Actor Irrfan Khan on Friday (16) revealed that he has been diagnosed with neuroendocrine tumour, a rare form of cancer that can target various parts of the body, and is out of the country for treatment.
The actor, 51, said it has been difficult dealing with the disease but added that people around him have given him hope and support to fight it.
“The unexpected makes us grow, which is what the past few days have been about. Learning that I have been diagnosed with Neuro Endocrine Tumour as of now has admittedly been difficult, but the love and strength of those around me and that I found within me has brought me to a place of hope,” Irrfan said in a media statement.
“The journey of this is taking me out of the country, and I request everyone to continue sending their wishes,” he added.
The Piku actor also addressed the rumours surrounding his illness, saying neuro is not always about brain and thanked those who had not speculated about his health. “As for the rumours that were floated, NEURO is not always about the brain and googling is the easiest way to do research. To those who waited for my words, I hope to be back with more stories to tell,” he said.
Neuroendocrine tumours are described as neuroendocrine carcinomas. They can start in a number of places in the body, including the lungs and the gastrointestinal tract. Dr. Sunil Kumar, assistant professor, surgery (Oncology) at the All India Institute of Medical Sciences in New Delhi, described neuroendocrine tumour as a “special or rare” form of cancer.
“They originate from nerve and gland tissues combined. These are special cells which are present in either the GI (gastrointestinal) tract or in the lungs. There are special cells which are generally immature in nature and don’t have very good behaviour.”
If detected early, it is treatable, he said.
Irrfan first spoke of his health on March 5, when he revealed that he was suffering from a ‘rare disease’ but was yet to get a conclusive diagnosis.
“Sometimes you wake up with a jolt with life shaking you up. The last fifteen days, my life has been a suspense story,” he had said.
On February 21, the actor’s spokesperson had released a statement that he was diagnosed with a “severe case of jaundice”.
The next day, director Vishal Bhardwaj, who was scheduled to begin the shoot of his next, starring Irrfan and Deepika Padukone, postponed the filming of the project citing health concerns of his lead actors.
Irrfan, one of India’s most versatile actors, has also made a name for himself in the west, where he has been a part of critically-acclaimed films such as The Namesake, Life of Pi and Jurassic World.
At home, the actor has delivered standout performances in films such as Paan Singh Tomar, Haasil, Maqbool and Piku.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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