Jagame Thandhiram is all set to release on Netflix on 18th June 2021. The Karthik Subbaraj directorial stars Dhanush in the lead role.
Recently, while talking to PTI, the filmmaker opened up about casting Dhanush in the movie. He stated, "I always wanted to work with Dhanush. He is an extraordinary performer and I have loved his work since his debut with Thulluvadho Ilamai. Pudhupettai is one of my favourite films. He brings a lot of detailing to his characters. He just reads the script and decides what all things the character is going to do. How is he going to walk, laugh, and even the minor things."
In the movie, Dhanush plays the role of a gangster named Surli. In his last film Karnan also the actor portrayed the character of a gangster, but Karthik says that both the characters are different.
He said, "I recently saw Karnan and the way he has differentiated between these two characters is amazing. His performance as Karnan is entirely different from what he is doing with Surli. I don't know how he does this. When you write something and then the actors elevate it to a different level, it brings pure joy to me.”
Jagame Thaandhiram stars British actor James Cosmo in a pivotal role. But Karthik reveals that he earlier wanted Hollywood actor Robert De Niro to play the role.
The filmmaker said, "Initially, we had set the film in New York and we were looking for Hollywood actors. I wanted to cast Robert De Niro for the film but after some time, we realised that it won't be possible. It wasn't affordable either to shoot in New York.” Later, he decided to shoot the film in London.
Karthik added, "We needed a British actor and James Cosmo was on the top of our list. The process was very professional. You have to send the script and they will read it. If they like it, they will get back to you. James Cosmo liked the script and his character. That's how he came aboard the film. It was a great experience."
The movie was earlier slated to release in theatres, however, due to the pandemic, the makers decided to release it on Netflix. Producer Sashikanth said, "Given the circumstances today, you realise there are no theatres. But instead of focusing on the negative side of things, you look at the positive. We have a great film and as directors, producers, and everyone involved in the process, we want it to reach the maximum number of people in the best way possible.”
"And what better platform than Netflix, which has over 200 million subscribers. It is a global release. People around the world who are watching Narcos and House of Cards will now see a Tamil movie of the same standard," he added.
Post the release of Jagame Thandhiram, Karthik will resume the shoot of his next film which stars Vikram in the lead role. Talking about it, he said, "I have finished 50 percent of the shoot. But we had to stop the filming for safety purposes. Once the lockdown is over, we will restart work.”
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.