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Dil Toh Happy Hai Ji heading for another leap

Star Plus used to be the leading entertainment channel until a couple of years ago. However, with the entry of new players in the market, it lost its numero uno position. It is still one of the top three most watched Hindi general entertainment channels in India though.

However, with the great success of shows like Kasautii Zindagii Kay and Kulfi Kumar Bajewala, Star Plus is gearing up to bag the top spot once again. Along with launching a series of new shows, the channel is also making sure that its ongoing shows have a lot of masala to keep the viewers hooked to their television sets.


The latest we hear that the channel has decided to introduce a leap in one of its recently launched shows Dil Toh Happy Hai Ji. Produced by Gul Khan and Nilanjana P, the show has gained a lot of popularity in no time. By introducing a leap, the makers are expecting to arrest more eyeballs.

Interestingly, it will be the second leap for Dil Toh Happy Hai Ji in two months. The show has already taken a leap in the month of March and now it is heading for yet another story jump in days to come.

According to sources, the new leap will be of around four to five years. Several new characters will be introduced in the story ahead.

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5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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