EYE SPY: Ranveer Singh: Real deal or king of lucky breaks?
Putting the talented actor’s career under a microscope
By Anjali MehtaJan 19, 2023
IS RANVEER SINGH a talented movie star or an over-rated actor who has got lucky?
I have always thought it was the latter, but many disagree and believe he is a big screen idol with bags of talent. Now that he has had three epic failures in a row, it is worth taking a deep dive into his career before his next film Rocky Aur Rani Ki Prem Kahani comes out on April 28.
It has been widely reported that Ranbir Kapoor was the first choice to play the lead in the 2010 romantic comedy Band Baaja Baaraat, but after he rejected the film, Ranveer auditioned for the same role and made his Bollywood debut.
The actor, who was signed up to the Yash Raj Films talent agency, has vehemently denied reports that his parents had paid the production house a large amount of money to launch him as a hero in that film.
His next two films Ladies vs Ricky Bahl and Lootera had received critical acclaim, and his
performances were appreciated, but the movies weren’t big commercial successes. Then something happened,which changed the course of Ranveer’s life, and that career break has been debated a lot in recent years.
Bollywood’s most successful commercial director of the modern era, Sanjay Leela Bhansali, wanted to cast Sushant Singh Rajput in his next three movies Goliyon Ki Raasleela Ram-Leela, Bajirao Mastani and Padmaavat.
According to multiple media reports, Sushant was persuaded to reject the life-changing offer in favour of international project Paani, which Yash Raj Films was coincidentally producing. The actor was convinced to wait and Ranveer was placed onto the pathway to working with Bhansali on three surefire blockbusters. But like his hit debut, these films were destined for someone else.
Ranveer met his future wife Deepika Padukone, who starred in all three films opposite him, and became a huge star.
Meanwhile Paani was shelved, and what happened to Sushant in the years that followed is a very tragic story that has become part of Bollywood folklore.
Ranveer’s other releases Gunday, Kill Dill and Befikre were all commercially unsuccessful. Befikre became Aditya Chopra’s first failure as a director, and he hasn’t directed a movie since then.
Again, Ranbir was the first choice for Zoya Akhtar’s film Dil Dhadakne Do and like Band Baaja Baaraat, Ranveer stepped in as a replacement. The movie got decent enough reviews and box-office numbers, but was ultimately underwhelming.
Then Ranveer starrer Simmba became a huge success, but that was a remake of far superior Telugu blockbuster Temper. Gully Boy also became a critical and commercial hit, and like most of his previous films, Ranveer’s spirited performance was appreciated.
He had an extended cameo in hit film Sooryavanshi, reprising his Simmba role, but then went
on an unexpected Bollywood death spiral. From the subject matter to a lucrative Christmas release date, his film ’83 ticked every blockbuster box, but was a spectacular failure at the box office. There was a similar disastrous fate for his follow-up films Jayeshbhai Jordaar and Cirkus, with the latter being described by some as the worst in his career.
There are now whispers that the hat-trick of recent flops have cast doubt in the mind of producers planning future projects with the actor.
Away from films, Ranveer has got attention for his odd dress sense and being husband to Bollywood queen Deepika. In fact, the whacky outfits and his behaviour have arguably garnered as much attention for him as his work as an actor.
Ultimately, if you break down Ranveer’s career, it has been filled with failures and successes that were initially destined for others. There is no denying the fact that he is a good actor, but it doesn’t back up him being the big bankable movie star many think he is.
If Rocky Aur Rani Ki Prem Kahani fails, it will be difficult to see what he does next. Producers
may push the movie back so it doesn’t clash with hotly anticipated sequel Ponniyin Selvan: II –which is set to come out on the same date – but that isn’t a good sign.
The actor needs to establish himself in the big league quickly, or will be seen as an also-ran.
Pooja Hegde
POOJA’S PAIN WITH BOX-OFFICE FAILURES
TWELVE months ago, Pooja Hegde looked like becoming a huge pan-Indian star with the high-profile releases she had lined up in Tamil, Telugu, and Hindi opposite big-name leading men for 2022, but the opposite happened.
Her films Radhe Shyam, Acharya, Beast and Cirkus all badly underperformed at the box office,
which means that instead of reaching great heights, the actress is now on a downward spiral.
