ACE PRODUCER ZAHEER DISCUSSES HIS NEW SONGS AND MENTAL HEALTH
by ASJAD NAZIR
BRITISH music talent Zaheer has made a name for himself by bringing something dynamically different to tracks he produces.
This has enabled him to build an impressive body of work that finds the hallowed middle ground between commercial, artistic and meaningful music.
He continues that unique musical path with his newly released tracks So Lost and Just One Kiss, which both feature widely acclaimed British singer Jamie Stimpson. The songs balance entertainment value with messages Zaheer hopes connects with listeners in lockdown on a deeper level.
Eastern Eye caught up with Zaheer to discuss his musical journey, latest song, campaign for better mental health and future plans.
How do you look back on your musical journey?
Up until recently, regret. At first, I was content with what I achieved and as life moved along, so did I. Then looking back, I wish I had stuck with it and wondered where I’d be if I was more level-headed at the time. These were negative and unhealthy thoughts. I've done a lot of self-reflection and soul searching, and it all moulded me into the person I am today. It's not a case of starting again from scratch, it's rebuilding with experience. My musical journey will always begin, yet never end, and that's what makes it beautiful.
What has the music industry taught you?
The music industry works how it works and will always change with the times. There are a lot of discussions about major labels having a strong hold on the market and it’s harder to break in without pay-to-play schemes such as Spotify playlisting, or advertising on Facebook. I amassed 10,000 likes on Facebook, but now they only show my posts to a fraction of this and entice engagement by putting money into their platform. No thanks! With challenge, though, comes opportunity. Now, more than ever, you can have complete freedom and control in every element.
Tell us more…
I self-release and self-publish everything and get to work with whoever, all over the world without restriction. It's taught me you don't have to go with the flow and it’s easier to break the mould now, more than ever.
Did lockdown affect you creatively?
It’s been my safe haven. I try to only focus on what I can control, otherwise the ‘thoughts’ can consume you. Being creative in my own world is my happy place. While performing and connecting in person with artists is impossible it’s given me opportunities to work with people remotely. I also recently shared my creative process on Instagram, making one beat a day for 30 days, while documenting the process. I imagine this wouldn’t have happened had I not been looking for things to keep me occupied!
Zaheer with Jamie Stimpson
Tell us about your recent release So Lost?
This is a track with Jamie Stimpson, a British r’n’b and pop artist. Jamie previously has had four iTunes r’n’b top 20s and supported Bars & Melody across their O2 Academy tours twice. Despite us both being supportive of each other’s music, our paths never crossed creatively until last year. The Covid pandemic has been an eye-opener for people in so many ways. This song covers the feeling of being helpless and uncertain about our future during unprecedented times. I love how this song transcends cultures; both myself and Jamie have very different backgrounds and life journeys, but connected through our passion for creating timeless music.
You also released new song Just One Kiss. What made you do back-to-back releases?
The days of long three-six months schedules to release music have gone. Now, with the popularity of Instagram/Tik Tok culture, people have short attention spans. The industry is very different to how it was when I was last actively releasing music, and this approach is something that we chose to do instead of having to follow any formula. It’s releasing our music, on our terms.
What was it like working with Jamie Stimpson?
(Laughs) An absolute nightmare! Honestly, it’s been a great experience. We’re very different people, who compliment each other creatively and professionally. I’m very particular about how things sound and feel and am known to have artists retake the smallest parts of songs to make sure they sound as best they possibly can. Jamie also has the same vision, so we just work through things objectively, doing the right things for the benefit of the end result, without ego or thin skin. We share the same sentiment for what we want our music to be, and I think these songs are just the beginning.
Who are you hoping connects with the releases?
The key is us, as artists, first and foremost. It’s an accurate reflection of our thoughts and emotions in the form of music. We hope that comes across in our art and anyone that can click with what we create is a blessing. I feel these songs resonate with everyone. So, Lost covers the uncertainty of the future and with everything happening in the world at present.
What is the plan going forward?
Keep creating for myself, first and foremost. I have a single with renowned UK urban artists Genesis Elijah releasing at the end of March. I have an upcoming single with the fantastic Rita Morar, which I cannot wait for people to hear, and it is something I’ve never produced before.
What does music mean to you today?
Music is my therapy and creative release. It’s something I make for myself. I am just more strategic with how I put it out into the world, compared to how I was before.
