Last seen in the Abbas-Mustan directed romantic thriller Machine (2017), actor Eshaan Shanker is quite psyched up about his upcoming projects. The young and handsome actor is presently working on a realistic film interestingly titled Pav Bhaji. In addition to Pav Bhaaji, which revolves around crime, drugs and human trafficking, Eshaan also has some other interesting projects in his pocket, which will begin production soon.
Squeezing some time out from his schedule, Eshaan Shanker talks to Eastern Eye and opens up about a lot of things. The actor tells us what led him to take up acting as a profession, his maiden movie Machine, the kind of roles that he wants to pursue as an actor and how Pav Bhaji landed in his lap. Excerpts…
How do you look at your debut film Machine two and a half years after its theatrical release in March 2017?
Honestly, when I look back at it now, I feel I would have done it a lot differently. If people really liked my performance in that character, I assure everyone that I will blow their minds with my new projects, as I have learnt it all the very hard way.
Tell us something about your forthcoming film Pav Bhaji.
Pav Bhaji is a realistic film. I love the character that I am playing in the movie. It has many layers to it. I feel blessed that this movie has come my way.
The title of the film sounds very interesting. When you heard the title what was your reaction to it?
Yes, the title Pav Bhaji is super catchy as it is one of the most fast selling fast-foods in India. But the title of the film has a symbolic meaning to it. When you watch the film, you will get to know what it exactly means, and it is apt to the movie and the situations.
What kinds of roles do you want to associate yourself with?
I want to pursue roles which have some kind of depth and which showcase my potential to the fullest. The character of Samar which I am playing in Pav Bhaji satisfies my hunger for acting.
When I was struggling to find work in the industry, the chief assistant director of Abbas-Mustan sir happened to be my friend. He introduced me to them and then the whole process of auditioning started. After a couple of rounds of auditions, they finalised me for the character of Raj and Aditya in Machine.
Coming to Pav Bhaji, there is an interesting story behind how I bagged the film. Actually, I had met Mr Ashokk R Konkade (director) for a different project. Unfortunately, that project never took off and we lost touch thereafter. Almost six months later, one fine day, he called me to his office and narrated the script of Pav Bhaji to me. He told me that when he was writing the script, he thought of me while penning down the character of Samar.
How did you end up becoming an actor?
I come from a non-filmy background. My dad is a businessman and my mom is a homemaker. My dad wanted to become an actor when he was young, but due to some incidents in life, he could not pursue acting. Since then I have had this passion of fulfilling his dreams and making his dream come true.
At the age of 5, I decided that I wanted to be an actor, by seeing my dad not being able to fulfil his dream of becoming one. I decided I will be fulfilling his dreams and make it happen for him.
Besides acting, what else catches your attention?
Honestly, I am so consumed in the process of acting, be it being on set, dressing up, applying make-up, setting hair, facing the camera, I love it so much that nothing else attracts me and I don’t think anything else can satisfy me.
Are you working on some other projects also?
Yes, I am working on two other projects, but I cannot speak about them at the moment as they are in a very initial stage.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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