Actor Karan Wahi, whose film Hate Story 4 released yesterday, talks about what led him to come on board, what he loved about the script and the experience of shooting the film abroad.
What is so special about Hate Story 4, what is your role?
I think the most special thing about Hate Story 4 is the franchise. It's a very successful franchise. I don't know about the other stories because I haven't been part of them, but when they (the makers) came to me with this story, their entire perspective was just not to sell sex. It’s a thriller and there is a quotient of sex in it but we didn’t want to make it look like an erotic thriller. We wanted to make it look like a thriller, which has a story. I think that is special because whenever we think of a film, we feel that it has to have a love story between the actor and the actress. That is the flip side of the film. It is literally a hate story. The songs have been done by T-Series and they make it a point to have their actors look good. The story looks good and the songs are great. In the film, I am playing the son of a very affluent tycoon, basically, a very rich guy who works with his father. His name is Rajveer and he is in his mid-20s and is more flamboyant, more expressive than probably his father or his brother.
What do you think when you think of the title Hate Story 4?
I think it's apt because every Hate Story revolves around the hatred of the characters. Whenever any part of the franchise has released, you know it's a revenge story. I think it's an apt title. It's great I just hope people love this Hate Story too.
Have you hated anyone in real life?
Hate is a very strong word and I think I did when I was young. But as I grew a little older, I realised that hate is not the word I would use to express. I think disliking is the term I would associate myself with. I might like or dislike someone but I think very rarely now I hate somebody.
Hate is the opposite emotion of love. People, who love someone when things change, may hate the same person they love. What you have to say about that?
I think you hate the circumstance more than you hate the person. I think anyone that I have loved in life or anyone who was close to me and is not anymore, I don't hate them. I feel with time those people, who you loved the most or you were closest to, don't matter to you as much as they used to.
Films or television, which medium you enjoy more and why?
I think both mediums, films are TV, are equal for the viewers. This hierarchy has been created by us. And now, we have put another medium in the race, that is the web. I have been here for a long time and I have done web, fiction and non-fiction. I have realized I give my best to all projects, irrespective of the medium they are aired on. I do the same thing I can if I have to act on television. I will put as much effort when I do films. At the end, I am an actor. It's just that the medium keeps changing and that doesn't make my efforts become less.
'TV actor' is a tag a lot of TV actors don't like when they start doing films. What's your viewpoint on that?
I don't have a problem with being called a TV actor because that's where I started my journey. There is a classic example of Shah Rukh Khan. We still say he is from television but we don't call him a television actor. But when we have to give an example of actors making it big we say, Shah Rukh Khan, Sushant Singh Rajput. I think that will always be there and it is not good or bad. It's there because it is what got you in the limelight. So even if I do one film or many films, people will call me a television actor and I'm okay with it.
How much is too much bold in films? How comfortable are you doing bold scenes? If you are asked to do full monty in a film or a TV show, will you do it?
I am very comfortable. I shot for a few web shows in the last one year, where there were bold scenes. There are bold scenes in Hate Story IV too, but not too many. It depends on what is bold to everybody. To me what is bold, may not be for others. But I think I have realised that I am comfortable with anything and everything on television or any medium, till the time I genuinely believe in whatever is happening in the scene. If I can justify not doing something, I won't do it. Also, in today's time, kissing has become a normal thing. So, I think, 10 years from now what we are calling bold today might not be bold tomorrow. As far as going full monty is concerned, if I agree with why I have to go full monty, I’ll do it. Then I won't think too much. I don't want to go full monty to sensationalize anything.
What kind of films do you want to do ideally?
I'd rather do anything and everything that comes naturally to me. I have been instinctive in life and have done certain things, which have worked and some that haven't. But that's the way it is. If I become choosy, then I am curtailing myself from the word go. If I say I want to do a romantic film, then I am curtailing myself from other genres. Anything and everything that comes to me might be a romantic story, action or anything else, in which I can at least add something to the project, I would love to do it. Usually what happens is with people like me, who have a decent body, unfortunately for us, everything is about showing the body. People talk about your look, body and dance, but rarely they talk about your work. I think that is one reason that I don't mind doing anything that makes me happy. 10 or 20 years from now, I'll at least have a lot of things that I would have done, which would be different.
How was the London schedule?
