’s best. I love that this song literally feels like you’re on a journey while listening to it. It’s an empowering anthem and I love that he broke ‘norms’ with a song rapping about Jesus. The song has a great message, just like I Can by Nas.
Yeh Samaa, Samaa Hai Yeh Pyar Ka from Jab Jab Phool Khile: A timeless Lata Mangeshkar classic. I remember my mum listening to old Hindi classics like Churaliya, Yeh Vadha Raha, Kabhi Kabhie and this was one I always loved. The melody makes you want to recreate a Bollywood movie, while dancing outdoors.
Umbrella by Rihanna: This song takes me back to being on stage singing an acoustic rendition of this for a nationwide campaign with Fashion TV. It’s a great song and was always a huge hit with crowds. Everyone would always sing along. Catchy pop at its best, among many of other Rihanna’s numerous hits, from Shut Up & Drive to Monsters with Eminem.
Ed Sheeran songs: I could pick all of his songs. An amazing artist in every aspect, from his lyrics to his musicality, rhythm and beats. You can’t go wrong with any of his song. I’d have to list albums instead of songs here. The last two albums have pushed him into a different musical stratosphere. I can’t just pick one song as it would be an injustice.
I’m Not Dead by Pink:I pick her I’m Not Dead album. The songs are lyrically great as all her other numbers are, but Cuz I Can, Stupid Girls, Who Knew and U & Ur Hand, all take me back to my first pop concert at Wembley. I remember being blown away and could see myself on stage doing the same thing.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.