Jameela Jamil opens up about her battle with rare tissue disorder: I want to talk about it despite the fact people like to make fun of me’ | EasternEye
The She-Hulk star Jameela Jamil, who was most recently seen in Peacock’s series Pitch Perfect: Bumper in Berlin, has opened up about her battle with Ehlers-Danlos syndrome in a bid to raise awareness about the rare inherited condition.
The 36-year-old actress has shared a video of herself on Instagram where she can be seen pulling her cheeks to show how much her skin stretches. She explains to her followers that this happens as a result of the syndrome, which affects the body's connective tissue
“Hi look at this, Jesus Christ! This is not an app or filter. It is my face, look at how elastic that is. The reason it is so elastic is because I have EDS, I have HEDS three, the H because I am so hyper mobile,” she says in the clip.
Jamil further reveals how the condition affects her. She says she has trouble with her joints, and bruises more easily and it even affects bleeding and healing. “The joints, nothing bends the right way, everything bends the wrong way. I want to talk about it despite the fact people like to make fun of me because of my health. It is a serious condition and affects every part of your body and your mind and it is a dangerous thing to have if you don't know you have it. The way it affects bruising, bleeding, healing, if you want to have a baby ... I don't drink, smoke, do drugs,” she adds.
The actress advised everyone experiencing similar symptoms to go to a doctor. “I am worried at the fact I am disadvantaged with my health; it means you dislocate; your teeth are harder to work on, your struggles with migraines, random allergies. I am not a doctor but that's why I want you to go to a doctor ... if you're struggling with your joints and accidents all the time, please look at the symptoms. It really can save your life. The people who have it really look well. I love you, I'm with you, go get checked!"
Keep visiting this space over and again for more updates and reveals from the world of entertainment.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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