As someone who has parallel careers in Hindi cinema and Hollywood, actor Ali Fazal believes he hasn't been "pushed enough" as an artist.
The actor, who is known in India for such movies as Fukrey, Happy Bhag Jayegi, and Bobby Jasoos, as well as the hit Prime Video series Mirzapur and has done Hollywood features such as Furious 7, Victoria & Abdul, and Death on the Nile, said the goal is to be part of great stories.
"Honestly, I haven’t been pushed enough as an actor here (Bollywood), anywhere, even in Hollywood. It is fine, I'm not worried too much because those are teething problems as I am somebody coming from outside. So I will take that much time,” Fazal told PTI in an interview.
"I guess I fall into a weird mix where I have to juggle both sides... I just want to be part of good films. I think we have great stories here. In fact, that is one of the reasons why we have started producing but time becomes an issue," he said, referring to his production banner Pushing Buttons Studios with actor-wife Richa Chadha.
Fazal, 36, currently stars in Kandahar, a Hollywood action drama, headlined by Scottish star Gerard Butler. The movie released on Prime Video on Friday.
Directed by Ric Roman Waugh of Angel Has Fallen and Greenland fame, the action-thriller draws inspiration from true events from the life of a former military intelligence officer.
In the movie, Fazal plays the role of Kahil, who goes up against Tom Harris (Butler) in a dangerous game of cat and mouse.
Fazal said he was drawn towards the film as it gave him the opportunity to work with Waugh and Butler, known for Hollywood hits "300", "P.S. I Love You", "Den of Thieves", and the "Has Fallen" series.
Though the two actors have just one scene together, Fazal said they bonded over food and movies as well as Butler's next visit to India.
"We had conversations about films, food, and about India, his next visit to India hopefully... He keeps going to Rishikesh a lot. Hopefully, next time when he comes, I will host him. It is the start of a very good friendship if I can call it that,” Fazal said.
Butler is a very "generous actor", he added.
"There is only one time in the film when we come face-to-face. In the whole film, I am chasing him. There is this whole cat-and-mouse thing that is going on. We would have common locations and we were staying in the same hotel, so everything was happening according to a routine,” he added.
Having worked with Hollywood bigwigs like Judi Dench in Victoria & Abdul, Butler in Kandahar, and Kenneth Branagh in Death on the Nile, Fazal said he doesn’t get intimidated by his co-actors.
It only helps him in putting his best foot forward, he said.
"I have had some wonderful actors that I have gotten a chance to work with and that only enhances my performance. Maybe you can call me a little selfish. I enjoy when co-actors have a very strong hold on their craft, and have a great presence because then my job becomes easy. They make you look good."
Post Kandahar, Fazal has two projects -- Khufiya with filmmaker Vishal Bhardwaj, and Anurag Basu's Metro… In Dino.
Working with Bhardwaj was a rewarding experience, he said.
"With Vishal ji, I experienced that he really pushed me. Every actor, we have a scene, thinking of something that we would do but when a director has a different perspective, it surprises you, it throws you into an uncomfortable zone. That’s where the magic happens. He has a fresh perspective," he added.
Fazal said Basu was "phenomenal" and a totally different kind of director.
"I am excited. We haven’t shot the whole thing yet, there is still stuff to shoot,” he added.
The actor is equally thrilled to be working on his forthcoming international film Afghan Dreamers, being helmed by Oscar-winning director Bill Guttentag.
The movie presents the true story of a program that was started by Afghan tech entrepreneur Roya Mahboob in 2017 as a way to help young women develop their skills in the field of science and technology, despite a heavily patriarchal society.
"It was the biggest thing that happened recently. It is based on a true story about a women's robotics team. I play one of their mentors. Phoebe Waller-Bridge has also joined the cast, so it is exciting," Fazal said.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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