After playing a diverse range of characters in his glorious career, superstar Shah Rukh Khan is now seen as a vertically challenged man Bauua Singh in his new film, Zero. The Aanand L Rai directorial, which also features Anushka Sharma and Katrina Kaif, tells the tale of a flawed man who realizes the important of true love only after losing it. It’s an important film for Khan, especially because his last few films have not performed as per expectations.
In conversation with Eastern Eye correspondent, Mohnish Singh, Shah Rukh Khan, in his typical candour and charm, talks about his character Bauua Singh, how Zero celebrates incompleteness and equality, and how his leading ladies Anushka Sharma and Katrina Kaif have grown as actresses over the years. The megastar also opens up about his daughter Suhana Khan’s career plans. Excerpts...
You are one of the biggest superstars in the world. How does it feel to play a vertically challenged man in Zero?
I feel that when you are playing a character, it should have some sort of uniqueness. We, including myself, have been selling a larger-than-life hero all these years, a hero who is the most handsome of all, who rides his motorcycle at crazy speed and who has six-pack abs. That kind of a hero does exist. I myself have played such roles - a hero who jumps off high-rise buildings and saves women irrespective of the fact whether his help is required or not, a hero who goes to nightclubs and surprises everyone with his killer dance moves. He can practically do everything under the sun. We don’t make smaller-than-life heroes. Actual heroes are always smaller-than-life. We use superheroes in our Hindi films, who are unreal. I really believe that the hero should be smaller-than-life. When you get an opportunity to play a character that is physically also smaller and if I can still become a hero to you that, I think, is interesting.
Shah Rukh, differently-abled persons have always been shown in a certain way in cinema, but Bauua Singh, as shown in the trailer, is completely different than that image. What do you have to say about that?
Yeah, some girls saw the film and said he (Bauua Singh) is so mean till the end. He is not mean. He is what he is. He has not changed himself for anyone. When we were making the film, we knew it was a film about equality. Even when Bauua meets Anushka’s character for the first time in the film, he does not pity her just because she is wheelchair-bound. He behaves quite rudely with her and does some improper things. But the girl likes him because she feels he is treating her equal, not special.
In real life, I feel, we try to show some extra chivalry towards women. I don’t think women want you to treat them special. They want you to treat them equal. I think that is equality. In our film, every character has some shortcomings, but we have not projected them in a manner where it looks like that we want the audience to pity them just because Aafia has cerebral palsy, because Bauua is vertically challenged and because Babita is emotionally incomplete. Not even in a single scene throughout the film. I feel if we show equality towards those who we think are not equal, only then they will feel equal. If we show sympathy, they will feel you pity them. So, that is why the character of Bauua remains the same till the end.
Director Aanand L Rai says that Shah Rukh Khan attracts challenging characters. Your comment...
You know, I really feel that it is very difficult to keep yourself excited by just name, fame and money. When I was in Delhi, my mother would say that food does not taste any better if it’s served on a silver platter, no one can eat the money that they earn or, for that matter, take it along when they die. I feel if I do what used to make me happy 25-30 years ago when I wanted to be an actor, I have to go and do something which is more exciting than what I have already done. Doing that is not always easy. Like I said that if I just want to play the hero types, it is a little easy. I’ll wear some good clothes, dance here and there, which is all right if somebody wants to do that. But I feel that when my children and my wife ask me in the evening that how was my day, I don’t have to say that it was exactly the same as the last 1800 days. I went, I danced and came back. Of course, I still dance. But the excitement of dancing like Bauua makes me very happy. To keep that excitement alive as an actor, beyond the name, fame and money that I make, it is important that I have something which is new. Sometimes it becomes challenging. Sometimes the new is very easy to do also. That is the attraction that I have for trying to do little differently.
Zero has a sequence featuring late actress Sridevi. It will be her last onscreen appearance. She is no more with us to see it. What would you like to say?
