Former beauty pageant winner Apeksha Porwal surprised everyone with her debut performance in the hit streaming show Undekhi (2020). Critics praised her for her intense and raw performance as Koyal. After the huge success of Undekhi, SonyLIV recently launched Undekhi 2, which saw the return of several cast members from the original, including Porwal. Just like its predecessor, Season 2 of the show also garnered a positive response from the audience.
In a candid conversation with Eastern Eye, Apeksha Porwal talked in detail about her character Koyal, how she bagged the role, the preparation that went into playing the part to perfection, and much more. The actress also spoke about how the success of the show changed her life. Excepts…
Undekhi received an overwhelming response from the audience. Did you expect it?
What happened with season 1 is what people sort of call a sleeper hit, right? Because when we made the show, it was not like we had too many known faces apart from senior actors like Harsh Chhaya and Dibyendu Bhattacharya, of course. But we were all sort of sold on the story and the script, so we made season 1 and nobody expected that would be the response. We were all very overwhelmed by it. I definitely feel it is a very well-written script by the writers and we have a very edgy thriller on our hands.
How did you bag the part of Koyal and how did you prepare for the same?
I had done a bit of theatre before. What I did right before Undekhi was that I was a part of Miss India and I won that year in 2017. I was auditioning like any other person. But there was nothing that was meaty or really was a character that sort of spoke to me.
Once casting director Kavish Sinha called me. It was for the character of Koyal. I am so grateful that he saw Koyal in me because back then, I wasn’t getting any roles in this space despite I kind of wanted to explore it. Kavish saw it in me that I could play that and he called me for the audition. So, the first time I went wearing all the make-up, did the audition, came back. Then they called me again, with zero make-up. I did the audition and came back. Then there were like two-three rounds of this. They always say that never get attached to a part that you are auditioning for because you never know we end up auditioning so much that if you start getting attached to everything that you are auditioning for how are you going to balance yourself.
Having said that, from the minute I read the script which was a one-pager and in that one-pager, I had only one line at the end. And I was like I have to do this part. I want to do this part. I think the entire process took around six to nine months and I believe I was one of the last few people to be cast in season one, the rest of the cast was already there and Koyal was a little tricky for them to cast because of the way the character is and you have to look the part. That’s how it happened and I think I was the happiest when I got the call that I am playing Koyal.
Koyal is completely different from you in real life. How challenging was it to play such a character?
Oh, I think, it is a whole 180-degree turn completely. Which is what was actually thrilling for me to play, to be honest as my first role on screen. She comes from a tribal background, she belongs to the Sundarbans, she is a girl who has been molested in her childhood who’s been hounded by Sarkar, who had to leave and find her way in the jungles so as to escape from this person. She has gone through so many hardships and even season 1, the point where it leaves off is when I see my sister shot dead in front of me who is the only person for me in the world. I see Praful being shot dead, I see Rishi, my companion, being shot dead. It ends with me having a bullet wound in my stomach. So that is a lot of baggage and a lot of hardships to have come through to the point of starting season 2.
How did you prepare for the character?
So, there was a lot of preparation that went into it. Starting from working on the body language, on the voice of the character, on the way she sits, the way she talks, the way she looks at someone, how does she speak, like how does she run, and all of those things, the body language, working on the Bengali accent. I worked with an accent coach for that. Even the action training, for that matter, with action director Raj Shinde and his fabulous team was great. I had a bit of action training in Bombay. Then we did all the stuff there but the most important thing to me at any point is playing the character as authentically as possible. So even in action, we would make sure that it won’t feel like I have been trained for it because it has to be raw. She knows what she knows and she can defend herself, she can kill with a hair-stick because she had to live in the jungle, she had to deal with people like Sarkar at a very young age. She killed Sarkar before coming here. So, whatever she knows comes out of defense as supposed to be the trained attacker, right? So that rawness in the action scenes was very important to me. We worked a lot on the physicality, then there was working on the emotional and inner life side of it, which is a whole different ball game and we did a lot of workshops for that, we referenced films, I had so many discussions with Ashish sir. Even before starting the schedule, we had days and days of workshops. Sometimes we would just go and sit with sir, discuss scenes, discuss how should this be done and how should that be done. Even in Manali, at night we used to sit and discuss with sir that we would this scene this way the following day. Having said that, you prepare a lot, and then when you are on set and it is action, you keep all that preparation aside, and then it is just about being in the moment and being Koyal as much as I can be Koyal and live in Koyal as supposed to think that I have prepared for this and all that. So, I think, yeah, a lot goes into creating a character to reach a point where you just forget that you have created that character and then just get into the skin of it.
How did the success of Undekhi change your life?
