DYNAMITE debut album MYP – Made You Proud has introduced explosive talent Karma to the world.
The rapper, singer, songwriter and composer, real name Vivek Arora, has delivered a 13-track release dedicated to his late father, which shows off his immense musical flair. The fusion of hardcore rap and commercial tunes featuring heavyweight artists Shah Rule, Deep Kalsi, Ikka, King, Encore ABJ, Raftaar and KR$NA, follows on from his debut five-track EP Newcomer in 2020.
Eastern Eye caught up with the rising 25-year-old star to find out more about him and discuss his awesome album.
What first connected you to music?
I used to be a very introverted guy and found that music was my medium to express my thoughts. Hip hop is a very expressive art form and music gave me the superpowers to convey my message, as it is, out to the people.
What drew you to hip hop and rap?
Hip hop found me at my lowest. I remember I heard Eminem’s album Recovery and related to his stories. That was the time when I felt this was a very powerful art form, and you can actually convey your message and stories to other people. That was the first time I felt I should do this.
Who have been some of your greatest musical influences?
I have said earlier, a lot of times, that I am a huge Eminem fan. He has been my influence not only in music but in life as well.
Tell us about your debut album MYP – Made You Proud?
This is a very special project for me. It’s a tribute from me to my late father and everybody else who supported and believed in me from day one. I took my time to complete the project. The goal was to showcase versatility and that’s what I was able to achieve. The features on the album, producers, and music videos, made it a project full of colours and different vibes.
How would you describe the songs?
Every song is a vibe in itself. One thing that is common to every song is they describe the change which happened around me from the journey of being Vivek to Karma. They talk about my mindset, the lifestyle, and what I think about the scene.
Which track on it is closest to your heart?
Believe is the closest track to my heart from the album. It’s a very personal song as I wanted to get things off my chest.
Who are you hoping will connect with these tracks?
Anybody who is going through a tough time and is trying to make something out of their life can connect to MYP. It’s an example of how if you don’t give up, things can actually turn out in your favour.
What inspired the title?
The album is called Made You Proud because it tells the purpose of me being in the game. I wanna make my family proud. I wanna make people proud for staying with me and believing in my talent.
What is the music master plan going forward?
I am adapting, experimenting with new sounds, and trying to go new school for a bit. Indian music is changing constantly, and as an artist, you have to adapt to what your audience is looking for. I guess this master plan will keep you going.
Who would you love to collaborate with?
I would love to be on a track with my idols. Would die for an Eminem feature.
You are signed to rapper Raftaar’s label. Has he given you any advice?
Yes, he’s been in the game for like 10 years now, and I feel it’s good to have somebody experienced to back you up in terms of how to move in this industry. He has always been a big brother to me, and I still have to learn a lot, so the knowledge keeps coming.
What does music mean to you?
It’s everything. It’s my bread and butter. It’s my medium to talk and the air I breathe. It’s what I do, it’s what I make and what I feed off.
Finally, why do you think we should pick up your album?
My album is a project to make you feel empowered even if you are feeling down. It’s an example of making it without having any family wealth or connections. You should pick it up if you want to explore hip hop from a small-town guy’s point of view. The album will talk you through the happy moments, sad moments and changes happening in life. Basically, it’s a reality check.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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