Sushant Singh Rajput and Sanjana Sanghi started shooting for their upcoming film Kizie Aur Manny today in Jamshedpur, Jharkhand. The film is the official remake of successful Hollywood flick, The Fault In Our Stars.
Kizie Aur Manny marks the directorial debut of renowned casting director Mukesh Chhabra, who launched Sushant in Bollywood with Abhishek Kapoor’s Kai Po Che! (2013). The team began the first shooting schedule of the movie by canning a crucial scene between Sanjana and her parents.
“The first shot will be taken with Sanjana, who plays Kizie, and her parents in their home,” Mukesh had informed before filming the scene.
The original film The Fault In Our Stars, which was a silver screen adaptation of a book of the same name, tells the story of a 16-year-old cancer patient and how she falls in love with another cancer patient after attending a support group.
Chhabra said that tough his film revolves around a love story of two cancer patients, he has tried his best to keep it as simple as possible. “The very fact that the story revolves around cancer makes it seem heavy and intense. But we’ve turned it into a beautiful love story which plays out lightly between these two main characters. I’ve tried to keep it as simple as possible which is why we decided on this title that has the ring of a rhyme, like Bunty Aur Babli (2005).”
Kizie Aur Manny is being produced by Fox Star Studios.
It didn’t take a walkout on a picket line or a fiery press conference to shake the Indian film industry; it took Deepika Padukone quietly demanding, “Eight hours.” No dramatic monologue or sensational tweets. Just a simple request: humane hours, overtime pay, and a refusal to push her body and mind past the brink. And just like that, the conversation in Bollywood cracked wide open.
In an industry that glorifies overnight shoots, delayed pack-ups, and “dedication” measured in sweat, Padukone’s decision to exit a high-profile film, Spirit, over her demand for an eight-hour workday was certainly a career move for her. But beyond that, it was a cultural revolt.
Deepika’s decision is pushing conversations beyond the glamGetty Images
When “enough” becomes revolutionary
What made this moment resonate wasn't just who said it, but when. After giving birth to daughter Dua in September 2024, Padukone’s priorities naturally shifted. She didn’t demand luxury. She asked for balance. And Bollywood, unaccustomed to being told “no,” didn’t take it well.
Her terms were straightforward: eight-hour shifts, payment for overtime, profit-sharing, and a refusal to perform intimate scenes or speak in Telugu; reasonable boundaries that suddenly became controversial when voiced by one of the industry’s most bankable stars.
When director Sandeep Reddy Vanga, known for pushing his cast in emotionally aggressive scenes, reportedly rejected these conditions, Padukone walked away from the project. She was swiftly replaced by Triptii Dimri. Vanga later alluded to “script leaks” and an unnamed actor who had “put down” a younger co-star, setting the entire social media ablaze with speculation.
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But Deepika wasn’t dragging anyone down; she was raising the floor.
Behind the glamour, Deepika Padukone is leading a quiet revolution in work cultureGetty Images
Not a diva, just done
What’s shocking is how quickly people defaulted to calling her “difficult.” And yet, actors like Shah Rukh Khan are known for avoiding night shoots and Akshay Kumar famously doesn’t work Sundays. No one raises eyebrows when they draw boundaries because it’s framed as “professionalism.” But when a new mother does it? Suddenly, it's "unreasonable."
Director Siddharth P. Malhotra, who worked with Rani Mukerji during Hichki, exposed this double standard: “Rani asked for eight-hour shifts to be with her daughter. Kajol only did one shift a day for We Are Family. It’s only a problem when women say it aloud.”
The industry responds. Some with applause, some with alarm
The dominoes have finally started falling. Mani Ratnam called it a necessary reset. Pankaj Tripathi described his own past of 16-18 hour days as “soul-draining,” while Barun Sobti, an actor-turned-producer, said he’d enforce 8-hour shifts if given the reins. Kajol, ever candid, deadpanned, “I love that you can work less,” while Ajay Devgn added that “honest filmmakers” would never object.
From star to changemaker, Deepika Padukone is rewriting the rules of the setGetty Images
But not everyone cheered
Director Tarun Mansukhani worried about logistical chaos. Some commented: “What happens when mid-budget films start losing their heroes to time clocks?” Others whispered about setting a dangerous precedent.
