Love songs today often lack depth and end up becoming all about "trivial emotions", says playback singer Shreya Ghoshal, who believes music must not be limited to hook lines and catchy tunes.
This is where "Sukoon", the first original music album by her mentor and filmmaker Sanjay Leela Bhansali, fills in the space with the much-needed "human connection".
Ghoshal, who made her film debut with Bhansali's 2000 classic "Devdas", said the nine-part album "Sukoon" -- meaning peace -- brings the listener a sense of calm.
"After a long time, something so pure like 'Sukoon' has come out. Every song of this album is special, intricate, detailed, deep. It covers the emotions of love so beautifully. Nowadays, when we talk about love songs we end up talking about trivial emotions.
"It's more about hook lines and how catchy the tune is. Somewhere down the line we are forgetting that music is not just about having fun. Music can have a lot of depth which even the younger generation, who are growing up listening to music in whatever way they do, are missing out on," the multiple award-winning singer told PTI in an interview.
Every song of "Sukoon", including tracks sung by her such as "Qaraar" and "Tujhe Bhi Chand, has a different colour and philosophy, she said.
"'Sukoon' has given that sense of human connection, the depth that is missing in our lives. It makes you think and feel in different ways. From the time you fall in love, having your break-ups, having good times in life to hard times in life, it's a bouquet of various emotions that a human being goes through," added Ghoshal.
The singer, who has collaborated with Bhansali in six films including "Bajirao Mastani", "Padmaavat" and "Gangubai Kathiawadi", said she is happy for the filmmaker for finally launching a full-fledged music album.
"He has finally done an album which is only about music. He is a phenomenal composer and we have worked on a lot of films. This project is very different in terms of how it sounds. It comes from his love for 'ghazals' and the kind of music he enjoys listening to.
"This format or genre of music which is not done much in his films, he is able to do in his original album. So I'm happy to be able to work on a project of this kind in today's times when pure music is kind of missing," she added.
It was an "absolute pleasure" working with Bhansali once again, said the 38-year-old singer.
"He is someone who I look up to as a mentor, as a person of genius skills. He is an extraordinary artist. To be able to work with him on multiple projects has been my privilege. I've learnt a lot from him."
The relationship she shares with the filmmaker, known for lavishly mounted costume dramas, transcends the bond between a teacher and a student.
"He is the one who gave me 'the big break'. I have learnt a lot under his mentorship. I was very young when I started working with him. My sensibilities about music have developed because of the work I have done with him.
"The way he listens to music, how he has pinpointed things to me about even the greats and legends... He has been a big influence in my life so to say professionally yes. I am extremely inspired by his way of work," she added.
Unlike his perceived image of a taskmaster, Bhansali has a warm personality, said Ghoshal.
"His persona is very warm, unlike the image that people have that he is a taskmaster. He is not like that. He's very passionate, loving, and has a great sense of humour. He is a fabulous person to hang around. We relate to the common love for food as well. He can be extremely fun. I'm privileged to have a friendship along with a professional relationship with him."
The singer, who recorded songs for films and albums in various Indian languages in her career of over two decades, said it has been "an extremely fun" journey.
"When I look back, it feels like I have just started and I have been very fortunate to have worked with some extraordinary talent. People who are senior to me, composers, singers, lyricists, producers, directors, so I have taken and learned a lot of things from each of them and my experience of working with all of them has been very enriching.
"At the same time, I really look forward to working with the new generation of new entries of creators who are so fresh in their ideas and styles of music. There is a learning process in both ways. Music has been constantly evolving in the last so many years that 20 years have been actually quite a big journey. Lots of great collaborations have happened. Amazing world tours have happened, concerts, live experiences. I'm very fortunate. I think it's just a start there is a lot to do," she said.
Up next for Ghoshal are songs with music composers such as A R Rahman, Pritam, and many independent singles with new and veteran talent.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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