Multi-talented Diljit Dosanjh enjoys a remarkable career in Punjabi as well as Hindi cinema. As a Punjabi singer, he has several albums and singles to his credit and has travelled across the world for his music tours. And as an actor, he has starred in some of the most loved Punjabi and Hindi films over the last few years.
On screen, he most recently starred in Punjabi film Shadaa which has smashed several records at the box-office. And now, the turbaned star of Indian cinema is getting good response for his latest Bollywood outing Arjun Patiala which entered theatres yesterday.
In an interview with Eastern Eye, Diljit Dosanjh talks about reprising a cop in Arjun Patiala, his favourite cop films, his acting career in Bollywood, and why he feels that he does not deserve all the appreciation and adulation coming his way as an actor. The singer-actor also reveals his plans about turning producer.
Arjun Patiala is being promoted as 245th cop film of Bollywood.
I do not know whether or not it is 245th cop film. The makers would know whether it is true or not. I have not counted all the cop films that Bollywood has produced so far. So, I have no idea about it.
Tell us something more about the film.
It is an out-and-out comedy film. There is nothing very serious about it. When the makers offered me the film, I asked them which issue it dealt with. They said, “None”. The film has been written by well-known screenwriter Ritesh Shah. He has written several issue-based films in the past. He told me that Arjun Patiala is an out-out-out comedy film. It deals with no issue.
Which has been your most favourite cop film?
I remember watching Zanjeer (1973). So, yeah, that is my most favourite cop film.
What drew you to the film?
I found the entire team very honest and genuine, so I decided to do the film.
Your latest Punjabi film Shadaa (2019) has taken the box-office by storm. Had you ever thought it to be such a huge hit?
If the truth is to be told, no, I had not expected it to be such a big hit. Having said that, when I saw the film for the very first time, I knew that the audience would love it. That’s all that I had expected from the film. When it comes to business and all, I have no idea about that. I have not produced a single film yet, so I have no idea about the business aspect of it.
Do you want to turn producer in future?
(Smiles). Yes, I am planning to produce a Punjabi film. I have seen the producers making a lot of money, so I thought I should also produce a film.
You have done a superhero film in Punjabi. Do you wish to explore the genre in Hindi cinema also?
In the Punjabi film industry, you can make whatever you want to make, just like what we did with Super Singh (2017). We did not have much money to produce the film, but we still wanted to make a film about a superhero. So we took the risk. In Bollywood, I do not have many friends or producers whom I know well. In Punjabi cinema, almost every producer is my friend. If I ask someone, “Bro, let us make this film.” They will be like, “Okay, let us begin.” Here in Bollywood, the scene is totally different.
There is a long list of Punjabis who have played an important role in the growth of Hindi cinema. But why is it that Punjabi cinema has taken so much time in establishing itself?
It was not before 2011-2012 when Punjabi films started registering some kind of business. Before that, Punjabi movies were made few and far between. They were not made in routine. Mumbai has always been the hub for films. You rightly said that many Punjabis have contributed a lot in the success story of Bollywood. Maybe the reason is that Hindi is a language which is spoken in various parts of the country. Resultantly, Hindi films yield more business than any other film producing industry in the country. So, people always rush to the industry which is viable and makes more money.
What was on your mind when you made a crossover to Bollywood from the Punjabi film industry?
I had only one thought on my mind that, no matter what, I would never play second fiddle to any actor. I would never play an actor’s friend, brother, etc. I never wanted to play such characters in Hindi films. I was doing pretty well in Punjab when I moved to Bollywood. I am still doing well in the Punjabi film industry. So, I never wanted to do friend and brother’s roles in Bollywood. That was the only thing I had on my mind when I entered the Hindi film industry. Besides that, I wanted them (Hindi filmmakers) to like me the way I was. I never wanted to compromise with my image for anyone.
After Udta Punjab (2016), you again play a cop in Arjun Patiala? Which cop character was more challenging?
Udta Punjab was a tough film, while Arjun Patiala is an easy film.
We all have grown up watching Mehmood and Kader Khan’s comedy films. How, according to you, comedy has changed over the years?
They all were extraordinary artists. Be it Mehmood or Kader Khan, they were actors par excellence. They did so many great films in their careers. No one can be like them. Today, not just comedy, but everything has changed – from our lifestyle to food that we consume. Mobile phones have become so common. They keep eating our brain throughout the day. The passion with which yesteryear people used to work is missing today. It is not just in the film-line, but everywhere else also. Today, we buy ready-made clothes. Earlier, our mothers used to knit sweaters and other warm clothes for us. It had her emotions attached to it. It was like her blessings for her kids. Those days are gone now. Materialism has taken over everything.