More than just a star’s schedule
This isn’t just about an actor clocking out early. It’s about rethinking the ecosystem.
Tripathi’s remark: “The actor leaves; the labourers stay”, in fact revealed the hierarchy. Spot boys, technicians, junior artists, they don’t get to negotiate. They wait, often unpaid for overtime, as the “show must go on.” The real question Deepika raises is: if she can’t get fair hours, who can?
And then there’s pay. A producer once told her they couldn't afford to pay her more because it would require cutting the male lead's salary and her response was a simple: 'Goodbye'.
The message? Equal pay isn’t a negotiation; it’s a principle.
When one woman said no to burnout, Bollywood was forced to listenGetty Images
Bollywood vs the world
Hollywood actors operate under union protections like SAG-AFTRA mandates, rest breaks, overtime pay, and hard stop hours. Violate it, and the studio pays. In contrast, Bollywood thrives on chaos masked as passion. People wear sleeplessness as a badge of honour. But glamour doesn’t justify grind.
While some southern Indian industries like Tollywood and Mollywood run leaner and faster, the Bollywood machine is notoriously disorganised, more time wasted in disarray than in shooting.
As one Mumbai-based casting director put it, “We imitate Hollywood’s sparkle but not their structure.”
Challenging the grind: how Deepika is shifting industry norms one demand at a timeGetty Images
Will the industry bend or break?
Deepika's stand has pushed the debate beyond vanity. This is about structure, safety, and sustainability. If the Federation of Western India Cine Employees (FWICE) and the Indian Film & Television Producers Council (IFTPC) don’t use this flashpoint to draw up new frameworks, the fallout will continue to be individual actors “opting out” rather than an industry choosing to change.
There’s already noise on social media from mid-tier actors who’ve faced burnout. They described enduring 14-hour shoot days with minimal breaks and have urged producers to build reasonable rest periods into their schedules. The pot’s boiling.
Deepika Padukone’s stand is making work-life balance a power move in Indian cinemaGetty Images
The curtain call
What started with one woman asking to wrap up on time has opened a conversation that Bollywood has avoided for far too long. Deepika Padukone’s quiet battle has exposed the uncomfortable truth: that this industry, which prides itself on discipline and “family vibes,” often forgets that families need time, sleep, and respect.
She didn’t just ask for eight hours. She asked for dignity and, most importantly, balance. And in doing so, she’s invited every actor, technician, spot boy, and choreographer to do the same.
This isn’t a diva’s whim; it’s like labour is stepping into the spotlight, demanding its long-overdue close-up. Bollywood’s glamour will always shine. But maybe, finally, it won’t have to come at the cost of people collapsing under its weight.
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Lokesh Kanagaraj set to direct Aamir Khan in a high-octane superhero film
Bollywood icon Aamir Khan has officially revealed that he will be teaming up with Tamil filmmaker Lokesh Kanagaraj for a large-scale superhero action film. The project, which is still in its early stages, is expected to begin production in the second half of 2026.
A rare early reveal from Aamir Khan
Aamir is known for picking his projects carefully, usually choosing one at a time, often after his latest release has had its run. But this time, ahead of the 20 June release of Sitaare Zameen Par, he decided to open up about what’s coming next. In a media interaction in Mumbai, he confirmed that he and Lokesh Kanagaraj have signed on to create a superhero film. “It’s a big-scale action film,” Aamir said, adding that while production is still more than a year away, the plan is firmly in place.
Lokesh, known for action-packed Tamil hits like Kaithi, Master, Vikram, and Leo, has built a reputation for combining stylish action with grounded storytelling. Aamir, who has dabbled in the action genre with films like Ghulam, Ghajini, and Dhoom 3, is expected to bring emotional weight and mainstream appeal to this pairing.
When asked for more details, Aamir smiled and declined to say more, simply stating that the full picture would emerge in time. For now, both actors and fans will have to wait as the film moves towards pre-production.
No PK sequel, but a Dadasaheb Phalke biopic is in the works
During the same interaction, Aamir also addressed speculation about a sequel to PK. “That’s just a rumour,” he said plainly. “I don’t know where that came from.” Instead, he confirmed he will reunite with director Rajkumar Hirani for a biopic on Dadasaheb Phalke, widely regarded as the father of Indian cinema.
