2019 did not turn out to be a great year for Dharma Productions. Apart from Good Newwz and Kesari, both featuring superstar Akshay Kumar in lead roles, none of their offerings set the cash registers jingling at the box-office.
Kalank, a multi-starrer made on a huge scale, tanked at the box-office, incurring a massive loss to the production house. Their next release, Student of the Year 2, was expected to hit a century since Student of the Year had racked up a lifetime collection of Rs. 70 crores in 2012, but it could not even touch the mark set by its predecessor. The much-delayed actioner Drive released directly on Netflix and was panned by one and all.
After the failure of the aforementioned projects, Dharma Productions’ head honcho, Karan Johar, has reportedly retreated into introspection. The filmmaker is not only scrapping commercially unviable projects, but he is also cutting down the budget of his most ambitious directorial venture Takht. “From scrapping commercially uncertain projects to cutting down the budget of his ambitious directorial Takht, Karan Johar is considering all of that,” a source in the know tells an entertainment portal.
The production house has also decided to cut down the budget of its costliest production venture Brahmastra. Featuring Ranbir Kapoor, Alia Bhatt and Amitabh Bachchan in lead roles, the fantasy drama has already faced an inordinate delay in production and hence the makers have decided to tighten its budget.
“Ayan has been over-shooting Brahmastra. The film is taking longer to complete than any other previous Dharma Production. Costly stars like Amitabh Bachchan, Nagarjuna, Ranbir Kapoor and Alia Bhatt, all of whom have been paid their market price, are apparently charging extra for all the additional dates needed to complete Brahmastra,” adds the source.
Well, it will be interesting to see if getting along on a shoestring succeeds in getting the production house back on their feet. Talking about their forthcoming ventures for 2020, the slate includes films like Bhoot – Part One: The Haunted Ship, Gunjan Saxena: The Kargil Girl, Sooryavanshi, Brahmastra, Shershaah and Dostana 2.
Priyanka Chopra Jonas found a taste of home far from home this week. The global star, alongside her manager Anjula Acharia and friends, enjoyed a memorable meal at Michelin-starred chef Vikas Khanna's New York City restaurant, Bungalow.
Honouring heritage and handicrafts over dinner
Khanna shared a touching glimpse into the evening on Instagram. He focused on the restaurant's beautifully adorned glass ceiling, explaining its deeper meaning. "Everyone asks why we decorate it daily when some might not notice," Khanna wrote. His reason was personal: "It’s not just for guests below, but for loved ones watching over us from above. Today, I adorned it especially for Malti Marie Chopra Jonas."
The gathering doubled as a tribute to the upcoming Rath Yatra festival and specifically honoured the skilled artisans of Sambalpur and Western Odisha. Videos showed Khanna tying traditional Sambalpuri handkerchiefs around Priyanka and Anjula's wrists as a meaningful cultural gesture. The rainy NYC backdrop added to the intimate atmosphere.
A satisfied star and return visits
The Indian feast clearly hit the spot. Priyanka reshared a video from Anjula showing Chef Khanna expertly serving dishes, captioning it simply: “Still in a food coma. You’re the best host, Vikas.” Pictures revealed a relaxed Priyanka dressed smartly in a black dress and matching blazer, posing happily with Khanna and her group. This was her second return trip to Bungalow; she previously dined there last year with her husband Nick Jonas, thanking Khanna then for "a taste of home."
While young daughter Malti Marie was mentioned in Khanna's heartfelt caption about the ceiling dedication, she wasn't visible in the shared photos or videos. Fans can next catch Priyanka on screen in the action film Heads of State, streaming on Prime Video 2nd July, where she stars alongside John Cena and Idris Elba.
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Katy Perry and Orlando Bloom clash over space flight as breakup rumours grow
Things seem rocky between long-time couple Katy Perry and Orlando Bloom, with new reports suggesting an argument about Perry’s recent space flight may have added fuel to an already burning fire.
