Headlined by Fawad Khan, Hamza Ali Abbasi, Mahira Khan, and Humaima Malik, The Legend Of Maula Jatt (2022) has turned out to be the biggest blockbuster ever produced by the film industry of Pakistan.
A remake of the 1979 cult classic Maula Jatt, the multi-starrer film has not phenomenal business not only in Pakistani but in several other parts of the world. After setting the global box office on fire with its collection, the film is now set to release in India.
Yes, you read that right! Pakistani film The Legend Of Maula Jatt is gearing up to enter Indian theatres despite projects from a few political parties, including Maharashtra’s Maharashtra Navnirman Sena (MNS).
Sources close to an Indian portal inform the publication that earlier scheduled to release in India on December 2, The Legend Of Maula Jatt has been pushed to December 30.
“The Legend Of Maula Jatt will be released in India on December 30, 2022. It’ll be the last major release to hit Indian screens. It was released in Pakistan and elsewhere in the world on October 13, 2022, and it has crossed the Rs. 200 crore mark at the worldwide box office. It is the first film from Pakistan to achieve this feat. Hence, a lot of people in India, especially the fans of the lead cast, are looking forward to seeing the film, and it can have healthy box office numbers,” the sources said.
They further added, “Zee Studios is mainly looking at releasing The Legend Of Maula Jatt in Delhi-NCR and Punjab. This is because it’s a Punjabi film and will have the maximum chance in the Northern belt. A clear decision on this aspect will be taken later on.”
The Legend Of Maula Jatt is directed by Bilal Lashari. Sharing the joy of his film receiving love across the world, the filmmaker had earlier said in an interview, “I’m beyond overwhelmed by the love the film has received from audiences and critics alike the world over. We are so proud that The Legend of Maula Jatt has been instrumental in putting Pakistan-made cinema on the global map as it continues to win over hearts in theaters across the world.”
Keep visiting this space over and again for more updates and reveals from the world of entertainment.
Dabangg director Abhinav Kashyap has reignited his feud with Salman Khan
He accused the actor of being “not interested in acting for 25 years”
Kashyap also labelled the Khan family “vindictive” and controlling in Bollywood
His remarks come days before Dabangg’s 15th anniversary
Filmmaker Abhinav Kashyap has once again targeted Bollywood star Salman Khan, this time using strong words ahead of the 15th anniversary of Dabangg. The director alleged that Salman, despite his superstardom, has shown little interest in acting for decades and only “does a favour by turning up to work.” He further claimed the Khan family operates vindictively in the industry, echoing past allegations that they derailed his career.
‘Dabangg’ director Abhinav Kashyap says Salman Khan stopped caring about acting 25 years ago and calls him a goon Getty Images/ IMDB
What did Abhinav Kashyap say about Salman Khan?
In a new interview, Abhinav Kashyap did not hold back when describing his former leading man. He called Salman Khan a “gunda, badtameez, ganda insaan” (a goon, ill-mannered and bad person). The director alleged that the actor has not been involved in his craft for the past 25 years.
“Salman is never interested in acting. He does a favour by turning up. He is more into the power of being a celebrity than the art of cinema,” Kashyap said. He added that he only realised the extent of this behaviour during the making of Dabangg in 2010.
Abhinav Kashyap alleges Salman Khan has lost interest in acting for more than two decadesIMDB
Why did Abhinav Kashyap clash with the Khan family?
Kashyap also spoke about his fraught relationship with the Khan family, claiming they use their influence to control Bollywood. “He (Salman) is the father of the star system. The family has been in the industry for 50 years. They are vindictive people. If you don’t agree with them, they come after you,” he said.
The filmmaker walked away from Dabangg 2 and has long maintained that the Khans tried to block his opportunities afterwards. In 2020, he posted on social media accusing Salman, Arbaaz, Sohail, and veteran writer Salim Khan of sabotaging his career.