Meanwhile, Sitaare Zameen Par, a spiritual follow-up to his acclaimed 2007 film Taare Zameen Par, will see Aamir play a basketball coach working with a team of individuals with special needs. Directed by RS Prasanna and co-starring Genelia D’Souza, the film also introduces ten new actors.
Aamir Khan dismisses PK 2 rumours and confirms biopic on Dadasaheb PhalkeGetty Images
With multiple ambitious projects lined up, including a superhero film, a historical biopic, and the epic mythological saga, Aamir Khan is entering a creatively fertile phase of his career, balancing scale with substance.
Music has inspired every aspect of Rick Ram’s life. The massively popular chutney soca star grew up surrounded by songs that shaped him as both an artist and individual. That journey led him to become an award-winning singer with a string of hits.
When Eastern Eye asked him to select his favourite songs, he chose ones filled with magic, meaning and cherished memories.
Tu by Sonu Nigam: When I was about 11, my mother Camla Ramoutar sang with a band called Melody Express and rehearsed at our home. One night, the lead singer did not show up, and they were practising this song. Jerry Beharry overheard me singing along and told me to perform it on stage. It became the first song I ever sang live.
Nache Man Mora Magan by Mohammed Rafi: Known as one of the most difficult songs to sing, this track encouraged me to pursue a music career. It was my first entry into Mastana Bahar, a respected platform that launched the careers of many artists.
Pretty Woman from Kal Ho Naa Ho: This song brought me my love and life partner, Vanessa Ramoutar. I entered a major competition in Trinidad and Tobago for the best cover version of this song. I did two versions with Xsitaaz Band and Caribbean Vibrations Band. We performed on a live TV show called Indian Variety, and I needed a dancer. That is when the beautifully talented Vanessa walked into my life.
Mitwa from Kabhi Alvida Naa Kehna: This film track is a personal favourite to sing live. It remains one of the sweetest songs ever composed.
Sapano Main Pyardi by Ramdeo Chaitoo: This was the first traditional chutney song I covered. It will always hold a special place in my heart because it represents Caribbean music.
Ro Na Kabhi Nahin Rona from Apna Desh: I recorded a cover version of this song in 2007 and was blessed with a beautiful baby girl that same year. She brought such light into our lives, and the song became a huge success. To commemorate that moment, we named our daughter after the track – Varonah. For her sweet 16, we created a special remix of it just for her.
Ah Wish I Was Single by Rick Ram: I have many original hits in the chutney soca genre, but this one stands out. In 2012, I recorded the song and entered two competitions. I placed third in the Chutney Soca Monarch and won my first title as South Super Saturday Chutney Soca Monarch.
Nanda Baba by Anand Yankarran: This iconic song, originally sung by the late, great legend Anand Yankarran, remains one of the greatest traditional chutney tracks. I remember calling Mr Yankarran to ask his permission to do a cover, just before he passed away. He was so excited and said he had never heard anyone sing it the way I did. I recorded it with his blessings.
Luuuzzaarr by Rick Ram: This song was born out of a difficult time, when my wife and I were being bullied. Rather than retaliating, we channelled that experience into creating something positive. Luuuzzaarr made a huge impact – and helped me win two titles: the 2024 Chutney Soca Monarch and the 103.1FM Chutney Soca Road March competition.
Party Like This by Rick Ram: This original song is dedicated to my little prince, my son Rick Junior. He is full of energy and watches everything I do. A reflection of him, I am proud of this track just as I am proud of him and everything he is. It has become his anthem.
Instagram: @rick.ramoutar.75
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Tom Felton returns to the role of Draco Malfoy for the Broadway stage
For the first time since the final Harry Potter film wrapped over a decade ago, Tom Felton is returning to the wizarding world, but not on screen. Instead, the actor is headed to Broadway, where he’ll take on the role of an adult Draco Malfoy in Harry Potter and the Cursed Child. The stage production, which continues the story 19 years after the original books, will now feature one of its most iconic characters portrayed by the man who first brought him to life.
Felton will join the cast at New York’s Lyric Theatre beginning 11 November 2025, for a limited 19-week run until 22 March 2026. This also marks his Broadway debut, making the moment doubly significant. Not only is he the first actor from the original film series to step into the stage version of the Potter universe, but he’ll be playing Draco at the exact age the character is in the play, creating a rare full-circle moment for both the actor and the fans.
