Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Rihanna has once again got everyone talking. No, it's not about a new song or red-carpet look. It’s wedding bells, or at least something that looks a lot like them. On Tuesday, she dropped a fresh bridal-themed collection from her lingerie brand, Savage X Fenty.
In a pink lace set with a mini veil and thigh-highs, Rihanna posed next to a towering wedding cake… then kicked it over. That playful chaos and the whole vibe left fans guessing: is this just marketing, or is she hinting at her own walk down the aisle with longtime partner A$AP Rocky?
Rihanna’s Savage X Fenty shoot hints at more than just fashionCredit/ Instagram/badgalriri
The launch arrived just hours after Rocky appeared on the cover of Vogue, calling Rihanna his “past, future, internal, external, infinite” love. Their chemistry isn’t new. From their flirty 2012 MTV performance to starting a family together, they now have two young sons, and their journey has been anything but quiet and private.
The rumours of a secret engagement (or marriage) aren’t new either. Fans remember Rocky’s 2022 music video “D.M.B.,” where his grill asked, “Marry me?” and hers answered, “I do.” They’ve continued dropping subtle clues ever since, from Rihanna’s dramatic white cape at the 2023 Met Gala to cryptic captions like “Here comes the bride.”
Rihanna strikes a bold bridal pose in Savage X Fenty’s new collectionInstagram/badgalriri
But even if there's no wedding date circled yet, Rihanna knows how to use that speculation. Her latest bridal collection, made up of 43 pieces including veils, bustiers, lacy gloves, and robes, is clearly aimed at modern brides and those just in the mood to feel like one.
“It’s not about tradition,” said Vanessa Wallace, Savage X Fenty’s marketing head. “It’s about self-expression; bold, playful, and a bit rebellious.” Bridal stylist Barbara Letizia agrees: more clients now want looks that go beyond the ceremony. “They want to feel bridal all weekend, from rehearsal dinners to post-wedding brunches.”
Rihanna’s playful cake-smash in bridal lingerie fuels fan theories about a secret ceremony with A$AP RockyInstagram/badgalriri
And Rihanna, ever the queen of mystery, isn’t confirming anything. She rarely speaks on her private life, preferring to let fashion and visuals do the talking. Whether this was a clever brand move or a soft announcement, fans are eating it up.
Either way, she’s flipped the script yet again on what it means to be a bride!
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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