Like everyone else, we all were extremely shocked (to know about her death). The other day I was at a wedding and Karan (Johar) and all were there talking about it. You know, it was quite mutual that we did not even believe that she is no more there. First, I wish Boney (Kapoor) and his family the best. I hope they get over it soon. Wherever she is, she’ll be making people happy.
It’s wrong for me to say that it is a privilege to have her in our film. It would have been a happier moment if she was here as she was a part of the film. But yeah, per chance, there is a little sequence of hers in the film and I hope people enjoy it. We really enjoyed it when we were shooting. She has been my friends for years. I could not spend much time with her, but she used to love me a lot. We had a warm relationship of friendship. We used to meet not very often, but we were very close. We miss her, yaar. Whatever little we have in the film, I hope people enjoy it and remember her with happiness.
Your daughter, Suhana, accompanied you a couple of times during the shoot of this film. Has she started preparing herself to become an actress?
Yes, she is learning to be an actress. She is presently studying in London and then she wants to go to America and learn acting for 3-4 years. I think during her summer and winter holidays, she is required to intern at theatre or street theatre or anything to do with the arts and craft.
When she was here last time, she was supposed to go back to assist some filmmaker. So, I offered her to come and visit my set. Aanand sir did a very smart thing. Instead of giving her any other job, he made her my AD and her job was to bring me to the set. Every day she used to come on time with mics and everything and take me to the set. Also, I wanted her to see Anushka and Katrina act because they are two different actors and she is fond of them. She has known them from childhood. Anushka is quite close to her. I wanted her to come and observe them on the set as to how actresses act and the process they have.
So, when is she planning to enter filmdom?
I think she should first study acting for at least four years. To be very honest, if somebody from my family gets into films in whichever department and if they don’t return back to films what films have given to me, they should not get into films. Only way they can do it to educate themselves. So, I think she should learn professional acting, whether it is stage or theatre. Once she learns the art and the craft, then anybody would cast her. Then I’ll think if I have to launch her (laughs).
How was it to do a full-fledged song with Salman Khan after so many years?
It was great fun. We shot the song in a hurry because Salman had given us certain dates. But it was lots of fun. When we were shooting for the Ishaqbaazi song, his last film had released and it had not done quite well. So, he also felt he was with friends (while shooting the song). We used to finish shooting by twelve in the night and then chat till 4 o’clock in the morning. It was great fun and he really liked the song.
Will we get to see you both in a full-fledged film anytime soon?
As of now, there is nothing on the anvil. I think, first a director needs to write something for us and then he should also be accustomed to our habit of arriving late for the shoot (laughs). But I definitely wish somebody writes it (a film).
Anushka Sharma debuted alongside you in Rab Ne Bana Di Jodi (2008), and with Zero she is completing a decade in the film industry. How do you see her journey? Share your experience of working with Katrina Kaif as well.
Anushka is a very conscientious and wonderful actress. She is very proper and that has helped us a lot while doing this film. She has worked really hard on this film. I think she will be the most standout thing in the whole movie. She trained herself for 6-7 months for playing her character with cerebral palsy. She used to correct us at many places during the shoot. We also changed many scenes according to her knowledge. For Katrina, I would say, she talks very beautifully. She always shares with me what kind of roles she wants to do. But some people get typecast very easily, just like me who is typecast as a romantic hero. She is so beautiful that people expect her to do the same thing – wear good clothes, dance well and all. But she always has this desire that she gets to do some different types of roles. In this film, she has a wonderful role, along with dance and song. She has grown a lot as an actress. For the first time she is talking so much about her character in any film. Both of them have performed really well.
Ed Sheeran’s latest single, Sapphire, is out now, and it marks a new chapter in his musical journey. With the Indian rhythms, rich storytelling, and unexpected star power, Sapphire is a big cross-cultural leap for the British singer-songwriter.
A musical journey through India with Arijit and SRK in the spotlight
Bringing together the soulful voice of Arijit Singh, choreography by Bollywood icon Farah Khan, and a surprise appearance by Shah Rukh Khan, the song celebrates global connection. Recorded during Sheeran’s visit to India earlier this year, Sapphire captures the spirit of collaboration and joy. From a sitar-laced melody to Arijit's vocals, the track has the feel of a summer anthem rooted in shared sounds and stories.
