Megha Chakraborty: ‘Focusing on your work will result in success’
The popular small screen star discusses her acting journey, Imlie experience, future hopes, dance passion and big inspiration
By Asjad NazirMay 05, 2023
It is always difficult to step into the lead role of an already successful TV drama, but Megha Chakraborty rose to the challenge in 2022 by joining hit serial Imlie.
The versatile actress has followed up memorable performances in serials like Badii Devrani, Krishna Chali London and Kaatelal & Sons, with a winning turn in the title role of a show fast approaching 800 episodes. Carrying on the mantle of Imlie after it took a generation leap has connected her with cross-generational audiences globally.
Eastern Eye caught up with the popular small screen star to discuss her acting journey, Imlie experience, future hopes, dance passion and big inspiration.
How do you reflect on your acting journey?
In every show, there is something new and different. This is what I enjoy most. With each character, you do and portray something new and have a different journey. Each show teaches you something about acting and performing. That is what I’m doing and I enjoy it. You learn about characters, portray them, and convince audiences to believe it. I’ve done things I have never done in my life like driving a truck, auto, and tractor. So, it’s enjoyable and never boring.
Megha Chakraborty in 'Imlie'
What has the experience of stepping into a successful show like Imlie been like?
My current show Imlie has been interesting so far and going very well, fingers crossed. I hope season two is received by viewers in the same manner as season one and will keep on entertaining everyone. It’s a team effort.
What has been the most memorable moment of your Imlie journey?
I won’t say there’s any particular moment as there have been many. And many more to come. So, I think when I drove a truck was very interesting. Also, the time when I was playing different characters in the show like sardar ji, and an old lady. So, there are many moments I will always cherish in life because those were the times when I learned something new.
Why is the show so popular?
The story has been good, if you’re talking about season two. Imlie and the other characters did so well, which made season one popular. The story is quite relatable to the audience and they’re loving the chemistry, performances, and drama. They’re enjoying all the twists and turns in every episode. That’s the reason the show is popular.
What do you enjoy watching as an audience member?
I like watching ‘masala’, twists and turns as an audience, nothing monotonous. Also, high-speed romance, action, drama, thriller and sci-fi! There must be great music because it is so effective. I like to watch content where you can use your brain. Otherwise, when I am bored or lazy, I can watch comedy and enjoy it.
Can you tell us about your dream role?
A fun-loving girl like Geet from Jab We Met or challenging role like the one portrayed by Alia Bhatt in Raazi.
What inspires you?
I think Shah Rukh Khan’s every interview inspires me. I love watching his interviews. I also believe in hard work. Focusing on your work,will result in success. Love your work and respect/value it.
Tell us about your dance passion?
I’ve been dancing and doing Kathak since childhood. There was not a single function in school where I have not performed. I enjoyed participating in everything, so was very popular in school for dance and extracurricular activities. My journey began there. I continued to compete in every event and competition until my tenth grade. I then stopped dancing and began concentrating on my academics.
But that dance passion remained…
Yes. I have done many stage-shows and functions. I have never participated in a (dance) reality show, but personally thought of taking dancing as a career. I still very much have that dance bug in me. If I ever get a chance to perform, like in an award show, I would dance with full energy because I love it.
Tell us something about you not many people know?
There’s nothing hidden from anyone. Everyone knows everything about me, but I don’t know if many people know that I’m very good at crafts and painting. I love to do it. Bottle painting, glass painting and handmade things. I do not get much time but whenever I get time I do it.
Who is your own acting hero?
I don’t follow anyone rigorously for acting. I just focus on my work. As I said, personally I like what Shah Rukh Khan believes in. I try my best to portray all the characters and emotions well.
Can you tell us about the master plan going forward?
There’s no master plan. I just go with the flow. I don’t believe in strategy and master plans. I just believe in doing things spontaneously. I aim to portray the character authentically and understand it. I make an effort, wherever it is necessary. I work hard on the expressions because I sometimes I am not able to emote them. So, I try to work hard on that.
And you cannot have any master plan because every character is different. It doesn’t really work that way.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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