How Indian talent DJ JPeezy is lighting up the London party scene
The popular DJ talks about his DJing journey and forthcoming Bollywood party with leading promotor Bombay Funkadelic
By Asjad NazirJun 22, 2023
NEW DELHI-born DJ JPeezy has been lighting up the London club scene with his marvellous music and masterful mixing.
Real name Jagpreet Singh, the dynamic DJ has held high-profile residencies across the capital and will be playing at various events throughout the summer, including the Big Bollywood Boat Party next week at Victoria Embankment in central London, along with the afterparty at The Camden.
Eastern Eye caught up with him to discuss his DJing journey and forthcoming Bollywood party with leading promotor Bombay Funkadelic.
Could you tell us what first connected you to DJing?
I always loved music. I was discovered by a DJ recruitment company back home on the basis of a conversation I had with one of their DJs. The year was 1998 and my knowledge of worldwide music was way ahead of its time. They took me on, trained me and rest is history.
What has been the most memorable moment of your DJing journey?
There are so many from DJing for Bollywood actors to winning DJ competitions. But holding residencies in mainstream London clubs where you hardly see Indian DJs, especially an immigrant like me, is a memorable achievement that I won’t forget. I’ve played at Ministry of Sound, Dirty Martini, and many more high profile venues.
How would you describe your DJing style and the kind of music you play?
My style is an open music format, which caters to people from all walks and regions. I can play everything from rock to house, r’n’b and reggaeton. I like taking on challenges, so have also done K-pop and Turkish parties too.
What can we expect from you at the forthcoming Bombay Funkadelic boat party?
A high energy mix of old and new school Bollywood with some of my remixes of popular Hindi film songs.
What is it like working with Bombay Funkadelic?
They are very professional, which I am a fan of. Both Shai Guy (resident DJ) and Jas Bajaj (promoter) have been very welcoming and even though I have only done a few gigs with them, I feel like I have worked with them for a while.
How much of a DJ set do you plan beforehand?
Here is a thing about me – I never plan a set. I always look at my audience and play accordingly.
Do you have go-to songs that always get a great response?
Every crowd is different. What might work in one party doesn’t mean it will work well in another. At the moment my deep house remix of Kesariya is getting great feedback on the floor.
Do you ever feel pressure while DJing?
In the beginning yes, but as I have matured in the trade, the fear and pressure have eased off.
What inspires you?
I’m inspired by great people and their great stories of how they have overcome hardships and become successful.
What is the secret of a great DJ set?
Expect the unexpected and enjoy yourself. Transitions between songs must be immaculate, which is the reason I rarely drink while I am DJing.
What music dominates your own personal playlist?
At the moment, it’s drum ’n’ bass with a dash of 1990s rap.
Why should we all come to The Big Bollywood Boat Party next week?
You’ll be getting an amazing boat cruise across the capital and be able to party to your favourite Bollywood songs as you see so many of London’s famous landmarks. You’ll sail past the London Eye, Tower Bridge, Houses of Parliament, and the Shard. Those with extra energy can go to the after party in Camden. It’s certainly value for money.
The Big Bollywood Boat Party next Saturday (1) on The Golden Jubilee, Temple Pier, Victoria Embankment, London WC2R 2PN, 7.30pm-11.30pm, with the afterparty at The Camden, 65 Crowndale Road, Greater, London NW1 1TN, 11pm-4am. www.fatsoma.com Instagram & TikTok @bombayfunka delic and Instagram: @dj_jp_ig
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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