My two months in London was a great time. We roamed around Northampton in London and saw some really nice places. I spent a lot of time with new people and had some really interesting conversations with strangers. I think it's been a great trip.
Any interesting incidents concerning your co-stars?
Most of the shooting was in the night, it was so cold that when we were not shooting, we used to lock ourselves in the room. I had a great time with Vivan because we like the same things and we could talk a lot, though we did not shoot too much together. One interesting thing was that one day, I had an off so I went to a pub. I went to the bar counter and asked for a drink. There was an old man in his 80s. He said, ‘Excuse me, young man, don't you see we are sitting here?’ I had unknowingly invaded their space. I said 'I am really sorry sir' and later he asked me what I was having and insisted that I have what he was having. So before the bartender could get me my drink, he asked me to have a sip from his glass. And after I did, he said welcome to the gang. I had a one-hour conversation with three men 75, 79 and 83 years old. It was fun and in the conversation, I realised they were not friends but had, in fact, met at the bar. That's what I loved about it, you cannot do this here in India.
Sir Rod Stewart has called off a series of concerts in the US as he recovers from a bout of flu, just weeks before his anticipated set at Glastonbury Festival. The 80-year-old singer, who was due to perform six shows across Nevada and California in early June, announced that four have been cancelled and two will be rescheduled.
Sharing the update on Instagram, Rod apologised to fans and expressed his frustration at having to take a break. “I’m devastated and sincerely sorry,” he wrote. “I’ll be back on stage and will see you soon.” The cancelled dates include multiple shows in Las Vegas and Stateline, Nevada, while the California concerts will now take place in September.
Despite the setback, Stewart’s headline appearance at Glastonbury is still very much on. He’s set to take over the festival’s famous Legends slot on Sunday, 29 June, more than two decades since he last played the Pyramid Stage in 2002. At the time, he performed alongside Coldplay and Stereophonics, but this time he’ll return as the oldest artist ever to headline the Legends slot.
Speaking on The Peter Crouch Podcast, Stewart revealed he was only allocated 75 minutes for his Glastonbury set but has requested an extra 15. “I play for over two hours every night, 90 minutes is nothing,” he said. He also shared that Rolling Stones guitarist Ronnie Wood, his former bandmate from Faces, will join him for part of the show, making it a mini-reunion.
Cancelled ShowsInstagram/sirrodstewart
Slowing down but not stopping
Though Stewart has hinted that this might be his final major tour, he’s not ready to retire just yet. “This will be the end of big world tours, but I’m not hanging up the mic,” he said. Instead, he’s eyeing more intimate venues for future performances, possibly exploring a swing or Great American Songbook setlist.
Rod Stewart set to reunite with Ronnie Wood at GlastonburyGetty Images
Rod has faced several health issues this year, including strep throat and a recent round of vocal rest. Still, he seems determined to power through Glastonbury with his charm and energy. With hits like Maggie May and Da Ya Think I’m Sexy, fans can expect a career-spanning set worthy of the Sunday slot.
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Excitement builds at Glastonbury as fans speculate who Patchwork could be
Each year, Glastonbury drops a surprise that leaves music fans buzzing with theories, and 2025 is no different. This time, the curiosity centres around a mystery act called Patchwork, oddly positioned in a high-profile Saturday night slot on the Pyramid Stage. The catch? No such band officially exists.
As speculation runs wild, Glastonbury is once again playing its favourite game of musical hide-and-seek.
The second annual Glastonbury music festival, which saw the first use of a pyramid stageGetty Images
From Foo Fighters to fake names: Why fans are obsessed
Last year, a band called The ChurnUps turned out to be the Foo Fighters. This year’s mystery placeholder, Patchwork, has sparked an equally intense guessing game. Leading theories range from Pulp, whose keyboardist recently mentioned a patchwork hobby in an interview, to Haim, who have a free day in their UK tour. Others throw Mumford & Sons and even a possible Robbie Williams–Oasis supergroup into the mix, with hints drawn from album names and tour gaps.
The Pyramid Stage slot fuels wild theories from Pulp to Lady GagaGetty Images
While Pulp initially seemed likely, their official denial has dampened the odds, though fans suspect a bluff. Meanwhile, Radiohead, Lana Del Rey, and even Lady Gaga have surfaced in fan theories, all thanks to strategic schedule gaps and subtle clues.
