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John Abraham reacts to Middle East ban on 'The Diplomat': “We never pointed fingers at Pakistan”

John Abraham says the film steers clear of jingoism and portrays a balanced view of Pakistan.

John Abraham Breaks Silence on The Diplomat Ban in Middle East

John Abraham in a still from The Diplomat, a political drama inspired by a real-life cross-border rescue mission

T Series Films

John Abraham’s latest political drama, The Diplomat, has quietly become a sleeper hit back home but the film has run into unexpected trouble overseas. It has been banned in several Middle Eastern countries including the UAE, Saudi Arabia, Qatar, and Oman. There’s been no official explanation, but the decision has left the actor surprised and disappointed.

In an interview, John addressed the backlash. “We’ve shown Pakistani characters—lawyers, judges, even cops—as upright and principled. This is not a film made to insult any country. If anything, we were careful to show a fair picture,” he said. The actor added that the film avoids nationalist chest-thumping, something he was clear about from the start.


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Directed by Shivam Nair and written by Ritesh Shah, The Diplomat is inspired by the real-life efforts of Indian diplomat J.P. Singh, who helped rescue a young woman, Uzma Ahmed, from a forced marriage in Pakistan. The film presents the behind-the-scenes diplomacy, legal hurdles, and emotional tension involved in international rescue missions.

John admitted the team faced low expectations before release. “There was no big launch or marketing push. It just quietly released on March 14. But the audience found it, and that’s what matters,” he said. The film has since picked up steam with more shows added in Indian cinemas.


Taking on a more grounded role after Vedaa, where he wasn’t the main lead, John said he’s no longer chasing screen time. “You don’t need to scream patriotism or always play the hero to be part of a powerful story,” he said. “I want to be part of good stories, not just play the same glorified character again and again.”

Interestingly, John also revealed he’s been navigating his career without a PR team. “I’ve built whatever goodwill I have through my work, not through publicity stunts,” he said. For him, the focus remains on substance over style.

Despite the Middle East ban, The Diplomat is quietly making its mark, thanks to strong word-of-mouth and an honest, balanced portrayal of complex geopolitical realities. As John put it, “There are good and bad people everywhere. We chose to show that and nothing more, nothing less.”

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How Southeast Asian storytelling became one of Netflix’s fastest-growing global pillars

Inside Netflix’s 50% surge: the regional creators and stories driving Southeast Asia’s global rise

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How Southeast Asian storytelling became one of Netflix’s fastest-growing global pillars

Highlights:

  • Netflix says global viewing of Southeast Asian titles rose almost 50% between 2023 and 2024.
  • Premium VOD revenue in the region reached £1.44 billion (₹15,300 crore) last year, with 53.6 million subscriptions.
  • Netflix holds more than half of the region’s total viewing and remains its biggest investor in originals.
  • New rivals, including Max, Viu and Vidio, are forcing sharper competition.
  • Local jobs, training and tourism are increasing as productions expand across the region.

Last year, something shifted in what the world watched. Global viewership of Southeast Asian content on Netflix grew by nearly 50%, and this isn't just a corporate milestone; it’s a signal. Stories from Jakarta, Bangkok, and Manila are no longer regional curiosities. They are now part of the global mainstream.

The numbers tell a clear story. Over 100 Southeast Asian titles have now entered Netflix’s Global Top 10 lists. More than 40 of those broke through in 2024 alone. This surge is part of a bigger boom in the region’s own backyard. The total premium video-on-demand market in Southeast Asia saw viewership hit 440 billion minutes in 2024, with revenues up 14% to £1.44 billion (₹15,300 crore). Netflix commands over half of that viewership and 42% of the revenue. They have a clear lead, but the entire market is rising.

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