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Dino Morea to reunite with Karisma Kapoor after 16 years

Hope you still remember model-turned-actor Dino Morea! His chiselled body and drool-worthy looks won millions of hearts at the beginning of the 2000s when he did films like Raaz (2002) and Gunaah (2002). However, after appearing actively in films till 2010, Dino disappeared into oblivion.

But if you missed the handsome actor all these years, we have an exciting piece of news for you. According to reports, Dino Morea is set to make his digital debut. He has been signed on to play a pivotal role in an upcoming ALTBalaji series, Mentalhood.


Produced by Ekta Kapoor, Mentalhood is about a group of independent women. Actress Karisma Kapoor will be making her digital debut too with the series. Besides her, talented actresses Sandhya Mridul and Shruti Seth are also playing significant roles in the series.

If Dino Morea is indeed a part of Mentalhood, the series will reunite him with Karisma Kapoor after a massive gap of 16 years. The duo last acted together in the Tinu Verma-directed psychological thriller Baaz: A Bird In Danger (2003).

More details are awaited.

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5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

Instagram/Netflix

5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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