HARD-working actress Helly Shah has done a remarkable amount at a young age and won herself a dedicated fan base. These include Naina Desai, Sukanya Basu, Savita Yelne and Devyani Shundi from different parts of India, who run a fan club on Twitter. Eastern Eye caught up with them to find out more...
What made you set up this fan club?
We have been crazy admirers of Helly Shah for a long time. She has been our inspiration always. We wanted to create a club where we could discuss all about Helly. Her shows, assignments, likes, dislikes, edits, activities. We thank our followers for the tremendous support.
Tell us more about your fan club?
We love everything about our princess. She inspires us to work harder in life. We always remain amazed by her mind-blowing performances onscreen and superb nature off-screen! This fan club is like our second home. We have an awesome time.
What has been your best moment?
Each of Helly’s memorable moments is always super-exciting to us, like her getting awards and recognition. Another moment was making a thread on the occasion of Helly’s one million Instagram followers. We worked very hard for two weeks to make edits using all the wonderful pictures posted by Helly and were ecstatic when she said she loved the thread.
What do you like about Helly?
She has the most wonderful nature! Ever smiling and spreading positivity wherever she goes. And she is so down-to-earth. We love the way she interacts and treats her fans more like friends. Proud Hellyholics always!
What is your favourite work of hers?
We love each character. We loved her dance moves on Jhalak Dikhhla Jaa and appearing with her mum on Rasoi Ki Jung Mummiyon Ke Sang.
Tell us an interesting fact about Helly?
She is an awesome dancer. Helly was a brilliant student. She loves pani puris, bags and anklets. She is a big fan of Deepika Padukone too.
What is your definition of a true fan?
A true fan cares for, respects and loves their idol. They support them in all their phases and decisions and respect their privacy.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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