Shah Rukh Khan makes a special appearance in the Sapphire music video
The music video, directed by Liam Pethick, traces Sheeran’s journey across India, starting on a rooftop at sunrise and winding through beaches, bustling markets, and backlot film sets. There is even a stop at A.R. Rahman’s music school, where he jams with young musicians. One standout moment was a studio session with Arijit and a bike ride around his hometown.
In his own words, Ed says, " Sapphire was the first track that really gave me direction for the album. I finished it in Goa with some amazing Indian musicians. Getting Arijit on board was the missing puzzle piece. We even recorded a Punjabi version that drops soon; it’s one of my favourites on the record."
Ed Sheeran and Arijit Singh in India
New album Play coming this September and live shows sell out instantly
Sapphire is part of Sheeran’s upcoming album Play, releasing on 12 September 2025. After closing the Mathematics era, this album sees him experimenting with sounds from India and Iran.
In other exciting news, Sheeran’s homecoming gigs in Ipswich, his first UK headline shows since 2023, sold out immediately. Taking place at Portman Road Stadium in July, the three-night run will feature guests like Tori Kelly, James Blunt, and Busted. A portion of ticket sales will go to The Live Trust, a new fund aimed at supporting grassroots music professionals.
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Badshah reacts to backlash over controversial Dua Lipa comment
Rapper Badshah found himself in hot water after a social media post about global pop sensation Dua Lipa. What started as a simple tweet, her name with a heart emoji, quickly spiralled into chaos when a fan asked if they were collaborating. Badshah's response? "I'd rather make babies with her bro."
Badshah's viral response to the comment under his tweet Twitter Screengrab
The backlash was instant. Critics called the remark objectifying and disrespectful, forcing Badshah to clarify. Trying to douse the fire, he later posted, "I think one of the most beautiful compliments you can give a woman you really admire is to wish for her to mother your children. Meri soch nahi, tumhari soch saamne aayi hai." But the clarification didn't sit well with many, who criticised him for doubling down rather than acknowledging the issue. "Since when did that qualify as a compliment?" one user wrote, while others called it tone-deaf and entitled.
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Honey Singh joins the fray with a sarcastic jab
As the debate raged on, Badshah's longtime rival, Honey Singh, couldn't resist chiming in. Reacting to the rapper's explanation on Instagram, Singh dropped a sarcastic "Genius 😂👏👏," clearly mocking the justification. Fans caught the dig immediately, with some laughing at the not-so-subtle jab between the two, who've had a rocky relationship for years.
Badshah had previously expressed a desire to end their feud, but Singh's latest comment suggests the tension isn't fading anytime soon. Meanwhile, the rapper continues to make headlines, whether for his dramatic weight loss, rumoured romance with Tara Sutaria, or this latest controversy. One thing's clear: Badshah knows how to stay in the spotlight, but not always for the right reasons.
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During an interview on Nikhil Kamath’s podcast People by WTF, Sarandos said he may have chosen a more “populist” route if he could go back, admitting the series was perhaps too novel for the Indian market at the time. The comments didn’t sit well with Kashyap, who fired back on social media, calling Sarandos “the definition of dumb” and sarcastically suggesting the platform should’ve launched with traditional “saas-bahu” content instead.
Kashyap takes aim at Netflix’s shift to mass-market content
Kashyap’s reference wasn’t just casual; it came at a time when Netflix India has partnered with Balaji Telefilms, led by Ektaa Kapoor, best known for her highly successful daily soaps like Kyunki Saas Bhi Kabhi Bahu Thi. The filmmaker’s post read: “He should have started with Saas Bahu… he would have done well. Which he is doing now. I always knew tech guys are dumb when it comes to storytelling, but @tedsarandos is the definition of dumb is what I didn’t know.”
The post sparked debate online, with even singer-actor Lisa Mishra chiming in to support Kashyap, saying that everything on OTT today is “derivative… specifically of Sacred Games.”