Who is your favourite comedian?
My all-time favourite comedians are Mehmood ji and Govinda.
You just mentioned that you are planning to produce a Punjabi film. What kind of films do you want to produce?
I want to produce any kind of film that makes money at the box-office, otherwise, why would I turn producer (laughs)?
Would you like to produce films in Bollywood also?
No, I do not have that kind of funds. You need a lot of money to produce a Bollywood film. A lot of it.
How do you look at your journey in Bollywood?
I am happy. I feel I am not worth even this. I got an opportunity to do a film like Udta Punjab, which was followed up by another brilliant film like Phillauri (2017), where I played a completely different character. Last year, I got to do Soorma (2018), which was a biopic. People really liked the film and it even got critical acclaim. I do not think that I am worth the appreciation and everything else that I have received in my life. It is all because of His blessings!
Why do you feel so? You are supremely talented.
Talent – I do not know whether I have it or not. I am basically a singer and can play tabla and harmonium. I have learnt how to sing and play these instruments. So, when people appreciate me for my singing abilities, I can understand why they are appreciating me. When a song becomes a hit, I know I have achieved something. However, when a film does well and becomes a success, I cannot take credit for it simply because I have never learnt that craft. I have never learnt how to act. That is why I feel that whatever movies I am getting to work on, it is all because of Him. I am forever grateful to God for it.
Arjun Patiala is running successfully in cinemas near you.
Priyanka Chopra Jonas has opened up about a minor but shocking accident that occurred while filming her new action-comedy Heads of State, which premieres on Prime Video on 2 July. Appearing on The Tonight Show Starring Jimmy Fallon, the actor recalled how she injured her face during a high-intensity scene, losing a piece of her eyebrow in the process.
The incident took place during a rainy stunt scene that required her to fall and roll on the ground as the camera closed in. “The camera operator came in a little closer, I came in a little closer, and boom! The matte box hit me right here,” she said, pointing to her eyebrow. “It took out a chunk. I was lucky it didn’t take my eye.”
Despite the bleeding cut, Priyanka didn’t halt filming. Instead, she reached for surgical glue, patched herself up on set, and wrapped up the day’s shoot. “I didn’t want to come back and shoot in the rain again,” she joked.
In the film, Chopra plays Noel Bisset, a sharp MI6 agent pulled into chaos after a diplomatic mission unravels. She stars opposite John Cena and Idris Elba, who play the heads of state she’s tasked with protecting. The actor shared that her character does a fair amount of the heavy lifting when it comes to action, including hand-to-hand combat and stunts.
While discussing the film, Chopra also spoke about the off-screen dynamics with her co-stars. She revealed that Cena and Elba hadn’t met before the shoot, so she stepped in to ease the introductions. “I was like the buffer. I had to make sure we didn’t just start punching each other,” she laughed.
She also mentioned how the set was filled with laughter, banter, and plenty of pranks, most of them aimed at her. “I guess I was the easy target,” she admitted.
Directed by Ilya Naishuller, Heads of State features an ensemble cast including Paddy Considine, Carla Gugino, Jack Quaid, Stephen Root, and Sarah Niles. The film will be available in English, Hindi, Tamil, Telugu, Malayalam, and Kannada.
Up next, Chopra is set to appear in SSMB 29 with Mahesh Babu and The Bluff, where she plays a reformed pirate.
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Priyanka Chopra enjoys traditional Indian feast at Vikas Khanna’s NYC hotspot
Priyanka Chopra Jonas found a taste of home far from home this week. The global star, alongside her manager Anjula Acharia and friends, enjoyed a memorable meal at Michelin-starred chef Vikas Khanna's New York City restaurant, Bungalow.
Honouring heritage and handicrafts over dinner
Khanna shared a touching glimpse into the evening on Instagram. He focused on the restaurant's beautifully adorned glass ceiling, explaining its deeper meaning. "Everyone asks why we decorate it daily when some might not notice," Khanna wrote. His reason was personal: "It’s not just for guests below, but for loved ones watching over us from above. Today, I adorned it especially for Malti Marie Chopra Jonas."
The gathering doubled as a tribute to the upcoming Rath Yatra festival and specifically honoured the skilled artisans of Sambalpur and Western Odisha. Videos showed Khanna tying traditional Sambalpuri handkerchiefs around Priyanka and Anjula's wrists as a meaningful cultural gesture. The rainy NYC backdrop added to the intimate atmosphere.
