Romesh Ranganathan, who is patron of the suicide prevention charity Campaign Against Living Miserably (Calm), said that he had times in his life when he was suicidal.
For those not in the know, the actor and comedian struggled badly after his father’s prison sentence, and when he did badly in his A-levels.
“I had times in my life when I was suicidal, and I came really close,” he told The Telegraph. “I thought about how I was going to do it.”
He also revealed how he ended up getting involved with Calm.
“The trigger for me was a guy I used to teach with, who went through a really tough time. We all rallied around him. I went for dinner with him (in 2019) and he was talking really positively about his future,” he said. “Two weeks later I heard he had taken his own life. Selfishly, you can’t help but think ‘What did I not do that I could have done?’ Then you start thinking ‘What could I do going forward?’”
Ranganathan is currently training for the TCS London Marathon, scheduled to take place on April 21. He will run as part of the Calm’s team which includes Natalie Clements, whose brother Aaron died by suicide, and Luke Remfry who had suicidal thoughts when he felt “lost” following the breakdown of a relationship.
The 46-year-old also opened up about his kids and the dangers of social media in their lives.
“People tell me I’m s— every day on social media. I’m immune to it, but (my children) are not. They see social media as all-encompassing, whereas I see it as a thing that I use,” he said. “If they have an issue at school, they don’t escape that when they come home. If you were having the p— taken out of you, home used to be a sanctuary. You’d get s— at school but your mum and dad wouldn’t know about it. You’d just have dinner and they’d ask why you’re not a doctor,” he jokes.
He further said, “My kids can’t escape it. We had to have an agreement that Leesa and I can look at everything on their phones. Saying to a kid ‘it doesn’t really matter, you’ll move on’ doesn’t mean anything. Their value is so tied up in how their mates perceive them. It is a hard thing to negotiate.”
Ranganathan said that his work also means his sons are exposed to some of the worst parts of the internet, in the form of the racist abuse he still endures.
“My kids know that I get racist stuff online. What you’re seeing is a version of road rage. People behave in a way they wouldn’t face to face.”
When asked if Britain still going the right way on race, he said, “Yes, I do. But it’s a tricky thing to handle because it has become publicly less acceptable to say those things, but it hasn’t become less acceptable to feel those things. And you can’t legislate for how somebody thinks.”
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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