Kapoor, without naming Kashyap, responded via Instagram by accusing unnamed artists of being classist. She defended soap operas, claiming they gave a voice to Indian women and were even studied by international researchers. Her post ended with a call for inclusivity and “graciousness.”
Ekta Kapoor's story Instagram screengrab/ektakapoor
A clash of content ideologies in India’s OTT landscape
Sacred Games, co-directed by Kashyap and Vikramaditya Motwane and starring Saif Ali Khan and Nawazuddin Siddiqui, was a landmark moment for Indian streaming content. Though it didn’t continue past two seasons, it opened doors for darker, more experimental storytelling in Indian OTT.
Sarandos’ comments appear to suggest that while Sacred Games earned critical acclaim, it may not have been the right commercial launchpad for Netflix in India. Kashyap, however, sees the platform’s current pivot toward formula-driven programming as a step backward.
Ted Sarandos talks about Sacred Games for Netflix IndiaGetty Images
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In photos circulating online, the Chihiro singer and Wolff are seen locking lips while casually dressed in matching grey T-shirts, enjoying champagne and sunshine in one of the world’s most romantic cities.
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A long-rumoured connection comes into focus
While this is the first clear public display from the duo, Eilish and Wolff’s bond goes back a while. They worked together on her music video Chihiro, which she directed. Around the same time, Nat and his brother Alex opened for her during the North American leg of her Hit Me Hard and Soft tour in 2024.
Fans first started speculating about their closeness earlier this year when the two were seen leaving the iHeart Music Awards together and later on a night out in New York City. Although both had previously described their friendship as platonic, there seemed to be more under the surface.
Fans react as Billie and Nat’s long-rumoured romance takes centre stageGetty Images
In past interviews, Wolff described their connection as one of shared understanding, particularly around living with Tourette syndrome, a condition both have spoken about. “It’s rare to find people you don’t have to explain yourself to,” Wolff once shared, adding that he and Eilish could just “be” around each other.
Keeping it private until now
Eilish has openly said she regrets how much she’s shared about her personal life in the past. In an interview, she stated she wanted to keep her dating life and sexuality out of the spotlight going forward.
A kiss in Italy sparks fresh buzz around Billie Eilish’s love lifeGetty Images
“I wish no one knew anything about my dating life,” she said. “And I’m never talking about who I’m dating ever again.”
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The cast of Maybe Happy Ending celebrates their big night at the Tony Awards
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From Seoul to Broadway: A story born in two languages
Maybe Happy Ending wasn’t always destined for the bright lights of Broadway. It first opened in a small Seoul theatre in 2016, a result of a local arts foundation’s programme. Co-created by South Korean lyricist Hue Park and American composer Will Aronson, the story explores loneliness, connection, and memory through the eyes of obsolete robots. Written in both Korean and English, the piece has been reimagined several times since its debut.
Darren Criss, known to many as a Glee star, played Oliver and took home his first Tony for the role. His co-star Helen J Shen portrayed Claire, the other robot. Together, they brought the emotional weight to a futuristic love story that’s more human than it sounds.
While the robots explore feelings in a near-future Seoul, the show managed to preserve distinct Korean elements like Jeju Island and the traditional plant pot hwabun on the Broadway stage, something fans celebrated online.
A cultural shift, decades in the making
With this win, South Korea joins the rare club of nations with major victories across all four major American entertainment awards, including the Oscars, Emmys, Grammys, and now Tonys. From Parasite to Squid Game, and now Maybe Happy Ending, Korean creators are no longer breaking into the global scene, they’re leading it.
The success also validates years of quiet work in South Korea’s theatre scene. Original musicals like Marie Curie and The Great Gatsby have made appearances in the West End and on Broadway, but Maybe Happy Ending marks the first time a Korean musical has truly swept the Tonys.
As one critic noted, more than awards, it’s about shifting global perspectives. Korean musicals are no longer export hopefuls. They’re now centre stage.