Salman Khan, mother Salma, father Salim Khan, sister Arpita and Arbaaz Khan stand on the balcony on arrival at his house in Galaxy Apartment Getty Images
What role did Anurag Kashyap play in the fallout?
Abhinav Kashyap recalled how his brother, acclaimed director Anurag Kashyap, had faced a similar situation years earlier. Anurag was initially attached to Tere Naam (2003), written by him and starring Salman Khan. He eventually left the project after clashes with producer Boney Kapoor, and his contribution allegedly went uncredited.
“Anurag told me before Dabangg that I wouldn’t be able to make a film with Salman. He thought I’d get easily bullied. The same thing happened with him on Tere Naam. They misbehaved, and he had to leave,” Abhinav said.
Abhinav Kashyap says Anurag warned him never to work with the Salman Khan Getty Images
Where does Salman Khan stand now?
While Abhinav Kashyap continues to criticise him, Salman Khan has remained publicly silent on the matter. His father, Salim Khan, previously dismissed the director as “a frustrated person” and said the industry knows the truth about his family’s work.
Salman Khan silent as Abhinav Kashyap calls him a goon during a recent interviewGetty Images
Professionally, Salman was last seen in AR Murugadoss’ Sikandar, opposite Rashmika Mandanna. He is now preparing for Apoorva Lakhia’s Battle of Galwan, in which he plays an Indian Army soldier. He also continues his long-running stint as host of Bigg Boss 19.
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With four wins, India are now the second-most successful team in the tournament, behind Korea’s five titles. (Photo: X/@narendramodi)
DILPREET SINGH scored twice as India defeated defending champions South Korea 4-1 to win the men’s Asia Cup hockey title on Sunday. The win also secured India’s place in next year’s FIH World Cup in Belgium and the Netherlands.
This was India’s fourth Asia Cup title, after previous victories in 2003 (Kuala Lumpur), 2007 (Chennai) and 2017 (Dhaka). With four wins, India are now the second-most successful team in the tournament, behind Korea’s five titles.
The World Cup will be played from August 14 to 30, 2025.
For India, Dilpreet scored in the 28th and 45th minutes, Sukhjeet Singh struck in the opening minute, and Amit Rohidas converted a penalty corner in the 50th minute. Korea’s only goal came from Dain Son in the 51st minute.
India made a quick start, scoring inside the first 30 seconds when captain Harmanpreet Singh’s play from the left set up Sukhjeet, who finished with a reverse hit. Dilpreet came close in the eighth minute but his effort was saved by goalkeeper Jaehan Kim. Soon after, Jugraj Singh’s penalty stroke was also denied by Kim.
India doubled the lead just before half-time when Harmanpreet sent a long aerial ball to Sanjay, who passed it to Dilpreet inside the circle. Dilpreet converted to make it 2-0 at the break.
Korea earned back-to-back penalty corners in the 40th minute but failed to score. India added their third just before the end of the third quarter as Raj Kumar Pal set up Dilpreet, who deflected the ball in.
Rohidas made it 4-0 from a penalty corner in the 50th minute, before Korea pulled one back a minute later through Son. Korea had another chance in the 56th minute with their fourth penalty corner but could not break through.
Malaysia finish third
Malaysia, ranked 12th in the world, beat China 3-0 in the third-place playoff. Malaysia dominated the game, creating several chances against world No. 22 China.
Tournament top-scorer Akhimullah Anuar (36th, 50th minutes) netted twice, taking his tally to 12 goals. Norsyafiq Sumantri and Syed Cholan (58th) also scored. China’s only goal came from Jiesheng Gao in the 54th minute.
Japan take fifth place
Japan, ranked 18th, defeated Bangladesh 6-1 to finish fifth.
Ryosuke Shinohara (15th, 38th, 56th minutes) scored a hat-trick, while Koji Yamasaki (9th), Ken Nagayoshi (36th) and Seren Tanaka (50th) added one goal each. Amirul Islam scored Bangladesh’s lone goal in the 55th minute.