Glastonbury’s surprise sets: folklore and fan detectives
Secret sets have become a signature tradition at Glastonbury. From Tom Jones in 1992 to Radiohead’s legendary Park Stage appearance in 2011, these spontaneous performances often become the stuff of festival legend. Some speculate that Patchwork could be the long-awaited Glasto debut of The Stone Roses, who’ve never played the main event but once surprised fans with a secret gig in a Somerset village marquee.
Secret sets have become a Glastonbury tradition that fans eagerly chaseGetty Images
Whatever the answer, Glastonbury’s true headliner this year might just be the mystery itself.
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Deepika Padukone joins Allu Arjun in Atlee pan India epic AA22xA6
Deepika Padukone has officially signed on as the female lead in Atlee’s highly anticipated film with Allu Arjun, tentatively titled AA22xA6. The announcement has come after her controversial exit from Spirit, directed by Sandeep Reddy Vanga, making this casting a major talking point in film circles and among fans.
The film’s production house, Sun Pictures, introduced Deepika with a video of her training for what appears to be a fierce action role. Concept sketches depict her as a warrior queen, leaping into battle with a massive axe. The video includes scenes of her practising fight choreography in a motion-capture suit and even riding a CGI horse while wielding a weapon.
The visual cues suggest a fantasy-meets-science-fiction world with Deepika at the centre of it. This will be her first screen outing with Allu Arjun and her second project with director Atlee after the 2023 hit Jawan. The makers are calling it a “magnum opus” and have brought on top international technicians, including VFX experts who have worked on Iron Man 2 and Transformers.
Hollywood-based creators involved in the project have publicly praised the film’s script. From creature designs to large-scale battle sequences, AA22xA6 will be one of Indian cinema’s biggest cross-industry collaborations yet.
Sun Pictures reveals the film logo with a teaser full of actionYoutube Screengrab/ Sun TV
Exiting Spirit, entering strength
Deepika’s casting comes soon after her exit from Spirit, which led to a social media stir. While Sandeep Reddy Vanga seemed to suggest she made unreasonable demands, sources close to the actor say she simply wanted an eight-hour workday, a choice influenced by her becoming a new mother.
Vanga’s cryptic posts online accused an actor of lacking commitment, but fans and industry insiders were quick to defend Deepika’s professionalism. Some even joked, “She doesn’t need Vanga,” applauding her for choosing stronger projects over toxic work environments. Replacing her in Spirit is Animal star Triptii Dimri.
Director Atlee guides Deepika through motion capture choreographyYoutube Screengrab/Sun TV
With AA22xA6, Deepika is not just stepping into a powerful role on screen, she’s also showing that leading women in the industry can call the shots without compromise.
Identical twins Croo and Sach have gained recognition in the fashion and digital space for their vibrant content, often shot in scenic locations. Heavily inspired by cinema, the ambitious Indian duo make bold style statements with their eye-catching outfits and have big plans ahead.
Eastern Eye asked the rising social media stars to share the 10 things that creatively inspire them most.
Rajesh Khanna’s acting and fashion: The legendary Hindi cinema icon has always been a huge inspiration for us. His romantic aura, unique walk, and killer fashion sense – especially those retro fits – influence a lot of our personal style. We love turning up in vintage clothes because they instantly bring out that old-school Bombay mafia gangster vibe we admire.
Dilip Kumar’s pure acting: There is a reason he is regarded as one of the greatest actors in Indian cinema. His raw, natural style is a masterclass for us. We study his expressions and pauses to craft emotion-driven reels. Whether we shoot dialogue-heavy content or silent dramatic clips, his influence is everywhere. He helps us elevate even the simplest concept into something powerful and deeply moving.
Amitabh Bachchan’s persona and vintage style: When the superstar burst onto the scene in the 1970s, his fierce screen presence redefined intensity – and that shapes how we approach high-energy, gritty reel content. We recreate cinematic moments with hard-hitting lines, commanding expressions and dramatic walk-ins. His blazer and sunglasses look and deep baritone also inspire how we style and deliver those punchy, “don’t mess with us” characters on Instagram.
Amitabh Bachchangetty images
The timeless beauty of Madhubala: Often hailed as the most beautiful star of Hindi cinema, Madhubala’s elegance influences how we frame our female leads. Soft lighting, dreamy close-ups and graceful movements – all come from her legacy. We use her timeless charm to blend vintage aesthetics with modern storytelling in our reels.
