After Alia Bhatt, Vidya Balan has now come out in support of actor Ranveer Singh over his controversial nude photoshoot.
While speaking to the media at Kubbra Sait's book launch on Thursday, Vidya gave a hilarious response when she was asked if she liked Ranveer's naked pictures and what she thinks about it. "What is the problem in that? This is the first time a man has done something like this. Hume bhi aankhein sekhne dijiye (Let us also feast our eyes)," she said.
On Tuesday, an FIR was registered against Ranveer on a complaint filed at the Chembur Police Station. Reportedly the case has been filed after receiving the complaint by an office-bearer of the NGO who had alleged that the actor hurt the sentiments of women with his nude photos.
The Mumbai Police filed the FIR under various Sections of the Indian Penal Code like 292 (sale of obscene books, etc), 293 (sale of obscene objects to young people), 509 (word, gesture or act intended to insult the modesty of a woman) and provisions of the Information Technology Act.
When asked further about FIR being filed against Ranveer, Vidya said, "Maybe they (people who filed the FIR) don't have much work to do, hence they are wasting their time on these things. If you don't like it, then close the paper or throw it, do what you wish to. Why get into an FIR?"
The images from Ranveer's photoshoot for Paper Magazine were posted online on July 21. In the images, Ranveer is seen wearing no clothes. In one of the images, he was seen lying on a rug naked recreating Burt Reynold's famous photograph.
In an interview, as quoted by an Instagram page that goes by the name DietSabya, Ranveer said, "I work f****** hard. I want to wear nice shit. Eat my f****** a**, I will wear nice f****** shit. I bust my balls, I work 20-hour days. I'm not complaining -- I'm only too happy and too grateful -- but I go f****** hard. I will f****** buy Gucci, I will wear it from head to toe. Anybody who judges me can eat my f****** a**."
On Wednesday, another complaint was filed against Ranveer before the Maharashtra State Commission for Women.
As per complainant Ashish Rai, an advocate, Ranveer's pictures are against the "dignity of women and small children." He demanded his nude photos be deleted from social media. Through the complaint, demand has also been made to the Women's Commission to take action under suo-motu cognizance
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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