Her next film is the Eid release Kisi Ka Bhai Kisi Ki Jaan opposite Salman Khan, but from first reports, that also looks like it will fail spectacularly.
MORE BOLLYWOOD NEPOTISM
THE scourge of nepotism in Bollywood isn’t going to end any time soon. Director Rajkumar Santoshi will launch his daughter Tanisha Santoshi in his new film Gandhi Godse Ek Yudh, which is set to be released next Tursday (26).
It will add to the number of newcomers who have got a cinema break instead of more talented aspirants because they are related to someone famous. If the poor standard of star children from recent years is anything to go by, then I don’t have high hopes for Tanisha.
Tanisha Santoshi
ARJUN KAPOOR’S KUTTEY FLOP
BEFORE the release of Kuttey, I had written that a miracle might happen, and Bollywood flop star Arjun Kapoor could find himself in a successful movie. But being part of a decent cast and having a solid creative team couldn’t stop Kuttey from adding to his painfully long list of failures. Even with the obvious nepotism, I have now given up trying to figure out why such an unsuccessful actor keeps getting signed ahead of far more worthy talent, when his films constantly crash at the box office.
SONAM’S BLIND SPOT WITH FILM CHOICES
SHE might have had a few bright moments like Khoobsurat and Neerja, but Sonam Kapoor’s film career has largely been defined by bad choices. Despite being undeniably talented, she has regularly chosen dud projects.
A perfect example was opting to act in a Bollywood remake of 2011 South Korean film Blind,
with the same title. A Tamil version of the movie had already gone into production and was released first. Her version’s director had only previously worked as an assistant, and setting the story of a blind woman trying to catch a serial killer in Glasgow also didn’t make much sense.
Her last two films in 2019 failed, and Blind doesn’t seem to have turned out well because it hasn’t been able to get a theatrical release. Netflix was reportedly not interested which has led to it being dumped onto streaming site ZEE5.
Welcome to Chippendales
NANJIANI STRIPS ROLE DOWN TO BARE BONES
RECENTLY premiered drama Welcome to Chippendales is well-worth watching. Kumail Nanjiani is brilliant as Somen ‘Steve’ Banerjee, who made millions after founding male strip group the Chippendales in the late 1970s, and then then went on a rollercoaster journey that led to multiple tragedies.
His terrific turn in the eight-episode Disney+ series is made more remarkable by the fact that the series is based on real events.
There was a planned Hollywood movie with Dev Patel playing the same role, but that will likely be shelved after Nanjiani’s career-best performance.
LIFTING ‘RAJPUT CURSE’ ON BOLLYWOOD
MULTIPLE people have interestingly pointed out that Bollywood seems to be cursed ever since Sushant Singh Rajput died on June 14, 2020.
Most Hindi films that have been released since his tragic death have been disasters and there has been a boycott movement that has held the entire industry’s feet to the fire. Maybe the superstitious Hindi film fraternity should use the late actor’s birth anniversary this week, on Saturday (21), to hold a prayer meet to lift the curse.
Better still, they can offer a bridge-building apology to the public who are still angered by the actor’s death, or make a promise to treat outsiders better.
But they will obviously do neither and can look forward to more pain at the box office. Sushant fans will keep reminding the industry about him, including on his birthday this week, and keep the curse alive.
SS Rajamouli
RAJAMOULI WINS IN STYLE STAKES
WHETHER it is his brilliant blockbusters or the way he is breaking down barriers, there is a lot to love about ace writer-director SS Rajamouli.
One aspect that perhaps doesn’t get the credit it deserves is that he has nearly always worn traditional Indian outfits at the various international ceremonies, premieres and high-profile events. This includes the recent Golden Globes and Critics Choice awards, where his film won trophies.
It has endeared him to many people and shown his humble nature at a time when everyone is chasing after the global spotlight. It may not be a big deal to those in the west, but there are many millions in south Asia who feel like they are being seen and are inspired through this simple act.
Knock at the cabin
SHYAMALAN’S BACK TO HIS BEST WITH NEW THRILLER
IF THE terrific trailer is anything to go by, then soon-to-be-released film Knock at the Cabin could be one of M Night Shyamalan’s best movies in a very long time.
