Emmy nominations 2025: ‘Severance’ leads with 27 nods as Apple TV+ and HBO dominate list
Apple TV+ and HBO dominate this year’s race while Netflix’s limited series Adolescence makes a surprise impact.
Adam Scott and Britt Lower return in Severance as Emmy veterans, while Kathy Bates (Matlock) and Harrison Ford (Shrinking) break records with historic nominations
Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Severance earns 27 nominations, the highest this year, including Best Drama Series
The Penguin and The Studio follow closely with 24 and 23 nominations respectively
Kathy Bates becomes the oldest nominee for Lead Actress in a Drama at age 77
First‑time acting nominations go to Harrison Ford and Martin Scorsese
The 77th Emmy Awards will air on 14 September on CBS, hosted by Nate Bargatze
The 2025 Emmy Awards nominations have been unveiled, with Severance reclaiming the spotlight by scoring 27 nods, the most for any series this year. The Apple TV+ workplace thriller returns after a one‑year hiatus, dominating major categories, including Best Drama Series, Best Lead Actor (Adam Scott) and Best Lead Actress (Britt Lower).
Joining Severance at the top are two other high‑profile contenders: HBO’s The Penguin, a gritty Batman spin‑off with 24 nominations, and The Studio, Seth Rogen’s Hollywood satire, with 23, tying the record for most comedy nominations in a debut season. The White Lotus matched this feat, continuing its awards momentum with strong supporting‑category performances.
Harrison Ford, Kathy Bates and Owen Cooper break Emmy records
This year’s nominations were a mix of expected favourites and surprising firsts. Harrison Ford earned his first-ever Emmy nod for Shrinking (Supporting Actor in a Comedy Series). Meanwhile, Kathy Bates made history as the oldest Lead Actress in a Drama nominee at 77 for Matlock, surpassing Angela Lansbury’s record.
At the opposite end of the age spectrum, 15‑year‑old Owen Cooper became the youngest-ever nominee (Supporting Actor in a Limited Series) for his role in Adolescence, Netflix’s breakout hit with 13 nominations.
Apple TV+ and HBO take lead while Netflix lags behind
Apple TV+ emerged as a dominant force this year, with Severance and The Studio placing the platform ahead of its competitors in total nominations. HBO also impressed with The White Lotus, The Penguin and The Last of Us (16 nominations).
Netflix, despite its massive global subscriber base, had a relatively quieter year. Adolescence was its top‑performing title, drawing acclaim for its performances and direction, but it did not match the nominations of its Apple TV+ or HBO counterparts.
Comedy category sees fresh faces and returning favourites
The Best Comedy Series race pits The Studio, Hacks and The Bear against each other. Jean Smart (Hacks), Ayo Edebiri (The Bear), Kristen Bell (Nobody Wants This) and Uzo Aduba (The Residence) earned acting nods.
Seth Rogen stands out with nominations for writing, directing and acting in The Studio. Meanwhile, Shrinking, Abbott Elementary and Only Murders in the Building also received nominations across performance and production categories.
Limited series category shakes things up with Black Mirror and The Penguin
This year’s limited series contenders include The Penguin, Adolescence, Dying for Sex and Monsters: The Lyle and Erik Menendez Story. Black Mirror made a surprise comeback with 10 nominations.
The 77th Primetime Emmy Awards will take place on 14 September, hosted by comedian Nate Bargatze, who is also nominated for Best Variety Special. The ceremony will be broadcast live from the Peacock Theater in Los Angeles on CBS and will stream on Paramount+. Most of the technical and creative categories will be presented at the Creative Arts Emmys on 6th and 7th September.
As the countdown to Emmy night begins, the major question is whether Severance can convert its 27 nominations into wins, or will newcomers like The Studio and The Penguin take centre stage?
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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