The pop star, who joined an all-female crew for a Blue Origin flight in April, reportedly didn’t get the reaction she hoped for from Bloom. A source claims the actor called the trip “embarrassing” and “ridiculous” during a heated exchange, leaving Perry hurt and confused by the lack of support. Despite publicly backing her before the launch and even being photographed at the site, Bloom allegedly changed his tune behind closed doors.
This tension comes as Bloom prepares to attend Jeff Bezos and Lauren Sánchez’s wedding in Italy this month, but without Perry. The irony? Bezos’ company made Perry’s space journey possible. According to insiders, Perry is upset that Bloom is “insisting” on going to the wedding, especially since she considers the couple her friends, not his. Meanwhile, she’ll be away on her Lifetimes tour and unable to attend herself.
Katy Perry and Orlando Bloom’s space row highlights deeper riftGetty Images
Career struggles and solo appearances spark breakup rumours
While Perry’s upcoming absence from the Bezos wedding has been chalked up to work obligations, sources say there’s more beneath the surface. Reports claim that the singer’s recent career disappointments, particularly the underwhelming reception of her album *143*, have added pressure on the couple’s relationship. Though Bloom was said to be supportive during the aftermath, the stress allegedly caused a noticeable strain between them.
The pair, who got engaged in 2019 and share a four-year-old daughter named Daisy, have weathered storms before, including a brief split in 2017 and a postponed wedding due to the pandemic. But insiders now suggest the relationship may be nearing its end, with one source bluntly stating, “It’s over. They’re just waiting for her tour to wrap before making it official.”
Orlando Bloom slammed Katy Perry’s space flight during argument as insiders say split is imminentGetty Images
Adding to the speculation, Perry was recently spotted without her engagement ring in Melbourne, just days after performing the breakup anthem I’m Still Breathing onstage in Sydney. Her tour ends on 7 December, and many believe the couple might make an announcement soon after.
Neither Perry nor Bloom has commented publicly on the reported fallout. But if the talks are true, a love story that began in 2016 may quietly come to a close before the year does.
Vijay can make a theatre erupt with just his presence. He is often boxed into labels like ‘mass hero’, ‘box-office king’ and ‘Thalapathy’. While those titles fit (no arguments there), they also distract from the core truth – Vijay’s immense acting ability.
As he turns 51 on June 22, it is the perfect time to look beyond the superstardom and revisit seven standout performances that reveal the powerhouse actor beneath the mass-hero persona.
Kaththi: This was the film that silenced critics who believed Vijay could only do ‘mass’ roles. Kaththi was not just a blockbuster – it was a benchmark in his career. And not because of the double role. Vijay pulled off something rare: he made you feel the difference between two men who looked the same but led entirely different lives. His restrained, nuanced portrayal of Jeevanandham, the social activist, stood in sharp contrast to the brash but evolving Kathiresan. The press meet sequence remains a highlight – powerful, emotional, and unforgettable.
Actor Vijay
Thuppakki: This was not just another action film – it redefined the template for commercial Tamil cinema. As army officer Jagadish, Vijay owned every frame with style, confidence and charisma. The tight screenplay fused slick action with smart plot, proving that mainstream cinema could be both intelligent and crowd-pleasing. The iconic interval line, “I’m waiting”, became a cultural moment in itself – short, sharp, and entirely unforgettable.
Mersal: Every superstar has a defining moment, and for Vijay, Mersal was it. Directed by Atlee, who balances emotion with spectacle, the film gave Vijay a platform to showcase his range and command. Playing three characters – Vetri, Maaran and Vetrimaaran – he did not just switch roles; he shifted energy, tone and rhythm. A particularly moving hospital scene peeled away the mass-hero veneer to reveal raw grief and moral outrage. It was a reminder that Vijay’s emotional depth is just as compelling as his screen presence.
Simran and Vijay
Thullatha Manamum Thullum: Long before the Thalapathy era, Vijay charmed audiences with his performance as Kutty, an innocent singer entangled in a tragic love story. There was no grand hero entry here – just a man who had spent years in prison for a crime he did not commit, unsure of whether his lover was still alive. Director Ezhil opened the film on a sombre note, setting the tone for a romantic drama that won hearts, making Vijay and Simran a beloved pair in Tamil cinema. Vijay’s breakdown after learning of his mother’s death – alone, in a toilet – was a quietly devastating scene that showcased his early acting strength.