The apocalyptic psychological horror revolves around strangers invading a cabin being occupied by a young girl and her parents, and asking them to make an impossible choice. As with previous films from the Hollywood director, who also wrote the screenplay, this drama promises to have plenty of twists, turns and unexpected surprises.
Those who can’t wait until its release on February 3 can see how things unfold by reading acclaimed 2018 novel The Cabin at the End of the World, which the film is based on.
Look out next week for Eastern Eye’s annual list of the 30 Under 30 Asian talent.
Veteran Indian cinematographer Peter Pereira has passed away at the age of 93. He is best remembered for shooting films like Mr India (1987), and was described by Abhishek Bachchan as one of the greatest.
British singer and rapper Fusion has released his new song Influencer, which has been produced by Kami K.
The good news is an Indian version of hit British drama series The Night Manager is set to be aired. The bad news is that Bollywood flop star Aditya Roy Kapur will play the lead role in it.
The internationally renowned Coachella Valley Music and Arts Festival in April will have an Asian flavour, with performances from Pakistani singer Ali Sethi, along with Indian sensation Diljit Dosanjh. The huge line-up of global music heavyweights also includes British pop star Charli XCX.
It was great seeing popular TV star Debattama Saha in the trailer of forthcoming film Shehzada, headlined by Kartik Aaryan and Kriti Sanon. The remake of 2020 Telugu film
Ala Vaikunthapurramuloo is set to be in cinemas on February 10.
Sir Rod Stewart has called off a series of concerts in the US as he recovers from a bout of flu, just weeks before his anticipated set at Glastonbury Festival. The 80-year-old singer, who was due to perform six shows across Nevada and California in early June, announced that four have been cancelled and two will be rescheduled.
Sharing the update on Instagram, Rod apologised to fans and expressed his frustration at having to take a break. “I’m devastated and sincerely sorry,” he wrote. “I’ll be back on stage and will see you soon.” The cancelled dates include multiple shows in Las Vegas and Stateline, Nevada, while the California concerts will now take place in September.
Despite the setback, Stewart’s headline appearance at Glastonbury is still very much on. He’s set to take over the festival’s famous Legends slot on Sunday, 29 June, more than two decades since he last played the Pyramid Stage in 2002. At the time, he performed alongside Coldplay and Stereophonics, but this time he’ll return as the oldest artist ever to headline the Legends slot.
Speaking on The Peter Crouch Podcast, Stewart revealed he was only allocated 75 minutes for his Glastonbury set but has requested an extra 15. “I play for over two hours every night, 90 minutes is nothing,” he said. He also shared that Rolling Stones guitarist Ronnie Wood, his former bandmate from Faces, will join him for part of the show, making it a mini-reunion.
Cancelled ShowsInstagram/sirrodstewart
Slowing down but not stopping
Though Stewart has hinted that this might be his final major tour, he’s not ready to retire just yet. “This will be the end of big world tours, but I’m not hanging up the mic,” he said. Instead, he’s eyeing more intimate venues for future performances, possibly exploring a swing or Great American Songbook setlist.
Rod Stewart set to reunite with Ronnie Wood at GlastonburyGetty Images
Rod has faced several health issues this year, including strep throat and a recent round of vocal rest. Still, he seems determined to power through Glastonbury with his charm and energy. With hits like Maggie May and Da Ya Think I’m Sexy, fans can expect a career-spanning set worthy of the Sunday slot.
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Deepika Padukone joins Allu Arjun in Atlee pan India epic AA22xA6
Deepika Padukone has officially signed on as the female lead in Atlee’s highly anticipated film with Allu Arjun, tentatively titled AA22xA6. The announcement has come after her controversial exit from Spirit, directed by Sandeep Reddy Vanga, making this casting a major talking point in film circles and among fans.
The film’s production house, Sun Pictures, introduced Deepika with a video of her training for what appears to be a fierce action role. Concept sketches depict her as a warrior queen, leaping into battle with a massive axe. The video includes scenes of her practising fight choreography in a motion-capture suit and even riding a CGI horse while wielding a weapon.
The visual cues suggest a fantasy-meets-science-fiction world with Deepika at the centre of it. This will be her first screen outing with Allu Arjun and her second project with director Atlee after the 2023 hit Jawan. The makers are calling it a “magnum opus” and have brought on top international technicians, including VFX experts who have worked on Iron Man 2 and Transformers.
