The Emmy Awards nominations for the year 2022 have been announced by the Academy of Television Arts & Sciences, with the HBO drama Succession leading the pack with 25 nominations. It was followed by Ted Lasso and The White Lotus with 20 nods apiece. Comedy series Hacks and Only Murders in the Building were also among the most nominated with 17 each.
Other notable shows include Ozark, which bagged nominations in three of the major Drama categories, as well as Yellowjackets and Barry. Squid Game managed to pick up two major nominations including Outstanding Dramatic Series, with Lee Jung-jae getting the nod for Outstanding Lead Actor in a Drama Series.
The Emmy Awards nominations for 2022 did not forget to acknowledge the slow but steady rise in South Asian representation on-screen as several prominent South Asian faces received a nod this year. Let’s have a look at their journeys in international television.
Nick Mohammed for Ted Lasso: Best Supporting Actor in a Comedy Series
Well-known for his alter-ego Mr Swallow, Mohammed has been nominated in Best Supporting Actor in a Comedy Series category for his role as Nate in the Apple TV+ show Ted Lasso. He has previously worked with some of the biggest stars in British comedy, including Julia Davis on Sally4Ever, Greg Davies on Cuckoo, and Jamie Demetriou in Stath Lets Flats. He has also appeared in major Hollywood films including The Martian, alongside Matt Damon. He was the voice of Piglet in 2018’s Christopher Robin.
Tan France for Queer Eye: Best Host for a Reality or Competition Program
In 2018, Netflix roped in France in its reboot of the makeover show Queer Eye, which emerged as a runaway Emmy-winning hit. The global success of the show shot him to overnight fame and, additionally, established him as one of the most sought-after personal stylists in the world and the first openly LGBTQ South Asian man on television. Tan France was born Tanveer Safdar and grew up in a strict Pakistani Muslim family in South Yorkshire, England.
Padma Lakshmi for Top Chef: Best Host for a Reality or Competition Program
Lakshmi is a woman of many talents – she is a renowned television host, producer, food expert, New York Times best-selling author, and model. Her Emmy-winning series Top Chef has been nominated for 37 Emmys so far, including her own two-time nomination for Outstanding Host for A Reality-Competition Program. It is going to be interesting to see if she manages to win the honour this year or not.
Himesh Patel for Station Eleven: Best Actor in a Limited Series
Second-generation Indian-British actor Himesh Patel, who portrayed the role of Jeevan Chaudhary, a paparazzo turned paramedic working as the town doctor in a post-pandemic world in HBO Max’s Station Eleven, has been nominated in Best Actor in a Limited Series category. The actor became a household name when he played the character of Tamwar Masood on the British soap opera EastEnders (2007—2016).
The Emmys are slated to air on September 12 at 8 pm ET.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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