(With inputs from agencies)
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Anuparna Roy becomes first Indian to win Best Director at Venice Film Festival 2025
Indian filmmaker Anuparna Roy creates history at 82nd Venice Film Festival
Wins Orizzonti Award for Best Director, the first Indian to do so
Songs of Forgotten Trees stars Naaz Shaikh and Sumi Baghel
Presented by Anurag Kashyap, the film highlights migrant women’s lives in Mumbai
Indian filmmaker Anuparna Roy has made history by winning the Best Director award at the Venice Film Festival in the prestigious Orizzonti section. Her debut feature, Songs of Forgotten Trees, became the only Indian film selected in this category in 2025, bringing home a milestone moment for Indian cinema. The Venice recognition comes especially at a time when global attention is increasingly turning towards diverse voices and independent storytelling.
Anuparna Roy becomes first Indian to win Best Director at Venice Film Festival 2025 Getty Images
What is the Venice Film Festival Best Director award?
The Best Director award at Venice Film Festival is one of the highest honours in international cinema. Within the Orizzonti section, it is presented to filmmakers pushing the boundaries of style and narrative. This year’s jury was led by French director Julia Ducournau, who announced Roy’s name to a standing ovation. Roy walked up in a white sari, visibly emotional, and thanked her cast, crew, and supporters for believing in a film that resisted mainstream formula.
The Orizzonti competition is known for spotlighting new cinematic trends. Previous Indian films recognised in this section include Chaitanya Tamhane’s Court and Karan Tejpal’s Stolen, but Roy is the first Indian director to win in this category.
Songs of Forgotten Trees follows the lives of two migrant women in Mumbai, Thooya, played by Naaz Shaikh, and Swetha, played by Sumi Baghel. Their unlikely connection unfolds in the bustling city, exploring themes of survival, selfhood, and solidarity. The narrative, inspired by Roy’s own observations, centres on how women find strength and empathy in urban struggles.
The film is produced by Bibhanshu Rai, Romil Modi, and Ranjan Singh, with Anurag Kashyap presenting it. Kashyap has often supported experimental and independent cinema, and his backing helped Songs of Forgotten Trees reach international audiences.
In her acceptance speech, Anuparna Roy dedicated the Best Director award to women worldwide, saying, “This film is a tribute to every woman who’s ever been silenced, overlooked, or underestimated. May this win inspire more voices, more stories, and more power for women in cinema and beyond.”
She also used the stage to speak about the Palestinian crisis, declaring, “Every child deserves peace, freedom, and liberation, and Palestine is no exception.” Her words were met with applause, clearly showing how filmmakers are using international platforms to amplify global concerns beyond cinema.
Anuparna Roy dedicates her Venice win to women worldwide while speaking about Palestine on stageGetty Images
Why is Anuparna Roy’s win significant for Indian cinema?
Roy’s award marks a breakthrough for Indian filmmakers on the international stage. While Indian cinema has long been recognised at global festivals, Best Director wins at Venice remain rare. Her achievement, in fact, shows the growing acceptance of independent Indian storytelling, away from the stereotypes often associated with Bollywood.
This recognition also signals greater visibility for women directors from India, many of whom struggle for space in a male-dominated industry. Producers behind the film emphasised that backing Roy was “not just a choice, but a responsibility,” pointing to the honesty and strength of stories told by women.
Anuparna Roy accepts her award in a white saree, thanking her cast and crew for believing in her storyGetty Images
Who were the other winners at Venice 2025?
The Golden Lion for Best Film went to Jim Jarmusch’s Father Mother Sister Brother, while Kaouther Ben Hania’s The Voice of Hind Rajab earned the Grand Jury Prize. Benny Safdie won the Silver Lion for Best Director in the main competition for The Smashing Machine.