You have spoken a lot about mental health and your own struggles, what led towards that?
There is always a stigma with mental health, regardless of how ‘forward thinking’ people say it is. Fear of judgement is real. I’ve always been known to be hard working and positive, and sometimes, it’s a lot to think you are vulnerable. When I struggle, I tend to shut out and deal with things myself, which never helps. It’s not healthy. It’s also still very taboo in the British Asian community. I think about how in those times I wish I could have been open and told everything would be okay. I’ve learnt a lot about how to cope and improve, and I feel it would be a shame not to share that with others. It may just be what they need.
What are key messages you want to convey?
Anything is possible, trust in yourself and your values above everything. Never settle for anything less than what you are truly capable of. Be positive and patient.
Why should we pick up the new singles?
Because I left a corporate job that was destroying my soul; however, I need money to keep a roof over my head and continue doing what I really love! Before I thought it was all about music and the end product, but that’s not the case. The music is a byproduct of my life’s journey. If you support by purchasing a copy of our songs, you’re investing in me as a person. There is nothing more humbling than that.
Amitabh Bachchan has made yet another high-value move in Ayodhya’s fast-growing property market. The veteran actor has reportedly bought a 25,000-square-foot plot for £3.7 million (₹40 crore), marking his fourth land purchase in the temple city within a year.
The newly purchased land is located near The Sarayu, an upscale real estate project where Bachchan had previously invested £1.4 million (₹14.5 crore). This recent deal adds to a string of property investments he has made in the area since the development of the Ram Temple began drawing national attention and infrastructure projects to Ayodhya.
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This is not just about business. A large 54,000-square-foot plot registered under the Harivansh Rai Bachchan Trust, named after his late father, is also part of his Ayodhya holdings. There are reports that a memorial is being planned on that site to honour the poet, offering a personal touch to what appears to be a wider strategic expansion.
Bachchan’s interest in Ayodhya real estate began last year, when he bought a 5,372-square-foot plot for £440,000 (₹4.54 crore) just before the Ram Temple’s inauguration. Since then, his name has become increasingly tied to the city’s transformation into a high-profile spiritual and tourism hub.
Amitabh Bachchan strengthens his ties to the temple town with another high-value dealGetty Images
In addition to Ayodhya, he has been active in Mumbai’s property circuit. He recently sold a duplex flat in Andheri for £8 million (₹83 crore), a property he had purchased for £3 million (₹31 crore) in 2021, nearly tripling his investment. In 2023, he and his son Abhishek also jointly purchased 10 apartments, valued at £2.4 million (₹25 crore).
Just days before the Ayodhya purchase, Bachchan had also invested £1.9 million (₹20 crore) in a real estate firm run by Bollywood producer Anand Pandit, putting £960,000 (₹10 crore) into two separate projects. These back-to-back deals suggest a deliberate diversification of assets, with Ayodhya becoming a central piece in that plan.
With multiple real estate deals this year Amitabh Bachchan’s property empire keeps expandingGetty Images
According to Jaya Bachchan’s election affidavit from last year, the Bachchan family’s total assets stood at £152 million (₹1,578 crore), with £70.5 million (₹729.77 crore) in immovable assets alone. With Amitabh’s continued property acquisitions, those figures are almost certainly higher now.
Whether it is personal legacy or calculated investing or both, Amitabh Bachchan’s real estate footprint is growing fast, and Ayodhya is clearly central to his long-term vision.
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Hailey Bieber celebrates Rhode’s £800 million sale with fans calling her the real boss in the Bieber household
Hailey Bieber is riding high after her skincare label Rhode was bought for $1 billion (₹84,00,00,00,000) by e.l.f. Beauty, a big leap for the 28-year-old who launched the brand in 2022. The deal includes £480 million (₹50,40,00,00,000) in cash, e.l.f. stock worth £160 million (₹16,80,00,00,000), and a potential £160 million (₹16,80,00,00,000) more depending on how well the brand performs over the next three years.
Hailey isn’t just cashing out now; she’s stepping up. She’ll now serve as Chief Creative Officer and Head of Innovation at Rhode, while also becoming a strategic advisor at e.l.f. Beauty. In her announcement, she said the deal felt like the beginning of a new chapter and credited her team and customers for their role in Rhode’s growth.