A satisfied star and return visits
The Indian feast clearly hit the spot. Priyanka reshared a video from Anjula showing Chef Khanna expertly serving dishes, captioning it simply: “Still in a food coma. You’re the best host, Vikas.” Pictures revealed a relaxed Priyanka dressed smartly in a black dress and matching blazer, posing happily with Khanna and her group. This was her second return trip to Bungalow; she previously dined there last year with her husband Nick Jonas, thanking Khanna then for "a taste of home."
While young daughter Malti Marie was mentioned in Khanna's heartfelt caption about the ceiling dedication, she wasn't visible in the shared photos or videos. Fans can next catch Priyanka on screen in the action film Heads of State, streaming on Prime Video 2nd July, where she stars alongside John Cena and Idris Elba.
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Katy Perry and Orlando Bloom clash over space flight as breakup rumours grow
Things seem rocky between long-time couple Katy Perry and Orlando Bloom, with new reports suggesting an argument about Perry’s recent space flight may have added fuel to an already burning fire.
The pop star, who joined an all-female crew for a Blue Origin flight in April, reportedly didn’t get the reaction she hoped for from Bloom. A source claims the actor called the trip “embarrassing” and “ridiculous” during a heated exchange, leaving Perry hurt and confused by the lack of support. Despite publicly backing her before the launch and even being photographed at the site, Bloom allegedly changed his tune behind closed doors.
This tension comes as Bloom prepares to attend Jeff Bezos and Lauren Sánchez’s wedding in Italy this month, but without Perry. The irony? Bezos’ company made Perry’s space journey possible. According to insiders, Perry is upset that Bloom is “insisting” on going to the wedding, especially since she considers the couple her friends, not his. Meanwhile, she’ll be away on her Lifetimes tour and unable to attend herself.
Katy Perry and Orlando Bloom’s space row highlights deeper riftGetty Images
Career struggles and solo appearances spark breakup rumours
While Perry’s upcoming absence from the Bezos wedding has been chalked up to work obligations, sources say there’s more beneath the surface. Reports claim that the singer’s recent career disappointments, particularly the underwhelming reception of her album *143*, have added pressure on the couple’s relationship. Though Bloom was said to be supportive during the aftermath, the stress allegedly caused a noticeable strain between them.
The pair, who got engaged in 2019 and share a four-year-old daughter named Daisy, have weathered storms before, including a brief split in 2017 and a postponed wedding due to the pandemic. But insiders now suggest the relationship may be nearing its end, with one source bluntly stating, “It’s over. They’re just waiting for her tour to wrap before making it official.”
Orlando Bloom slammed Katy Perry’s space flight during argument as insiders say split is imminentGetty Images
Adding to the speculation, Perry was recently spotted without her engagement ring in Melbourne, just days after performing the breakup anthem I’m Still Breathing onstage in Sydney. Her tour ends on 7 December, and many believe the couple might make an announcement soon after.
Neither Perry nor Bloom has commented publicly on the reported fallout. But if the talks are true, a love story that began in 2016 may quietly come to a close before the year does.
Vijay can make a theatre erupt with just his presence. He is often boxed into labels like ‘mass hero’, ‘box-office king’ and ‘Thalapathy’. While those titles fit (no arguments there), they also distract from the core truth – Vijay’s immense acting ability.
As he turns 51 on June 22, it is the perfect time to look beyond the superstardom and revisit seven standout performances that reveal the powerhouse actor beneath the mass-hero persona.
Kaththi: This was the film that silenced critics who believed Vijay could only do ‘mass’ roles. Kaththi was not just a blockbuster – it was a benchmark in his career. And not because of the double role. Vijay pulled off something rare: he made you feel the difference between two men who looked the same but led entirely different lives. His restrained, nuanced portrayal of Jeevanandham, the social activist, stood in sharp contrast to the brash but evolving Kathiresan. The press meet sequence remains a highlight – powerful, emotional, and unforgettable.
Actor Vijay
Thuppakki: This was not just another action film – it redefined the template for commercial Tamil cinema. As army officer Jagadish, Vijay owned every frame with style, confidence and charisma. The tight screenplay fused slick action with smart plot, proving that mainstream cinema could be both intelligent and crowd-pleasing. The iconic interval line, “I’m waiting”, became a cultural moment in itself – short, sharp, and entirely unforgettable.
