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Jimmy Shergill set to make digital debut

Talented actor Jimmy Shergill, who was most recently seen in Aanand L Rai’s comic-caper Happy Phirr Bhag Jayegi (2018), has been signed on to headline Applause Entertainment’s digital series, which will be produced by Sphere Origins, the popular production house spearheaded by Sunjoy Waddhwa and Komal Waddhwa.

Though the makers are presently tight-lipped about the plot of the series, what we know so far is that it will be set against the backdrop of Uttar Pradesh. Director E Niwas has been entrusted with the responsibility of helming the show.


“The series which is slated to go on floor in January next year has finalized Jimmy to play a pivotal role,” a source reveals.

The yet-to-be-titled series will mark the digital debut of Jimmy Shergill. The actor joins the likes of Sanjay Kapoor, Saif Ali Khan, Nawazuddin Siddiqui and many more actors who recently debuted on various digital platforms.

More details on the project are awaited.

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5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

Instagram/Netflix

5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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