Hollywood-based creators involved in the project have publicly praised the film’s script. From creature designs to large-scale battle sequences, AA22xA6 will be one of Indian cinema’s biggest cross-industry collaborations yet.
Sun Pictures reveals the film logo with a teaser full of actionYoutube Screengrab/ Sun TV
Exiting Spirit, entering strength
Deepika’s casting comes soon after her exit from Spirit, which led to a social media stir. While Sandeep Reddy Vanga seemed to suggest she made unreasonable demands, sources close to the actor say she simply wanted an eight-hour workday, a choice influenced by her becoming a new mother.
Vanga’s cryptic posts online accused an actor of lacking commitment, but fans and industry insiders were quick to defend Deepika’s professionalism. Some even joked, “She doesn’t need Vanga,” applauding her for choosing stronger projects over toxic work environments. Replacing her in Spirit is Animal star Triptii Dimri.
Director Atlee guides Deepika through motion capture choreographyYoutube Screengrab/Sun TV
With AA22xA6, Deepika is not just stepping into a powerful role on screen, she’s also showing that leading women in the industry can call the shots without compromise.
Identical twins Croo and Sach have gained recognition in the fashion and digital space for their vibrant content, often shot in scenic locations. Heavily inspired by cinema, the ambitious Indian duo make bold style statements with their eye-catching outfits and have big plans ahead.
Eastern Eye asked the rising social media stars to share the 10 things that creatively inspire them most.
Rajesh Khanna’s acting and fashion: The legendary Hindi cinema icon has always been a huge inspiration for us. His romantic aura, unique walk, and killer fashion sense – especially those retro fits – influence a lot of our personal style. We love turning up in vintage clothes because they instantly bring out that old-school Bombay mafia gangster vibe we admire.
Dilip Kumar’s pure acting: There is a reason he is regarded as one of the greatest actors in Indian cinema. His raw, natural style is a masterclass for us. We study his expressions and pauses to craft emotion-driven reels. Whether we shoot dialogue-heavy content or silent dramatic clips, his influence is everywhere. He helps us elevate even the simplest concept into something powerful and deeply moving.
Amitabh Bachchan’s persona and vintage style: When the superstar burst onto the scene in the 1970s, his fierce screen presence redefined intensity – and that shapes how we approach high-energy, gritty reel content. We recreate cinematic moments with hard-hitting lines, commanding expressions and dramatic walk-ins. His blazer and sunglasses look and deep baritone also inspire how we style and deliver those punchy, “don’t mess with us” characters on Instagram.
Amitabh Bachchangetty images
The timeless beauty of Madhubala: Often hailed as the most beautiful star of Hindi cinema, Madhubala’s elegance influences how we frame our female leads. Soft lighting, dreamy close-ups and graceful movements – all come from her legacy. We use her timeless charm to blend vintage aesthetics with modern storytelling in our reels.
Madhuri Dixit’s 1990s glamour and dance: The dancing queen made a huge impact in her prime. The multi-talented star’s expressions and dance finesse have definitely inspired our rhythm-based reels. We blend Bollywood thumkas with glamorous visuals and fast cuts – always with her finesse in mind. Her 1990s colour palettes and glam styling also guide how we create fashion transitions in dance reels.
Ranveer Singh’s fashion and attitude: The unique actor’s over-the-top style and wild energy are our go-to when we want to break the internet. Loud outfits, bold moves and unexpected transitions – that is Ranveer’s zone. We love channelling his “no rules” attitude into our fashion-centric reels, adding an unapologetic flair to every frame we create.
Les Twins’ dance and fashion: The French duo – dancers, choreographers, producers, models and designers – have made an impact across multiple creative fields. They completely changed the way we view dance. Their precision, swag and effortless flow inspire us to choreograph sharp, clean and stylish reels. We also love their streetwear aesthetic – it has shaped how we dress, shoot and edit our content with a fresh, global urban vibe.
Ranbir Kapoorgetty images
Shah Rukh Khan’s struggle to stardom: The superstar’s journey really hits home for us. Coming from nothing and building an empire through passion, dedication and relentless hustle – that story is our biggest motivation. We see ourselves in that grind and share the same fire to prove something. Whenever we create reels or any kind of content, we channel his energy – starting small, thinking big and pouring our heart into everything. His romantic intensity, raw vulnerability and on-screen confidence push us to dream bigger and stay true to ourselves. He reminds us that the journey matters just as much as the destination.