Undekhi S1 came out in lockdown in 2020. There were no extravagant motion posters or boardings put to promote the show. I think we had two teasers out and then the show released. That is what spoke for it, that word of mouth and people actually really enjoying the content is what mattered. To me, some of the sweetest messages came from people that I wanted to reach out to, from casting directors to directors like Anurag Kashyap. Those are the things that mattered to me the most because these are people that I look up to. It changed in a way that I guess opened up other opportunities for me. It is a body of work that is out there, which is a character that is so different. I don’t think a character like that up until then even had sort of being written in the OTT space or, you know, very far and few between are written like Koyal. So, to play a part like that, to live a part like that also gave me a sense of confidence, a sense of having something that actually was successful and people liked it. So yeah, it opened up opportunities and it was seen by people who mattered. I think that’s what matters the most to me.
Ed Sheeran’s latest single, Sapphire, is out now, and it marks a new chapter in his musical journey. With the Indian rhythms, rich storytelling, and unexpected star power, Sapphire is a big cross-cultural leap for the British singer-songwriter.
A musical journey through India with Arijit and SRK in the spotlight
Bringing together the soulful voice of Arijit Singh, choreography by Bollywood icon Farah Khan, and a surprise appearance by Shah Rukh Khan, the song celebrates global connection. Recorded during Sheeran’s visit to India earlier this year, Sapphire captures the spirit of collaboration and joy. From a sitar-laced melody to Arijit's vocals, the track has the feel of a summer anthem rooted in shared sounds and stories.
Shah Rukh Khan makes a special appearance in the Sapphire music video
The music video, directed by Liam Pethick, traces Sheeran’s journey across India, starting on a rooftop at sunrise and winding through beaches, bustling markets, and backlot film sets. There is even a stop at A.R. Rahman’s music school, where he jams with young musicians. One standout moment was a studio session with Arijit and a bike ride around his hometown.
In his own words, Ed says, " Sapphire was the first track that really gave me direction for the album. I finished it in Goa with some amazing Indian musicians. Getting Arijit on board was the missing puzzle piece. We even recorded a Punjabi version that drops soon; it’s one of my favourites on the record."
Ed Sheeran and Arijit Singh in India
New album Play coming this September and live shows sell out instantly
Sapphire is part of Sheeran’s upcoming album Play, releasing on 12 September 2025. After closing the Mathematics era, this album sees him experimenting with sounds from India and Iran.
In other exciting news, Sheeran’s homecoming gigs in Ipswich, his first UK headline shows since 2023, sold out immediately. Taking place at Portman Road Stadium in July, the three-night run will feature guests like Tori Kelly, James Blunt, and Busted. A portion of ticket sales will go to The Live Trust, a new fund aimed at supporting grassroots music professionals.
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Badshah reacts to backlash over controversial Dua Lipa comment
Rapper Badshah found himself in hot water after a social media post about global pop sensation Dua Lipa. What started as a simple tweet, her name with a heart emoji, quickly spiralled into chaos when a fan asked if they were collaborating. Badshah's response? "I'd rather make babies with her bro."
Badshah's viral response to the comment under his tweet Twitter Screengrab
The backlash was instant. Critics called the remark objectifying and disrespectful, forcing Badshah to clarify. Trying to douse the fire, he later posted, "I think one of the most beautiful compliments you can give a woman you really admire is to wish for her to mother your children. Meri soch nahi, tumhari soch saamne aayi hai." But the clarification didn't sit well with many, who criticised him for doubling down rather than acknowledging the issue. "Since when did that qualify as a compliment?" one user wrote, while others called it tone-deaf and entitled.
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Honey Singh joins the fray with a sarcastic jab
As the debate raged on, Badshah's longtime rival, Honey Singh, couldn't resist chiming in. Reacting to the rapper's explanation on Instagram, Singh dropped a sarcastic "Genius 😂👏👏," clearly mocking the justification. Fans caught the dig immediately, with some laughing at the not-so-subtle jab between the two, who've had a rocky relationship for years.
Badshah had previously expressed a desire to end their feud, but Singh's latest comment suggests the tension isn't fading anytime soon. Meanwhile, the rapper continues to make headlines, whether for his dramatic weight loss, rumoured romance with Tara Sutaria, or this latest controversy. One thing's clear: Badshah knows how to stay in the spotlight, but not always for the right reasons.
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During an interview on Nikhil Kamath’s podcast People by WTF, Sarandos said he may have chosen a more “populist” route if he could go back, admitting the series was perhaps too novel for the Indian market at the time. The comments didn’t sit well with Kashyap, who fired back on social media, calling Sarandos “the definition of dumb” and sarcastically suggesting the platform should’ve launched with traditional “saas-bahu” content instead.
