Indian film stars shone brightly in the 2024 Lok Sabha elections with voters showing their trust in newcomers Kangana Ranaut and Arun Govil as well as returning MPs Hema Malini, Manoj Tiwari, and Ravi Kishan.
The country went to the polls from April 19 to June 1 in seven phases to elect the 543 members of the 18th Lok Sabha.
Assembly elections were also held simultaneously in Andhra Pradesh, Arunachal Pradesh, Odisha, and Sikkim. The counting of votes took place on Tuesday.
In her first election, Ranaut defeated her rival, Congress' Vikramaditya Singh by 74,755 votes in Himachal Pradesh's Mandi. She polled 5,37,002 votes against 4,62,267 votes polled to King of erstwhile Rampur state, who is also the sitting state Public Works Minister and son of six-time chief minister Virbhadra Singh and state Congress chief Pratibha Singh.
Hema Malini was elected for a straight third term in Lok Sabha from Mathura (Uttar Pradesh) by securing 5,10,064 votes against her nearest rival, Mukesh Dhangar of the Congress, whose vote count of 2,93,407 votes.
Tiwari, a former Bhojpuri cinema star and BJP's candidate from North East Delhi, trounced Congress rival Kanhaiya Kumar by a margin of over 1.38 lakh votes.
This is Tiwari's third win in a row from the seat. In the 2024 general elections, he secured 8,24,451 votes. He was the only sitting MP from Delhi retained by the BJP for the 18th Lok Sabha polls.
Kishan, the BJP contender from Gorakhpur in Uttar Pradesh, was elected for a second consecutive term, securing 5,85,834 votes. He defeated Kajal Nishad from the Samajwadi Party by 1,03,526 votes to retain his constituency.
Ramayan star Govil, another newcomer fielded by the BJP besides Ranaut, emerged victorious in the Meerut seat in Uttar Pradesh earning 5,46,469 votes. While early trends were in favour of Sunita Yadav, Govil eventually bested the Samajwadi Party by a margin of 10,585 votes.
Actor-turned-politician Suresh Gopi, another BJP candidate, registered victory in Kerala's Thrissur constituency by gathering 4,12,338 votes. Gopi defeated VS Sunilkumar of the Communist Party of India by 74,686 votes. This is the BJP's first-ever Lok Sabha seat in the state.
Veteran actor Shatrughan Sinha, who was fielded as the Trinamool Congress candidate from West Bengal's Asansol, defeated his nearest rival S S Ahluwalia of the BJP by a margin of 59,564 votes. Sinha secured 6,05,645 votes, whereas Ahluwalia garnered 5,46,081 votes.
Sinha, who has had political stints under the BJP and Congress, joined the TMC in 2022 to contest in the by-election for the Asansol Lok Sabha constituency.
Actor-BJP politician Dinesh Lal Yadav, better known by his stage name Nirahua, lost in Uttar Pradesh's Azamgarh seat by a margin of 1,61,035 votes to his nearest rival Samajwadi Party candidate Dharmendra Yadav.
While Yadav polled 5,08,239 votes, Nirahua got 3,47,204 votes.
Actor and Janasena chief Pawan Kalyan won the Pithapuram Assembly seat in Andhra Pradesh defeating his YSR Congress Party rival Vanga Geetha by a margin of over 70,000 votes.
Kalyan polled 1,34,394 votes while his nearest rival Geetha secured 64,115 votes. The Janasena party contested 21 Assembly and two Lok Sabha constituencies.
Bengali actor-turned-politician June Maliah of the TMC won from Medinipur in West Bengal, defeated Agnimitra Paul of the BJP in a tough fight by a margin of 27,191 votes. Maliah garnered 7,02,192 votes, while Paul, state general secretary of the BJP, secured 6,75,001 votes. In 2021, Maliah was elected as Member of West Bengal Legislative Assembly from Medinipur.
In West Bengal's Birbhum, TMC's three-term MP and actor Satabdi Roy secured a win by garnering a whopping 7,17,961 votes over BJP's Debtanu Bhattacharya. Roy beat Bhattarcharya by a margin of 1,97,650 votes.
Actor and TMC MP Rachna Banerjee won the Hooghly constituency in West Bengal by securing 7,02,744 votes. She prevailed over Locket Chatterjee of BJP, also an actor, by 76,853 votes. This will be Banerjee's first term as a politician.
Dev Adhikary of TMC bested fellow actor and BJP's Hiran Chatterjee to hold on to his constituency Ghatal in West Bengal for the third time in a row. Adhikary, who polled 8,37,990 votes, defeated Chatterjee by a margin of over 1,82,868 votes.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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