Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
"Amitabh is mine, was mine, and will always be mine”: Jaya Bachchan’s shocking words that ended Amitabh Bachchan’s alleged affair with Rekha!
The untold truth behind Bollywood’s most controversial love triangle and why Amitabh Bachchan and Rekha never worked together again.
"Amitabh Is Mine!" – Jaya Bachchan’s bold statement that reportedly ended Amitabh and Rekha’s alleged love affairGetty Images
Amitabh Bachchan and Jaya Bachchan’s marriage has stood the test of time, but it hasn’t been without its share of speculation. One of Bollywood’s most talked-about topics remains the alleged romance between Amitabh and Rekha, an affair neither confirmed nor denied but still fuelling curiosity decades later.
For years, Amitabh has chosen to remain silent on the subject, while Rekha has given cryptic hints that kept the rumours alive. However, a recent revelation by author Hanif Zaveri on the Meri Saheli podcast sheds new light on why the affair reportedly ended. According to Zaveri, Amitabh and Rekha were deeply in love, but Jaya made a decisive move to protect her marriage. When Amitabh wasn’t home, she invited Rekha over for a conversation. After serving her food, Jaya reportedly told her, “Amitabh is mine. He was mine and will always be mine.” This direct confrontation led Rekha to step away, both from Amitabh personally and from working with him professionally.
Rekha’s final goodbye? Why she distanced herself from Amitabh Bachchan after Jaya’s confrontationPinterest
Amitabh and Rekha last appeared together in Silsila (1981), a film that eerily mirrored their rumoured real-life love triangle. Many assumed Jaya was the reason they never collaborated again, but she once clarified in an interview that it wasn’t her decision. She admitted their pairing was sensational on screen but suggested that their personal history made further collaborations unlikely.
“If there was something between them, he wouldn’t be here, right?” she said, dismissing the gossip. Despite maintaining a dignified stance, Yash Chopra, the director of Silsila, later added fuel to the speculation. In a BBC interview, he stated that the emotions in the film reflected reality, making it one of his most nerve-wracking projects.
Decades later, Amitabh and Rekha’s rumoured affair still sparks curiosityGetty Images
Even after all these years, the alleged affair between Amitabh and Rekha continues to intrigue fans. Whether it was real or just tabloid fodder, the secrecy and tension surrounding it make it one of Bollywood’s most unforgettable stories. Meanwhile, Jaya and Amitabh have remained together, proving that their bond has endured despite the whispers of the past.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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