While Hailey’s career hits new heights, her husband Justin Bieber is making headlines for less celebratory reasons. Reports have surfaced claiming he’s been facing serious financial setbacks, including an $8 million (₹67,20,00,000) debt from his cancelled 2022 Justice tour. Insiders suggest the pop star’s spending habits and questionable financial management may have led to these issues.
Despite selling his music catalogue for $200 million (₹16,80,00,00,000) in 2022, sources say Justin’s fortune has taken a hit, and he was reportedly lent money by former manager Scooter Braun to cover the tour fallout. There were even murmurs last year that Justin considered suing his financial advisors for mishandling funds, though his team denied all claims of money trouble.
Justin Bieber breaks his silence on marriage rumours and health concerns following viral Coachella video Getty Images
Meanwhile, fans have been closely watching the couple’s dynamic. Hailey’s billion-dollar win sparked online chatter suggesting she should “take the money and run,” with several social media users urging her to leave Justin, citing past moments where he appeared dismissive or distant. His quiet reaction to her business success, posting a photo with no caption, fuelled further speculation.
Still, the couple publicly appear united. Justin recently posted photos of himself embracing Hailey, though fans debated whether it felt supportive or staged. With Hailey now officially the top earner in the Bieber household, many are wondering how this shift will impact their relationship.
For now, Hailey’s focus remains on building Rhode into a global name, proving she’s more than just a celebrity wife, she’s a top player in the beauty business.
It’s been nearly two years since Ms. Marvel made its debut on Disney+, and while fans have been waiting for news about a second season, actor Aramis Knight has shared a fairly grim update. Knight, who played the character Red Dagger (Kareem) in the series, revealed that he hasn’t heard anything about a return and doesn’t think it’s happening anytime soon.
Speaking at the Karate Kid: Legends premiere in New York, Knight admitted that the chances of Season 2 seem slim. “I don’t think so,” he said when asked if he’ll be back. “It’s been a while now. I’d love to return, but things didn’t line up, COVID, scheduling, and maybe even some creative shifts. I’m still waiting on a call, but I haven’t heard anything.”
Knight mentioned that he was initially supposed to appear in more Marvel projects, but none of those plans materialised. While he joked that Kamala Khan might have him on speed dial for a Young Avengers team-up, his tone made it clear that there's been no movement behind the scenes.
Ms. Marvel, which premiered in June 2022, introduced audiences to Kamala Khan, a Muslim teen from New Jersey who discovers her superpowers and identity. The show received praise for its fresh perspective, young energy, and cultural representation. Kamala then made the leap to the big screen with The Marvels in 2023, where she appeared alongside other MCU heroes.
Red Dagger actor Aramis Knight says he hasn’t heard from Marvel and doubts the show’s returnGetty Images
Talks about Season 2 had been floating around since the series ended, but nothing official has come out. In a podcast interview in 2023, co-director Adil El Arbi mentioned that any plans for a follow-up were on pause until after The Marvels released. Unfortunately, that film didn’t perform well at the box office which may have added to the uncertainty.
Marvel Studios hasn’t officially cancelled Ms. Marvel, but they’re in the middle of reorganising their television content. Several shows are being restructured or delayed, and Ms. Marvel may simply be caught in the middle of this shift.
Deepika Padukone’s exit from Spirit, directed by Sandeep Reddy Vanga, triggered an online storm, mainly due to her reported condition of limiting workdays to eight hours. While speculation ran wild, with unnamed sources labelling her “unprofessional,” Ajay Devgn has spoken up, backing the actor’s right to set boundaries.
At a recent press event for Maa, a horror film featuring his wife Kajol, Ajay addressed the topic head-on. When asked if filmmakers are okay with actors, especially new mothers, asking for shorter shifts, he said, “It’s not like people are against it. Most decent filmmakers understand. Eight or nine-hour shifts are common now.”
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He made it clear that expectations in the industry are changing. “It depends on the individual, but I think a large part of the industry is already adapting.”
Kajol, who was standing beside him, chimed in with a smile, “I love the idea of working less,” offering her own nod of approval to a more balanced work culture.
Deepika’s role in Spirit, opposite Prabhas, was meant to be her second big Telugu project after Kalki 2898 AD. But things reportedly soured after she requested an eight-hour workday and a fee of £1.9 million [approx. ₹20 crore] along with a profit share. Rumours also suggest she wasn’t keen on delivering dialogues in Telugu. Eventually, Triptii Dimri was confirmed as her replacement.