Ranbir Kapoor’s acting: From the newer generation of actors, Ranbir inspires us with the way he fully becomes his character without ever overdoing it. There is a softness, depth and quiet strength in his performances that we try to bring into our creative reels. His expressions often speak louder than words, and that minimal, emotional style teaches us how to connect with the audience on a deeper level.
Instagram: @vaghelabrothers
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Deepika Padukone is redefining what power looks like in Bollywood
It didn’t take a walkout on a picket line or a fiery press conference to shake the Indian film industry; it took Deepika Padukone quietly demanding, “Eight hours.” No dramatic monologue or sensational tweets. Just a simple request: humane hours, overtime pay, and a refusal to push her body and mind past the brink. And just like that, the conversation in Bollywood cracked wide open.
In an industry that glorifies overnight shoots, delayed pack-ups, and “dedication” measured in sweat, Padukone’s decision to exit a high-profile film, Spirit, over her demand for an eight-hour workday was certainly a career move for her. But beyond that, it was a cultural revolt.
Deepika’s decision is pushing conversations beyond the glamGetty Images
When “enough” becomes revolutionary
What made this moment resonate wasn't just who said it, but when. After giving birth to daughter Dua in September 2024, Padukone’s priorities naturally shifted. She didn’t demand luxury. She asked for balance. And Bollywood, unaccustomed to being told “no,” didn’t take it well.
Her terms were straightforward: eight-hour shifts, payment for overtime, profit-sharing, and a refusal to perform intimate scenes or speak in Telugu; reasonable boundaries that suddenly became controversial when voiced by one of the industry’s most bankable stars.
When director Sandeep Reddy Vanga, known for pushing his cast in emotionally aggressive scenes, reportedly rejected these conditions, Padukone walked away from the project. She was swiftly replaced by Triptii Dimri. Vanga later alluded to “script leaks” and an unnamed actor who had “put down” a younger co-star, setting the entire social media ablaze with speculation.
— (@)
But Deepika wasn’t dragging anyone down; she was raising the floor.
Behind the glamour, Deepika Padukone is leading a quiet revolution in work cultureGetty Images
Not a diva, just done
What’s shocking is how quickly people defaulted to calling her “difficult.” And yet, actors like Shah Rukh Khan are known for avoiding night shoots and Akshay Kumar famously doesn’t work Sundays. No one raises eyebrows when they draw boundaries because it’s framed as “professionalism.” But when a new mother does it? Suddenly, it's "unreasonable."
Director Siddharth P. Malhotra, who worked with Rani Mukerji during Hichki, exposed this double standard: “Rani asked for eight-hour shifts to be with her daughter. Kajol only did one shift a day for We Are Family. It’s only a problem when women say it aloud.”
The industry responds. Some with applause, some with alarm
The dominoes have finally started falling. Mani Ratnam called it a necessary reset. Pankaj Tripathi described his own past of 16-18 hour days as “soul-draining,” while Barun Sobti, an actor-turned-producer, said he’d enforce 8-hour shifts if given the reins. Kajol, ever candid, deadpanned, “I love that you can work less,” while Ajay Devgn added that “honest filmmakers” would never object.
From star to changemaker, Deepika Padukone is rewriting the rules of the setGetty Images
But not everyone cheered
Director Tarun Mansukhani worried about logistical chaos. Some commented: “What happens when mid-budget films start losing their heroes to time clocks?” Others whispered about setting a dangerous precedent.
More than just a star’s schedule
This isn’t just about an actor clocking out early. It’s about rethinking the ecosystem.
Tripathi’s remark: “The actor leaves; the labourers stay”, in fact revealed the hierarchy. Spot boys, technicians, junior artists, they don’t get to negotiate. They wait, often unpaid for overtime, as the “show must go on.” The real question Deepika raises is: if she can’t get fair hours, who can?
And then there’s pay. A producer once told her they couldn't afford to pay her more because it would require cutting the male lead's salary and her response was a simple: 'Goodbye'.
The message? Equal pay isn’t a negotiation; it’s a principle.
