Actress Geetanjali Singh, who has been a part of such successful shows as Million Dollar Girl and Tumhari Pakhi, will soon be seen in the upcoming film Falsafa. Talking about the film she says, “Falsafa: The Other Side is the film that I have just shot for. The movie talks about the other side of revenge. It talks about the evil side of us, how we take the wrong path or evil decisions in one moment of anger and how if we can control that particular moment that can change many lives. It is a story of real characters, real reactions. The story starts with Aman's character and then comes Esha's character, which I am playing, and there are other characters with multiple layers in the story as well. It has a great concept and a very strong message which people should see and think about,” she says.
The actor is very fond of her character in the movie. “I am playing Esha's character. Esha is simple yet she is very strong. She is careful from inside, yet she is carefree in her attitude. She loves her father and cannot imagine her life without him. The only male figure, a hero figure in her life is her papa. The day she loses him, she goes through a shock. There is so much pain inside her, but she tries to show that she can control everything. Her character grows with the story,” she adds.
Ask her what her falsafa is in life, and Geetanjali says, “My falsafa is, I think, to just focus on what you really want in life and just go with the flow. Life will have its ups and downs and you just have to get on board.”
The actor has worked in both films and TV and says that both mediums are very different. “TV and films both are good and on both platforms, we learn so many different things. Definitely, there is a different kind of pressure while doing TV as there are so many last minute changes in the script and you get dialogues right on the sets at times. You have to perform in a very short span of time. So, it’s a different kind of learning experience. On the other hand, in films, we get time to prepare for the character but then it is for a larger set of the audience, so it is more demanding and we have to be more responsible as actors,” she says.
After this film, she is on the lookout for more interesting roles. “I want to do as many different characters as possible. I want to focus on more realistic characters and concepts. What else can an actor wish for?” she says.
Ask her who is on her wish list and she says, “There are many actors who I love but my favourite is undoubtedly Irrfan Khan. I think he is effortless and a great actor and a beautiful person. I really admire him a lot. So, Irrfan Khan and Shah Rukh Khan top my list. But I want to work with everyone because every actor, every filmmaker, actually every person teaches you a new thing.”
Rahul’s casual dismissal of that controversy has added fuel to the fire
Rahul Bhatt sparks controversy over 'insensitive' remarks about sisters Alia and Pooja Bhatt
Rahul Bhatt, fitness trainer and son of veteran filmmaker Mahesh Bhatt, has found himself at the centre of a social media storm following controversial remarks about his half-sister, Alia Bhatt. In a recent interview, Rahul drew comparisons between Alia and their older sister Pooja Bhatt, calling the latter more talented, attractive, and principled.
The comments, which many have labelled inappropriate and insensitive, have sparked widespread criticism online. During the interview, Rahul stated, “In my opinion, she (Alia) is not even half of what my real sister Pooja is. Not in talent, not in looks, not in terms of being sexy. In front of my sister, she is ‘paani kam chai’ (watery tea). Amongst the siblings, the most talented and the most moralistic is Pooja.”
Social media users reacted strongly, questioning why Rahul would compare his sisters in such personal terms. Several users were particularly disturbed by his reference to their appearance and sex appeal, pointing out that such comparisons within a family cross boundaries of propriety. One comment read, “This is disturbing. Why talk about your sisters like that? It’s not just weird, it’s wrong.” Another post said, “There’s nothing respectful about comparing your siblings’ attractiveness in public.”
The backlash also reignited conversation around a decades-old controversy involving Mahesh Bhatt and Pooja Bhatt. Rahul was asked about the infamous 1990s magazine cover where the father-daughter duo shared a kiss, which had stirred public outrage at the time. Dismissing the criticism, Rahul said, “It doesn’t make any difference. It’s like water off a duck’s back. We know the truth, and we’ve seen everything since childhood.”
Rahul’s casual dismissal of that controversy has added fuel to the fire, with critics saying it reflects a broader issue of the Bhatt family being insensitive to public perception and boundaries. Many users questioned the need for bringing up old incidents in a bid to defend new and equally questionable statements.
As of now, neither Alia Bhatt nor Pooja Bhatt has issued any public response to Rahul’s remarks. Both actors, known for their significant contributions to Indian cinema, have typically kept family matters private despite living in the public eye.
This episode has also sparked debate over the role of public figures in maintaining respect when discussing family matters in the media. Observers say such comments, especially when involving women’s appearance and personal qualities, reinforce problematic attitudes and fuel unnecessary controversies.
While Rahul Bhatt is not as prominent in the entertainment industry as his father or sisters, his comments have made headlines and placed the Bhatt family in the spotlight for reasons beyond their creative work. For many, this serves as a reminder that public platforms come with responsibility, and that family ties should not be trivialised or dissected for attention or comparison.
The backlash is unlikely to subside soon, especially as fans and followers of Alia and Pooja continue to express disappointment over the way the situation has unfolded. Whether or not Rahul chooses to clarify or apologise remains to be seen.