Jay-Z, Diddy accused of raping 13-year-old in updated civil suit
The lawsuit alleges that Carter and Combs assaulted the minor at an afterparty following the MTV Video Music Awards in September 2000.
Rappers Sean Combs and Jay Z attend the 2015 NBA All-Star Game at Madison Square Garden on February 15, 2015 in New York City. (Photo: Getty Images)
By EasternEyeDec 09, 2024
MUSICIAN and producer Jay-Z has been accused in a lawsuit filed on Sunday of raping a 13-year-old girl alongside hip-hop star Sean Combs in 2000, according to court documents. The updated complaint is part of a civil case against Combs, and Jay-Z, whose legal name is Shawn Carter, has denied the allegations.
The lawsuit alleges that Carter and Combs assaulted the minor at an afterparty following the MTV Video Music Awards in September 2000. "Another celebrity stood by and watched as Combs and Carter took turns assaulting the minor. Many others were present at the afterparty, but did nothing to stop the assault," the complaint reads.
The document adds, "Carter has been with Combs during many such instances described herein. Both perpetrators must face justice." Jay-Z had initially been identified as "Celebrity A" in the complaint. The updated filing accuses him of filing a "frivolous" countersuit. The plaintiff is not named in the lawsuit.
In response, Jay-Z issued a statement on X, formerly known as Twitter, through his label Roc Nation, strongly denying the allegations and accusing the lawyer behind the suit, Tony Buzbee, of blackmail. "My lawyer received a blackmail attempt, called a demand letter, from a 'lawyer' named Tony Buzbee. What he had calculated was the nature of these allegations and the public scrutiny would make me want to settle. No sir, it had the opposite effect! It made me want to expose you for the fraud you are," the statement said.
— (@)
He continued, "These allegations are so heinous in nature that I implore you to file a criminal complaint, not a civil one! Whomever would commit such a crime against a minor should be locked away, would you not agree? These alleged victims would deserve real justice if that were the case."
Tony Buzbee, the lawyer representing the plaintiff, told AFP, "The pleading speaks for itself. This is a very serious matter that will be litigated in court."
Separately, Combs, known as "Diddy," faces charges of sex trafficking and racketeering. Federal prosecutors allege that he sexually abused women and forced them into drug-fueled sex parties using threats and violence. Combs, 55, has pleaded not guilty to all charges. His criminal trial is set to begin on May 5, 2025.
Combs has also faced a massive wave of suits promised by lawyers including Texas attorney Buzbee, who said in October that more than 100 alleged victims were planning legal action against him.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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