Master: In Master, Vijay stepped away from his typical invincible roles to play JD, an alcoholic professor haunted by personal failures. This was a flawed, deeply human character – one who made mistakes and sought redemption. Critics noted the vulnerability in his performance as a refreshing shift. Under Lokesh Kanagaraj’s direction, Vijay brought restraint and reflection to the role. And what is rare in Tamil cinema? A superstar letting a co-star (Vijay Sethupathi, in top form as Bhavani) steal scenes – and still holding his ground. Vijay did just that.
Shalini and Vijay
Ghilli: A masterclass in commercial cinema, Ghilli turned Vijay into an unstoppable box-office force. A remake of the Telugu film Okkadu, Dharani’s version arguably outdid the original. Vijay’s energy as Saravanavelu electrified the screen, and Vidyasagar’s soundtrack only amplified the impact. The cat-and-mouse tension with Prakash Raj’s now-iconic antagonist Muthupandi kept viewers hooked. Ghilli redefined action-entertainers and became a cult classic – so much so that its 2024 re-release drew crowds back to cinemas, proving its enduring appeal.
Kadhalukku Mariyadhai: This film was a turning point in Vijay’s career. Under Fazil’s sensitive direction and backed by Ilaiyaraaja’s soulful score, Vijay delivered a measured and mature performance as a young man in love. It was a far cry from the louder roles he would later take on – instead, his portrayal here was rooted in simplicity and sincerity. The film’s success firmly established him as a romantic hero and showed his ability to carry emotional material with conviction. It also redefined what a love story could look like in Tamil cinema at the time, making Vijay a household name.
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Ed Sheeran performs Drive on a racetrack in the new F1 music video
British singer Ed Sheeran is shifting lanes musically. Known for his emotional ballads and acoustic pop, Sheeran has taken a bold turn into rock territory with Drive, a gritty new single written for Brad Pitt’s upcoming Formula One film, F1. The track, released ahead of the film’s 27 June global premiere, shows the singer ditching his usual gentle strumming for loud guitar riffs, pounding drums, and full-throttle energy.
A rock track built for speed and the screen
Sheeran shared that he was invited to write a song for the film and immediately knew he wanted it to feel like a proper “driving song”, something loud, intense, and worthy of the speed and thrill of Formula One. He teamed up with guitarist John Mayer and producer Blake Slatkin to bring that vision to life. The result? A track with Foo Fighters’ Dave Grohl on drums, Pino Palladino on bass, and Rami Jaffee on keys. It’s an all-star crew of rock musicians who helped Sheeran hit the accelerator.
In a behind-the-scenes post, Sheeran said working on Drive reminded him of his earlier soundtrack work, particularly I See Fire for The Hobbit. But this time, he said, the stakes felt different. “This felt like the dream setup,” he wrote. “I love film and art, and to create something tailor-made for a big action scene in a racing film is just special.”
Sheeran joins a stacked soundtrack for F1
Drive will be featured on F1: The Album, which drops alongside the film. Overseen by Atlantic Records’ West Coast president Kevin Weaver, known for producing soundtracks like Barbie: The Album and The Greatest Showman, the album also includes songs by Doja Cat, Burna Boy, RAYE, and Rosé from BLACKPINK.
The film stars Brad Pitt as Sonny Hayes, a former racing champ pulled out of retirement to mentor rising star Joshua Pearce, played by Damson Idris. Directed by Top Gun: Maverick’s Joseph Kosinski and produced by Jerry Bruckheimer with F1 legend Lewis Hamilton, the film promises high-speed drama and big-screen spectacle.
With Drive, Ed Sheeran has stepped far out of his comfort zone and into the driver’s seat of something unexpected and loud. The track is now streaming, and the countdown to F1 begins.
