Produced by Bhushan Kumar, Allu Aravind, and Aman Gill, the movie is the official Hindi adaptation of the 2020 Telugu action drama Ala Vaikunthapurramuloo starring Allu Arjun.
Calling Shehzada a “family mass entertainer”, actor Kartik Aaryan on Thursday said he hopes the upcoming film crosses the £20 million milestone at the box office.
Aaryan, whose Bhool Bhulaiyaa 2 was among the handful of hit films to come out of Bollywood in 2022, said the success of the movie will also be beneficial for the industry.
“I'm grateful for people coming and watching my films in theatres and I hope the same thing happens with this film and with my future films, too. I hope Shehzada crosses the Rs 200 crore (£20 million) mark.
"I'll be very happy and the industry would also benefit. It's a total family mass entertainer. So, I hope families come in large numbers,” the actor, who has turned producer with Shehzada, told reporters in Mumbai.
Aaryan was speaking at the trailer launch of the film.
Shehzada, directed by Rohit Dhawan, reunites Aaryan with his Luka Chuppi co-star Kriti Sanon. The film also stars Paresh Rawal, Manisha Koirala, Ronit Roy, and Sachin Khedekar.
Produced by Bhushan Kumar, Allu Aravind, and Aman Gill, the movie is the official Hindi adaptation of the 2020 Telugu action drama Ala Vaikunthapurramuloo starring Allu Arjun.
Kumar, who had produced Bhool Bhulaiyaa 2, said he hopes Shehzada crosses the earnings of last year's Anees Bazmee-directed horror comedy.
“We'll definitely break the record of Bhool Bhulaiyaa 2. That was a complete family entertainer, this is an even bigger family entertainer, and people are loving such films. This has everything: family, action, comedy, and music. So, it's sure to break Bhool Bhulaiyaa 2 (box office)'s record.” Allu Aravind, Shehzada co-producer and father of Pushpa: The Rise star Allu Arjun, said he was impressed by Aaryan's work in the film.
"I have a long association with Bhushan and it's always been a fruitful one. When I saw the first rushes of our hero (Kartik), I was flat,” he added.
Sanon said she loved working with Aaryan as they look good on screen together.
“I love working with him, he's always very supportive. He's a friend, someone I'm extremely comfortable with. As entertaining an experience as the film itself, and we look very good together, don't we?” Dhawan said Aaryan and Sanon had performed beyond his expectations.
“These two have given all that a director can ask for from his actors. Kartik has given his blood, sweat, literally everything, which you will eventually see. It's not an easy film for an actor to do,” added the director.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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