Mersal: Every superstar has a defining moment, and for Vijay, Mersal was it. Directed by Atlee, who balances emotion with spectacle, the film gave Vijay a platform to showcase his range and command. Playing three characters – Vetri, Maaran and Vetrimaaran – he did not just switch roles; he shifted energy, tone and rhythm. A particularly moving hospital scene peeled away the mass-hero veneer to reveal raw grief and moral outrage. It was a reminder that Vijay’s emotional depth is just as compelling as his screen presence.
Simran and Vijay
Thullatha Manamum Thullum: Long before the Thalapathy era, Vijay charmed audiences with his performance as Kutty, an innocent singer entangled in a tragic love story. There was no grand hero entry here – just a man who had spent years in prison for a crime he did not commit, unsure of whether his lover was still alive. Director Ezhil opened the film on a sombre note, setting the tone for a romantic drama that won hearts, making Vijay and Simran a beloved pair in Tamil cinema. Vijay’s breakdown after learning of his mother’s death – alone, in a toilet – was a quietly devastating scene that showcased his early acting strength.
Master: In Master, Vijay stepped away from his typical invincible roles to play JD, an alcoholic professor haunted by personal failures. This was a flawed, deeply human character – one who made mistakes and sought redemption. Critics noted the vulnerability in his performance as a refreshing shift. Under Lokesh Kanagaraj’s direction, Vijay brought restraint and reflection to the role. And what is rare in Tamil cinema? A superstar letting a co-star (Vijay Sethupathi, in top form as Bhavani) steal scenes – and still holding his ground. Vijay did just that.
Shalini and Vijay
Ghilli: A masterclass in commercial cinema, Ghilli turned Vijay into an unstoppable box-office force. A remake of the Telugu film Okkadu, Dharani’s version arguably outdid the original. Vijay’s energy as Saravanavelu electrified the screen, and Vidyasagar’s soundtrack only amplified the impact. The cat-and-mouse tension with Prakash Raj’s now-iconic antagonist Muthupandi kept viewers hooked. Ghilli redefined action-entertainers and became a cult classic – so much so that its 2024 re-release drew crowds back to cinemas, proving its enduring appeal.
Kadhalukku Mariyadhai: This film was a turning point in Vijay’s career. Under Fazil’s sensitive direction and backed by Ilaiyaraaja’s soulful score, Vijay delivered a measured and mature performance as a young man in love. It was a far cry from the louder roles he would later take on – instead, his portrayal here was rooted in simplicity and sincerity. The film’s success firmly established him as a romantic hero and showed his ability to carry emotional material with conviction. It also redefined what a love story could look like in Tamil cinema at the time, making Vijay a household name.
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Ed Sheeran performs Drive on a racetrack in the new F1 music video
British singer Ed Sheeran is shifting lanes musically. Known for his emotional ballads and acoustic pop, Sheeran has taken a bold turn into rock territory with Drive, a gritty new single written for Brad Pitt’s upcoming Formula One film, F1. The track, released ahead of the film’s 27 June global premiere, shows the singer ditching his usual gentle strumming for loud guitar riffs, pounding drums, and full-throttle energy.
A rock track built for speed and the screen
Sheeran shared that he was invited to write a song for the film and immediately knew he wanted it to feel like a proper “driving song”, something loud, intense, and worthy of the speed and thrill of Formula One. He teamed up with guitarist John Mayer and producer Blake Slatkin to bring that vision to life. The result? A track with Foo Fighters’ Dave Grohl on drums, Pino Palladino on bass, and Rami Jaffee on keys. It’s an all-star crew of rock musicians who helped Sheeran hit the accelerator.
In a behind-the-scenes post, Sheeran said working on Drive reminded him of his earlier soundtrack work, particularly I See Fire for The Hobbit. But this time, he said, the stakes felt different. “This felt like the dream setup,” he wrote. “I love film and art, and to create something tailor-made for a big action scene in a racing film is just special.”
Sheeran joins a stacked soundtrack for F1
Drive will be featured on F1: The Album, which drops alongside the film. Overseen by Atlantic Records’ West Coast president Kevin Weaver, known for producing soundtracks like Barbie: The Album and The Greatest Showman, the album also includes songs by Doja Cat, Burna Boy, RAYE, and Rosé from BLACKPINK.
The film stars Brad Pitt as Sonny Hayes, a former racing champ pulled out of retirement to mentor rising star Joshua Pearce, played by Damson Idris. Directed by Top Gun: Maverick’s Joseph Kosinski and produced by Jerry Bruckheimer with F1 legend Lewis Hamilton, the film promises high-speed drama and big-screen spectacle.
With Drive, Ed Sheeran has stepped far out of his comfort zone and into the driver’s seat of something unexpected and loud. The track is now streaming, and the countdown to F1 begins.