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Imtiaz Ali to cast a fresh face as the female lead in his next

Moving on from the debacle of his last directorial, Jab Harry Met Sejal, renowned filmmaker Imtiaz Ali is gearing up to commence work on his next film. Toplined by Shahid Kapoor, who starred in his previous hit Jab We Met, the film will have a strong female character, just like all Imtiaz Ali movies.

While Shahid is onboard from the very beginning, Ali has yet not announced the name of his female lead. The latest we hear that he has made his mind to introduce a new face to portray the female part in the movie.


A report, published in one of the premier trade magazines, says that after launching the likes of the likes of Ayesha Takia in Socha Na Tha, Giselli Monteiro in Love Aaj Kal and Nargis Fakhri in Rockstar, Ali is looking at casting a fresh face opposite Shahid Kapoor in his next film.

An official announcement is expected to be made soon.

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Anurag Kashyap Dhurandhar

Filmmaker Anurag Kashyap has added his voice to the praise for Aditya Dhar’s spy thriller Dhurandhar

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Anurag Kashyap on 'Dhurandhar': "Ignored the propaganda dialogues and loved the filmmaking"

Highlights

  • Anurag Kashyap calls Dhurandhar a “significant” and “brilliant” film despite disagreeing with parts of its politics
  • Says he ignored what he viewed as propaganda lines and concentrated on the filmmaking
  • Compares the film to Hollywood war dramas often criticised for political messaging

Kashyap’s review singles out craft over ideology

Filmmaker Anurag Kashyap has added his voice to the praise for Aditya Dhar’s spy thriller Dhurandhar, saying he admired the film even though he did not agree with all of its political messaging. Writing on Letterboxd, Kashyap said he chose to look past what he felt were a couple of propaganda-heavy moments and instead focus on the quality of the filmmaking.

He noted that hostility towards an enemy state is often built into the genre itself, adding that he had no issue with that aspect. However, he pointed to two specific dialogues that troubled him, saying that setting them aside allowed the film to work strongly on its own terms. He described Dhurandhar as a good, and ultimately brilliant, film largely set in Pakistan.

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