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In response to all this, Vanga posted a cryptic message on Twitter, hinting at betrayal and “dirty PR games,” accusing an unnamed actor of breaching an unwritten trust. While he didn’t name anyone, most believed the post was aimed at Deepika. His mention of “Is this what your feminism stands for?” added fuel to the fire.
Through it all, Deepika has stayed silent, except for a calm remark at a recent event: “When faced with tough choices, I listen to my inner voice. Peace matters more.”
With Ajay and Kajol now speaking out, the conversation seems to be shifting. The film world may not be the same as it once was, and perhaps that’s for the better.
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Karan Johar, Janhvi Kapoor, Neeraj Ghaywan, Vishal Jethwa and Ishaan Khatter at Cannes for Homebound last Wednesday (21)
On paper, Neeraj Ghaywan’s Homebound, which was premiered last Wednesday (21) at the Cannes Film Festival, may seem like a typical Bollywood tearjerker.
It follows two best friends who grow up together in a poor village and set out to take on the world, with their friendship and mettle tested at every turn.
But this is no average buddy movie. Set in northern India during the pandemic lockdowns, the moving epic goes far beyond a simple tale of friendship – one boy is Muslim, the other a low-caste Hindu.
Their unbreakable bond, forged in adversity, is the beating heart of the film, which so moved Hollywood legend Martin Scorsese that he got on board to help bring it to the world.
There are millions of such friendships which cross religious and caste divides in India, its director said, “but it has never been shown” before on the big screen.
“Only a handful of films have ever featured dalit (lower caste) stories and most of those were made by people from the privileged castes,” Ghaywan said.
Ghaywan is a dalit director from the lowest rung in the Hindu caste system and a rarity in the Hindi industry.
He believes he is the “first acknowledged dalit behind a camera in the history of Hindi cinema. That’s a stunning disparity,” he said.
And one that means the stories of the quarter of India’s 1.4 billion people who are tribals or come from castes once disparagingly known as “untouchables”, are not being seen.
“India and the world really needs to see their stories,” said Ghaywan, adding that with such a vast population “it is understandable that they are often talked of as just statistics.”
“I myself come from a marginalised background. I am a dalit. So there’s a lot of me in the movie,” said Ghaywan, who lives near Mumbai but grew up in the south of the country. It is also loosely inspired by a heartbreaking real-life tale of poor workers who set out on foot on an epic journey back to their village from the city during the Covid lockdowns.
Ghaywan brought his two leading actors, Ishaan Khatter and rising star Vishal Jethwa, out to the villages to see the lives of India’s poor from the inside
. “We did a long immersive exercise,” Ghaywan said. “We got to know people and ate in their homes. It was genuinely such a humbling experience.”
There was a nine-minute standing ovation following the screening in the Un Certain Regard segment at the Debussy Theatre last week. The cast was joined by producer Karan Johar.
Khatter said he had loved and admired Ghaywan for many years, while Jethwa said Homebound feels like a step forward for “all of us”.
Knowing he has to get past India’s censors, Ghaywan insisted he tried to avoid politics or inflaming tensions.
Sandhya Suri’s movie Santosh, which premiered at Cannes last year, still hasn’t been screened in India despite winning a heap of international awards.
Santosh shone a light on sexism, religious discrimination and corruption in the Indian police as well as the treatment of lower caste people.
“I like to keep politics underneath the narrative, because if your politics supersedes the story it’s just propaganda. Even good propaganda is propaganda. It’s not cinema,” Ghaywan added.
Emotion, however, holds no fear for Ghaywan. “I embrace it. I make no apologies for it. We Indians are an emotional people and this is a story that brings up a lot of them,” he explained.
Industry insiders have “bawled and bawled” at private screenings of the film, he said, with Scorsese saying that “Neeraj has made a beautiful film that’s a significant contribution to Indian cinema.”
The noted filmmaker said he wasn’t surprised that Cannes snapped it up for its secondary “Un Certain Regard” selection after Ghaywan won two prizes there in 2015 with his debut film, Masaan. Flattered as he is, Ghaywan said that “I did not make the movie for festivals” or arthouse audiences.
“The most important thing is that it is seen in India,” he said.
Ghaywan stressed that Homebound is “attacking no one”, with its story even set “in a fictional state”.
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