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Dimple Kapadia all set for her Hollywood debut

Veteran actress Dimple Kapadia has been a part of many amazing films like Bobby, Saagar, Zakhmi Aurat, Ram Lakhan, Lekin, Prahaar, Ajooba, Rudaali, and others. Now after having a career spanning of more than four decades in Bollywood, Dimple Kapadia is all set to make her Hollywood debut. The actress has been roped in to star in director Christopher Nolan’s next which is titled as Tenet.

Nolan has made some fantastic movies like The Dark Knight, Inception, Interstellar, Dunkirk and others, and we have a lot of expectations from Tenet as well. Apart from Dimple Kapadia, the movie also stars John David Washington, Robert Pattinson, Elizabeth Debicki, Aaron Taylor-Johnson, Clémence Poésy, Michael Caine, and Kenneth Branagh.


Not just the actors, but Nolan also has some really talented people in his crew. Hoyte van Hoytema will be the DOP, Nathan Crowley will manage the production design, Jennifer Lame is the editor, costumes will be designed by Jeffrey Kurland and Andrew Jackson is the visual effects supervisor.

While actresses mainly try their hands in Hollywood in their younger days, Dimple Kapadia is surely an inspiration for many that age is just a number and you can achieve whatever you want irrespective of your age.

Tenet is slated to release on 17th July 2020.

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5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

Instagram/Netflix

5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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