Fresh off his Bigg Boss 16 win, rapper MC Stan says he wants to use his newfound popularity to create more music and contribute to the rap genre.
The musician, known for tracks such as "Basti Ka Hasti", "Tadipar", and "Gender", also expressed gratitude to his fans and loved ones for their support on the reality TV series.
"My motto was to popularise rap and I am happy I was able to do so. I believe I was a bit famous and people knew my songs as well. But 'Bigg Boss' promoted me a lot. I am grateful for an opportunity like 'Bigg Boss'.
"I want to do songs, tours, and do something for the rap community. As an artist, I want to do everything, movies, songs, whatever work I get, I will do it. It’s been eight months I have not dropped anything, I will drop a song very soon," MC Stan told PTI in an interview here.
On Sunday night, the 23-year-old was announced the winner of the 16th season of "Bigg Boss" and was awarded the prize money of Rs 31.8 lakh and a car.
MC Stan, whose real name is Altaf Shaikh, is also a lyricist, music producer, and composer who became popular after the release of his song "Khuja Mat" in 2019.
During his stint on “Bigg Boss 16”, the young artist was applauded for being real and raw throughout the season, besides his lingo caught on with viewers and led to many memes on social media.
According to MC Stan, he has been successful in popularising rap music through his participation in the show.
Most rappers come from a humble background, he said, adding that he aims to do many things for the community from the prize money he has received. The musician also hopes to buy a house one day.
“There is a lot of struggle and hassle in the life of rappers, especially underground rappers, who do not earn much. People think they lead a fancy or lavish life. But that’s not the case with everyone. I have also struggled a lot in many ways,” he said.
MC Stan recalls being in disbelief when Bollywood superstar and host Salman Khan declared him as the winner of “Bigg Boss 16”. The rapper, who beat his close friend on the show Shiv Thakare by a whisker, said he didn’t know how to process the news of his win.
One of the highlights of this season was the friendship of the ‘mandali’ gang, which consisted of MC Stan, Thakare, Sajid Khan, Abdu Rozik, Nimrit Kaur Ahluwalia and Sumbul Touqeer Khan.
"I couldn't believe that my name was announced (as a winner), and I still can't believe this has happened. Rather, when Salman bhai lifted my hand, I felt he was joking.
"I was looking at bhai, my mom, dad, Shiv and towards the 'mandali', I didn’t know how to react,” the Pune-based rapper said.
MC Stan further said both he and Thakare had dreamt of being in top two. When the moment finally arrived, he was thrilled.
"I was getting goosebumps when the two of us were there in the house. For me, to reach this far is a big thing. The happiness is a bit more after I was declared the winner. But all this is human tendency, it is natural to feel this way," he added.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.