When one woman said no to burnout, Bollywood was forced to listenGetty Images
Bollywood vs the world
Hollywood actors operate under union protections like SAG-AFTRA mandates, rest breaks, overtime pay, and hard stop hours. Violate it, and the studio pays. In contrast, Bollywood thrives on chaos masked as passion. People wear sleeplessness as a badge of honour. But glamour doesn’t justify grind.
While some southern Indian industries like Tollywood and Mollywood run leaner and faster, the Bollywood machine is notoriously disorganised, more time wasted in disarray than in shooting.
As one Mumbai-based casting director put it, “We imitate Hollywood’s sparkle but not their structure.”
Challenging the grind: how Deepika is shifting industry norms one demand at a timeGetty Images
Will the industry bend or break?
Deepika's stand has pushed the debate beyond vanity. This is about structure, safety, and sustainability. If the Federation of Western India Cine Employees (FWICE) and the Indian Film & Television Producers Council (IFTPC) don’t use this flashpoint to draw up new frameworks, the fallout will continue to be individual actors “opting out” rather than an industry choosing to change.
There’s already noise on social media from mid-tier actors who’ve faced burnout. They described enduring 14-hour shoot days with minimal breaks and have urged producers to build reasonable rest periods into their schedules. The pot’s boiling.
Deepika Padukone’s stand is making work-life balance a power move in Indian cinemaGetty Images
The curtain call
What started with one woman asking to wrap up on time has opened a conversation that Bollywood has avoided for far too long. Deepika Padukone’s quiet battle has exposed the uncomfortable truth: that this industry, which prides itself on discipline and “family vibes,” often forgets that families need time, sleep, and respect.
She didn’t just ask for eight hours. She asked for dignity and, most importantly, balance. And in doing so, she’s invited every actor, technician, spot boy, and choreographer to do the same.
This isn’t a diva’s whim; it’s like labour is stepping into the spotlight, demanding its long-overdue close-up. Bollywood’s glamour will always shine. But maybe, finally, it won’t have to come at the cost of people collapsing under its weight.
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Lokesh Kanagaraj set to direct Aamir Khan in a high-octane superhero film
Bollywood icon Aamir Khan has officially revealed that he will be teaming up with Tamil filmmaker Lokesh Kanagaraj for a large-scale superhero action film. The project, which is still in its early stages, is expected to begin production in the second half of 2026.
A rare early reveal from Aamir Khan
Aamir is known for picking his projects carefully, usually choosing one at a time, often after his latest release has had its run. But this time, ahead of the 20 June release of Sitaare Zameen Par, he decided to open up about what’s coming next. In a media interaction in Mumbai, he confirmed that he and Lokesh Kanagaraj have signed on to create a superhero film. “It’s a big-scale action film,” Aamir said, adding that while production is still more than a year away, the plan is firmly in place.
Lokesh, known for action-packed Tamil hits like Kaithi, Master, Vikram, and Leo, has built a reputation for combining stylish action with grounded storytelling. Aamir, who has dabbled in the action genre with films like Ghulam, Ghajini, and Dhoom 3, is expected to bring emotional weight and mainstream appeal to this pairing.
When asked for more details, Aamir smiled and declined to say more, simply stating that the full picture would emerge in time. For now, both actors and fans will have to wait as the film moves towards pre-production.
No PK sequel, but a Dadasaheb Phalke biopic is in the works
During the same interaction, Aamir also addressed speculation about a sequel to PK. “That’s just a rumour,” he said plainly. “I don’t know where that came from.” Instead, he confirmed he will reunite with director Rajkumar Hirani for a biopic on Dadasaheb Phalke, widely regarded as the father of Indian cinema.
Meanwhile, Sitaare Zameen Par, a spiritual follow-up to his acclaimed 2007 film Taare Zameen Par, will see Aamir play a basketball coach working with a team of individuals with special needs. Directed by RS Prasanna and co-starring Genelia D’Souza, the film also introduces ten new actors.
Aamir Khan dismisses PK 2 rumours and confirms biopic on Dadasaheb PhalkeGetty Images
With multiple ambitious projects lined up, including a superhero film, a historical biopic, and the epic mythological saga, Aamir Khan is entering a creatively fertile phase of his career, balancing scale with substance.