Indian film body condemns Nadav Lapid's controversial remarks on 'The Kashmir Files'
Nadav Lapid commented on the film ‘The Kashmir Files’ and called it “vulgar” and “propaganda” during the 53rd International Film Festival of India’s closing ceremony.
The Federation of Western India Cine Employees (FWICE) has issued a statement condemning Nadav Lapid's controversial remarks on the film 'The Kashmir Files' at IFFI.
FWICE in a statement called asked the Israeli filmmaker to issue an unconditional apology. "The FWICE, the oldest and the largest organisation of the workers, technicians and artists working in the Indian film industry sheltering scores of members under its huge umbrella- strongly condemns the statements of Israeli Filmmaker Nadav Lapid and seek immediate unconditional apology from him in writing. We appeal the director of the film festival to oppose the statement of Nadav Lapid. We are surprised to note the silence of the Ministry of Information and Broadcasting over the entire controversy," the statement reads.
Nadav Lapid commented on the film 'The Kashmir Files' and called it "vulgar" and "propaganda" during the 53rd International Film Festival of India's closing ceremony. Since then Israeli filmmakers received a lot of criticism on social media.
"FWICE thereby stands with solidarity in support of all our Filmmakers, Producers, Artists and Technicians associated with the Indian film industry," the statement concluded.
A video from the festival went viral in which Lapid was seen making controversial remarks about 'The Kashmir Files'.
"All of us were disturbed and shocked by the 15th film, The Kashmir Files. That felt like a propaganda, vulgar movie, inappropriate for an artistic competitive section of such a prestigious film festival. I feel totally comfortable to openly share these feelings here with you on this stage. In the spirit of this festival, can surely also accept a critical discussion, which is essential for art and life," he said in his speech.
Post that, many Bollywood celebs including Anupam Kher, Vivek Agnihotri, and Darshan Kumaar reacted to Lapid's comment.
Reacting to the comment, Vivek issued a video in which he said, "I challenge all these urban naxals and the legendary filmmaker who came from Israel that if they can prove any single shot, event or dialogue is not completely true, then I will quit filmmaking. Who are these people who stand up against India every time? These are the same people who never allowed Moplah's and Kashmir's truth to come out. These are the same people who were selling burning pyres for just some dollars, and now when I announced my next film 'The Vaccine War' they are standing against it also, but I am not afraid, do whatever you want to do but I will fight."
'The Kashmir Files' was released earlier this year in theatres and it told the story of the Hindu exodus in the 1990s and targeted killings of the Kashmiri Pandits.
The movie went on to become one of the highest-grossing Bollywood movies of 2022 and Anupam Kher received acclaim for his performance.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.