In acting honours, Xin Zhilei received the Volpi Cup for Best Actress for The Sun Rises on Us All, while Toni Servillo won Best Actor for La Grazia.
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Demonstrators gather at the entrance of the parliament during a protest against corruption and government’s decision to block several social media platforms, in Kathmandu, Nepal September 8, 2025. (Photo: Reuters)
Thousands of young Nepalis march in Kathmandu against social media ban and corruption
Government blocks 26 unregistered platforms, citing fake news and fraud concerns
Police use tear gas, rubber bullets and water cannons to disperse protesters
Critics accuse government of authoritarianism and failure to deliver on promises
THOUSANDS of young Nepalis marched in Kathmandu on Monday demanding that the government lift its ban on social media platforms and address corruption.
Nepal blocked access to 26 unregistered platforms, including Facebook, YouTube, and X, on Friday. Popular platforms such as Instagram have millions of users in the country who rely on them for entertainment, news, and business. Authorities said the shutdown followed a Supreme Court order from September last year, which required companies to register in Nepal, appoint grievance officers, and establish local compliance.
The government said social media users with fake IDs had been spreading hate speech, fake news, and committing fraud. In a statement on Sunday, it said it respected freedom of thought and expression and was committed to "creating an environment for their protection and unfettered use".
Many demonstrators carried national flags and placards reading "Shut down corruption and not social media", "Unban social media", and "Youths against corruption". They began their rally with the national anthem before marching through the city.
"We were triggered by the social media ban but that is not the only reason we are gathered here," said student Yujan Rajbhandari, 24. "We are protesting against corruption that has been institutionalised in Nepal."
Another student, Ikshama Tumrok, 20, said she opposed the "authoritarian attitude" of the government. "We want to see change. Others have endured this, but it has to end with our generation," she said.
Protester Bhumika Bharati added: "There have been movements abroad against corruption and they (the government) are afraid that might happen here as well."
Since the ban, TikTok — still operational in Nepal — has carried viral videos comparing the lives of ordinary citizens with those of politicians’ children showing off luxury goods and vacations.
On Monday, thousands of youths, including students in school uniforms, tried to march to parliament but were stopped by police who had set up barbed wire barricades. Authorities said demonstrators attempted to break into parliament by pushing through police lines.
Police used tear gas, rubber bullets, water cannons and batons to disperse the crowds, officials said. "We have imposed a curfew which will remain in force until 10 pm local time (1615 GMT) to bring the situation under control after protesters began to turn violent," said Muktiram Rijal, spokesperson for the Kathmandu district office.
Nepal has restricted social media platforms before. The Telegram messaging app was blocked in July over fraud and money laundering concerns, and TikTok was banned for nine months before being restored in August last year when it complied with local rules.
Many Nepalis believe corruption is widespread, and prime minister KP Sharma Oli’s government has been criticised by opponents for failing to deliver on its promises. About 90 per cent of Nepal’s 30 million people use the internet.
The protests come as governments worldwide, including the US, EU, Brazil, India, China and Australia, have been tightening oversight of social media and Big Tech, citing concerns over misinformation, privacy, online harm and security. Critics warn that such measures risk limiting free expression, while regulators argue that stricter controls are needed.
The holy town of Ambaji witnessed a spiritually significant day on Sunday as His Holiness Siri Rajrajeshwar Guruji, head of the International Siddhashram Shakti Centre, London, performed the Dhwaja ritual at the historic Ambaji Temple in Gujarat, one of the most revered Shakti Peeths of India.
Guruji, who travelled especially from London to be part of the festivities, offered prayers to Goddess Amba and hoisted the sacred flag, a symbol of divine strength, victory, and eternal devotion. Speaking about the ritual, he reminded devotees that the dhwaja inspires courage, faith, and a constant remembrance of the divine in everyday life.
Adding to the spiritual significance of the day, Guruji also personally served Bhandara (community meal) to devotees gathered at the temple premises.