Madhuri Dixit’s 1990s glamour and dance: The dancing queen made a huge impact in her prime. The multi-talented star’s expressions and dance finesse have definitely inspired our rhythm-based reels. We blend Bollywood thumkas with glamorous visuals and fast cuts – always with her finesse in mind. Her 1990s colour palettes and glam styling also guide how we create fashion transitions in dance reels.
Ranveer Singh’s fashion and attitude: The unique actor’s over-the-top style and wild energy are our go-to when we want to break the internet. Loud outfits, bold moves and unexpected transitions – that is Ranveer’s zone. We love channelling his “no rules” attitude into our fashion-centric reels, adding an unapologetic flair to every frame we create.
Les Twins’ dance and fashion: The French duo – dancers, choreographers, producers, models and designers – have made an impact across multiple creative fields. They completely changed the way we view dance. Their precision, swag and effortless flow inspire us to choreograph sharp, clean and stylish reels. We also love their streetwear aesthetic – it has shaped how we dress, shoot and edit our content with a fresh, global urban vibe.
Ranbir Kapoorgetty images
Shah Rukh Khan’s struggle to stardom: The superstar’s journey really hits home for us. Coming from nothing and building an empire through passion, dedication and relentless hustle – that story is our biggest motivation. We see ourselves in that grind and share the same fire to prove something. Whenever we create reels or any kind of content, we channel his energy – starting small, thinking big and pouring our heart into everything. His romantic intensity, raw vulnerability and on-screen confidence push us to dream bigger and stay true to ourselves. He reminds us that the journey matters just as much as the destination.
Ranbir Kapoor’s acting: From the newer generation of actors, Ranbir inspires us with the way he fully becomes his character without ever overdoing it. There is a softness, depth and quiet strength in his performances that we try to bring into our creative reels. His expressions often speak louder than words, and that minimal, emotional style teaches us how to connect with the audience on a deeper level.
Instagram: @vaghelabrothers
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Lokesh Kanagaraj set to direct Aamir Khan in a high-octane superhero film
Bollywood icon Aamir Khan has officially revealed that he will be teaming up with Tamil filmmaker Lokesh Kanagaraj for a large-scale superhero action film. The project, which is still in its early stages, is expected to begin production in the second half of 2026.
A rare early reveal from Aamir Khan
Aamir is known for picking his projects carefully, usually choosing one at a time, often after his latest release has had its run. But this time, ahead of the 20 June release of Sitaare Zameen Par, he decided to open up about what’s coming next. In a media interaction in Mumbai, he confirmed that he and Lokesh Kanagaraj have signed on to create a superhero film. “It’s a big-scale action film,” Aamir said, adding that while production is still more than a year away, the plan is firmly in place.
Lokesh, known for action-packed Tamil hits like Kaithi, Master, Vikram, and Leo, has built a reputation for combining stylish action with grounded storytelling. Aamir, who has dabbled in the action genre with films like Ghulam, Ghajini, and Dhoom 3, is expected to bring emotional weight and mainstream appeal to this pairing.
When asked for more details, Aamir smiled and declined to say more, simply stating that the full picture would emerge in time. For now, both actors and fans will have to wait as the film moves towards pre-production.
No PK sequel, but a Dadasaheb Phalke biopic is in the works
During the same interaction, Aamir also addressed speculation about a sequel to PK. “That’s just a rumour,” he said plainly. “I don’t know where that came from.” Instead, he confirmed he will reunite with director Rajkumar Hirani for a biopic on Dadasaheb Phalke, widely regarded as the father of Indian cinema.
Meanwhile, Sitaare Zameen Par, a spiritual follow-up to his acclaimed 2007 film Taare Zameen Par, will see Aamir play a basketball coach working with a team of individuals with special needs. Directed by RS Prasanna and co-starring Genelia D’Souza, the film also introduces ten new actors.
Aamir Khan dismisses PK 2 rumours and confirms biopic on Dadasaheb PhalkeGetty Images
With multiple ambitious projects lined up, including a superhero film, a historical biopic, and the epic mythological saga, Aamir Khan is entering a creatively fertile phase of his career, balancing scale with substance.