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Makers of Maidan may incur ₹7 crore loss if lockdown continues till it rains

According to reports, the makers of superstar Ajay Devgn’s much-awaited film Maidaan may end up incurring a massive loss of almost ₹7 crores if the lockdown continues till the monsoon arrives.

The makers had erected a huge set of a stadium in Mumbai to shoot several key football sequences for the upcoming sports drama. The team was gearing up to begin the schedule on March 21 with around 100 crew members. However, all shoots had to be called off on March 16 in the wake of the Coronavirus pandemic. The said set was, reportedly, erected at a whopping cost ₹7 crores.


“Amit R Sharma (director) was to shoot the last schedule, which focused on all the football matches that will be shown in the film. The set was complete with toilets, make-up rooms and a PCR (production control room) in place. With the set standing unused, there will be a considerable financial setback. If exposed to rains, the set will need a complete overhaul. Plus, the schedule requires foreign actors and technicians. Their availability will depend on the condition in their countries. Coordinating everything will be a logistical nightmare,” a source close to the development informs a publication.

Directed by Amit R Sharma, who rose to fame after the humongous success of Badhaai Ho (2018), Maidaan is inspired by the Indian National Football team coach and manager Syed Abdul Rahim. Also starring Priyamani, Gajraj Rao, Nitanshi Goel, Boman Irani and Johnny Lever in important roles, the film is produced by Boney Kapoor, Akash Chawla and Arunava Roy Sengupta with Zee Studios as presenters.

The film is slated to arrive in theaters on 11th December, 2020.

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  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
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  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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