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“It’s difficult not to let the character you play impact you,” says Vidya Balan

Ever since beginning her Bollywood journey with Vidhu Vinod Chopra’s 2005 production Parineeta, Vidya Balan has portrayed a wide variety of characters on celluloid. Today, she is considered one of the finest actresses working in the Hindi film industry, whose credits includes such notable films as Paa (2009), No One Killed Jessica (2011), The Dirty Picture (2011), Kahaani (2012), Tumhari Sulu (2017), Mission Mangal (2019), Shakuntala Devi (2020), and Sheri (2021).

When asked if she takes back anything from her character or if they educate her in any way, Balan told a newswire, “Yeah absolutely. It is like you always take back something after you have an interaction with another individual. It is the same. You live this person’s life for one and a half months or two or maybe more because you start prep before that.”


The National Film Award-winning actress went on to add that it’s difficult not to get impacted by a character. “So, I almost stay with one character for at least four months. So, it’s difficult not to let that character impact you. I feel sometimes, you can articulate how the characters touched your life or changed you and sometimes you can’t but there is always it changes for me,” she signed off.

Vidya Balan has not announced any film after the release of Sherni. But if reports are to be believed, she is reteaming with producer Vikram Malhotra for their third consecutive collaboration after Shakuntala Devi and Sherni.

Nothing much is known about the untitled project at the moment except that it is a quirky comedy-drama, to be directed by Tumhari Sulu director Suresh Triveni. Talented actress Shefali Shah is also rumoured to be playing an important role in it. An official announcement is highly awaited.

Keep visiting this space over and again for more updates and reveals from the world of entertainment.

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You arrive in Kochi, and it feels like the sea air makes everything slightly sharper; faces in the city look purposeful, a film poster peels at the corner of a wall. In a city that has cradled a thriving film industry for decades, a single crime on the night of 17 February 2017 ruptured the ordinary: an abduction, a recorded sexual assault and a survivor who reported it the next day. What happened next is every woman’s unspoken nightmare, weaponised into brutal reality. It was a public unpeeling of an industry’s power structures, a slow-motion fight over evidence and testimony, and a national debate about how institutions protect (or fail) women.

For over eight years, her fight for justice became a mirror held up to an entire industry and a society. It was a journey from the dark confines of that car to the glaring lights of a courtroom, from being a silenced victim to becoming a defiant survivor whose voice sparked a revolution. This is not just the story of a crime. It is the story of what happens when one woman says, "Enough," and the tremors that follow.

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