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Kajol hails Maa as her toughest physical challenge yet in exclusive Eastern Eye interview
In an exclusive interview with Eastern Eye, Kajol pulls back the curtain on her most daring role yet. Forget the dimples and that signature bindi for a moment. Kajol, the powerhouse we know for fiery roles and infectious energy, is stepping into chilling new territory. Her upcoming film, Maa, which hits screens on 27 June, isn’t built around cheap jump scares. It’s a raw look at the everyday fears that haunt parents, especially mothers. Chatting with her felt less like a fluff piece and more like an honest heart-to-heart.
Kajol wastes no time explaining what makes Maa stand out. “We’re tackling things mainstream cinema tiptoes around,” she says. “Child safety. The constant pressure of raising kids. The unspoken worries when you have a daughter. Even menstruation.” She lets each topic hang in the air before adding, “That’s exactly what drew me to it. It’s a gripping horror story, yes, but it’s also a chance to sneak in conversations most of us avoid.” Her hope however is simple: people might not dissect every theme consciously, but they’ll walk away questioning what we accept as “normal.”
Stills from the trailer of MaaInstagram/devgnfilms
A horror newcomer finds her groove
Fans know Kajol for her loud performances, energy and fiery roles. In Maa, though, her character radiates a quiet, simmering intensity. Did she have to unlearn her signature style? "Not unlearn," Kajol clarified, "but I was a total horror newbie!" She confessed she rarely watches the genre. "I walked in blind. I had no idea how emotionally and physically draining it would be." The biggest surprise? Finding the right pitch. "Horror has its own frequency. My director, Vishal Furia, kept gently nudging me, 'Ma’am, this is horror. You need to sync with the audience's fear, there are things happening behind."
Stills from the trailer of MaaInstagram/devgnfilms
Three decades in: Embracing freedom
With almost thirty years on screen and sky-high expectations, taking on something so different might sound daunting. Not to Kajol. “Daunting? Nah. I feel free. Freer than most, honestly." She dismissed the idea of proving anything. "I’ve never been in the rat race. I don’t have that 'chase, chase, chase' ambition. I’m perfectly happy chilling at home for a year or two, waiting for something that truly sparks my interest." Ironically, her 33rd year is her busiest in two decades. "But it’s because I want to work, not because I have to. Work is part of my life, not my whole life. That balance is very important to me."
Stills from the trailer of MaaInstagram/devgnfilms
Behind the scenes: Producer’s hat
Wearing a producer's hat this time, was there a hill she was willing to die on creatively? Kajol quickly deflected praise. "Honestly, huge credit goes to Ajay Devgn. He was the driving force ensuring 'Maa' looks and feels premium. Ajay made sure Maa looks and sounds top notch,” she admits. “In today’s world, a movie must hit a certain visual and technical bar just to get noticed.” From VFX and music to the film’s overall vibe and marketing push, they poured everything into creating a polished experience. “We can’t wait to see how audiences react on the 27th.”
Stills from the trailer of MaaInstagram/devgnfilms
The Real Takeaway? Just Enjoy Yourself
So, what big truth does Maa hold up for viewers? Kajol cut through expectations: “It’s not a preachy film. You won’t leave thinking, ‘Oh, that was the lesson!’” Instead, she insists, “You might have more fun than you expect. This one sneaks up on you.” For her and Ajay, that’s the point: “We make films to be felt and savoured, not overanalysed. So, relax and feel it and just have a lot of fun.”
Playing a mother pushed beyond reason in Maa. So, how did Kajol the real-life mom handle that? “Protecting your child is primal,” she says without hesitation. What shook her most was her character’s unyielding grit. “In reality, most of us would crumble under that kind of pressure. But she keeps going, even when all hope seems lost. That drive like that ‘I have to do something’ energy, that’s what I want everyone to take away.”
Kajol’s journey with Maa is all about confronting societal shadows and embracing genre challenges she never saw coming. This is a film that confronts real fears head on, guided by a performer unafraid to strip away artifice. Ready to see Kajol like never before? Maa arrives 27 June.