Unlike the sneering schoolboy we met in The Philosopher’s Stone, this Draco is a father now. Cursed Child picks up nearly two decades after the Battle of Hogwarts, with the next generation of witches and wizards, including Harry, Ron, Hermione, and Draco’s children starting their own journey at Hogwarts.
Speaking about the experience, Felton admitted that slipping back into Draco’s signature look affected him more deeply than expected. “The blond hair came back on, and I immediately started crying,” he said in an interview. “It felt like going back to school.” He reflected on how the role shaped his childhood and said stepping back into those robes was like “meeting Draco as an adult for the first time.”
Producers Sonia Friedman and Colin Callender called Felton’s casting “a powerful moment of nostalgia and evolution,” acknowledging how his presence bridges the film legacy with the stage story in a way that resonates deeply with longtime fans.
Since his time in the films, Felton has explored a mix of stage and screen roles, from the sci-fi blockbuster Rise of the Planet of the Apes to his stage debut in 2:22 A Ghost Story and the recent A Child of Science. He also published a memoir, Beyond the Wand, sharing his experiences growing up in the spotlight.
But this latest role has stirred a different kind of emotion. “It’s surreal,” he said. “I let go of that character 16 years ago. Now I get to explore him again with new responsibilities, regrets, and maybe redemption.”
Tom Felton makes his Broadway debut in Cursed ChildGetty Images
Harry Potter and the Cursed Child continues to be one of the most successful plays in Broadway history, having sold over 10 million tickets worldwide. Felton’s involvement is expected to bring in a fresh wave of fans, especially those who grew up with the original films. Presale for tickets begins 10 June, with general sales opening on 12 June.
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Kalki 2 yet to begin casting as rumours about Deepika’s role swirl online
There’s been a whirlwind of speculation surrounding Deepika Padukone’s association with two of the most high-profile films in Indian cinema right now: Spirit and Kalki 2898 AD Part 2. The latest buzz claims she might be walking out of Kalki 2, but the truth appears far less dramatic.
While social media and gossip pages have been buzzing with unconfirmed reports suggesting Deepika demanded fixed eight-hour shifts post-motherhood, allegedly causing trouble on set, the reality is, Kalki 2 hasn’t even started filming. In fact, it’s still in pre-production. No actors, including Deepika, have officially been signed or begun any work on the sequel, according to sources close to the film.
Deepika Padukone’s team denies exit from Kalki sequel amid speculationGetty Images
Rumours linked to Spirit exit spiral into Kalki speculation
Much of the noise seems to stem from Deepika’s recent departure from Spirit, a Sandeep Reddy Vanga film starring Prabhas. Reports suggest that the actor’s demand for a work-life balance, through an eight-hour shoot schedule, a higher pay cheque and profit-sharing didn’t sit well with the team. Soon after, Triptii Dimri was announced as the film’s new lead, and director Vanga appeared to post cryptic messages online criticising an unnamed actor for violating trust and playing “dirty PR games.”
Though Deepika was never named directly, the timing of Vanga’s posts and the sudden casting change led many to draw conclusions. Vanga’s social media tirades hinted at betrayal, accusing the unnamed actor of revealing story details and undermining a younger co-star. His use of idioms like “Khundak mein billi khamba noche” only fuelled the drama.
Now, those flames have been fanned further by similar murmurs around Kalki 2. Some reports claim her role may be trimmed or cut altogether due to scheduling conflicts. But the facts don’t back it up.
Deepika Padukone remains in the spotlight as speculation fuels headlinesGetty Images
What’s really happening with Kalki 2? Despite the noise, there’s no official word from Deepika or the Kalki production team confirming any of these developments. According to insider reports, the sequel hasn’t even begun the casting process yet. “There’s no shoot, no set, no interaction, so where’s the question of on-set friction?” the source stated, shooting down reports of a professional fallout.
With the sequel still in early planning stages, any casting speculation, especially of someone being dropped seems premature.
For now, what we know is this: Deepika is navigating her career differently post-motherhood, prioritising work-life balance. Whether that means fewer films or renegotiated terms remains to be seen. But until Kalki 2 actually takes off, rumours about her exit are just that: rumours.