Kashyap takes aim at Netflix’s shift to mass-market content
Kashyap’s reference wasn’t just casual; it came at a time when Netflix India has partnered with Balaji Telefilms, led by Ektaa Kapoor, best known for her highly successful daily soaps like Kyunki Saas Bhi Kabhi Bahu Thi. The filmmaker’s post read: “He should have started with Saas Bahu… he would have done well. Which he is doing now. I always knew tech guys are dumb when it comes to storytelling, but @tedsarandos is the definition of dumb is what I didn’t know.”
The post sparked debate online, with even singer-actor Lisa Mishra chiming in to support Kashyap, saying that everything on OTT today is “derivative… specifically of Sacred Games.”
Kapoor, without naming Kashyap, responded via Instagram by accusing unnamed artists of being classist. She defended soap operas, claiming they gave a voice to Indian women and were even studied by international researchers. Her post ended with a call for inclusivity and “graciousness.”
Ekta Kapoor's story Instagram screengrab/ektakapoor
A clash of content ideologies in India’s OTT landscape
Sacred Games, co-directed by Kashyap and Vikramaditya Motwane and starring Saif Ali Khan and Nawazuddin Siddiqui, was a landmark moment for Indian streaming content. Though it didn’t continue past two seasons, it opened doors for darker, more experimental storytelling in Indian OTT.
Sarandos’ comments appear to suggest that while Sacred Games earned critical acclaim, it may not have been the right commercial launchpad for Netflix in India. Kashyap, however, sees the platform’s current pivot toward formula-driven programming as a step backward.
Ted Sarandos talks about Sacred Games for Netflix IndiaGetty Images
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In photos circulating online, the Chihiro singer and Wolff are seen locking lips while casually dressed in matching grey T-shirts, enjoying champagne and sunshine in one of the world’s most romantic cities.
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A long-rumoured connection comes into focus
While this is the first clear public display from the duo, Eilish and Wolff’s bond goes back a while. They worked together on her music video Chihiro, which she directed. Around the same time, Nat and his brother Alex opened for her during the North American leg of her Hit Me Hard and Soft tour in 2024.
Fans first started speculating about their closeness earlier this year when the two were seen leaving the iHeart Music Awards together and later on a night out in New York City. Although both had previously described their friendship as platonic, there seemed to be more under the surface.
Fans react as Billie and Nat’s long-rumoured romance takes centre stageGetty Images
In past interviews, Wolff described their connection as one of shared understanding, particularly around living with Tourette syndrome, a condition both have spoken about. “It’s rare to find people you don’t have to explain yourself to,” Wolff once shared, adding that he and Eilish could just “be” around each other.
Keeping it private until now
Eilish has openly said she regrets how much she’s shared about her personal life in the past. In an interview, she stated she wanted to keep her dating life and sexuality out of the spotlight going forward.
A kiss in Italy sparks fresh buzz around Billie Eilish’s love lifeGetty Images
“I wish no one knew anything about my dating life,” she said. “And I’m never talking about who I’m dating ever again.”
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The cast of Maybe Happy Ending celebrates their big night at the Tony Awards
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From Seoul to Broadway: A story born in two languages
Maybe Happy Ending wasn’t always destined for the bright lights of Broadway. It first opened in a small Seoul theatre in 2016, a result of a local arts foundation’s programme. Co-created by South Korean lyricist Hue Park and American composer Will Aronson, the story explores loneliness, connection, and memory through the eyes of obsolete robots. Written in both Korean and English, the piece has been reimagined several times since its debut.
Darren Criss, known to many as a Glee star, played Oliver and took home his first Tony for the role. His co-star Helen J Shen portrayed Claire, the other robot. Together, they brought the emotional weight to a futuristic love story that’s more human than it sounds.
While the robots explore feelings in a near-future Seoul, the show managed to preserve distinct Korean elements like Jeju Island and the traditional plant pot hwabun on the Broadway stage, something fans celebrated online.
A cultural shift, decades in the making
With this win, South Korea joins the rare club of nations with major victories across all four major American entertainment awards, including the Oscars, Emmys, Grammys, and now Tonys. From Parasite to Squid Game, and now Maybe Happy Ending, Korean creators are no longer breaking into the global scene, they’re leading it.
The success also validates years of quiet work in South Korea’s theatre scene. Original musicals like Marie Curie and The Great Gatsby have made appearances in the West End and on Broadway, but Maybe Happy Ending marks the first time a Korean musical has truly swept the Tonys.
As one critic noted, more than awards, it’s about shifting global perspectives. Korean musicals are no longer export hopefuls. They’re now centre stage.