The Bombay High Court has allowed the release of the film Hamare Baarah after the makers agreed to make some changes.
The Bombay High Court had viewed the film and noted on Tuesday that it had nothing objectionable against the Muslim community. It had suggested changes to certain scenes.
The petitioners consented not to oppose the release after the requisite changes are made.
A petition was filed in the Bombay High Court to stop the release of the Annu-Kapoor starrer film Hamare Baarah. The petition alleged that the trailer of the film insults Islamic beliefs.
The Supreme Court had put a stay on the release of the film and asked the Bombay High Court to decide the petition.
The Bombay High Court bench said on Tuesday that they had watched the film and objectionable words and scenes have been removed.
Fazrul Rehman Sheikh, the advocate of the petitioners, had told the media that the court was of the opinion that the movie gives a good social message.
"A stay had been imposed on the film Hamare Baarah because of the controversial dialogues in the film. The judges of the HC watched the film after which, they were of the opinion that the film gives a good social message and it is not what it has been projected as..."
He said the High Court noted that the trailer was very offensive.
"Some dialogues have been asked to be censored... The order will be passed tomorrow after putting all observations in a consensus... The HC said that the trailer was very offensive and it should not have been released the way it was... The trailer and the message of the movie are drastically different.," Fazrul Rehman Sheikh added.
The court also told the petitioner's lawyer that "it was wrong to comment without watching the movie. You are commenting by looking at the poster."
The court also said, “Filmmakers should also be careful what they put out. They cannot hurt the sentiments of any religion."
Regarding the trailer, the court criticized its offensive nature and emphasized the disparity between the trailer's depiction and the film's content. Virender Bhagat, the film's producer, confirmed the removal of the contentious trailer.
"The misunderstanding has been resolved. The judges watched the film and said that it is about women empowerment. The offensive trailer has been removed," Bhagat remarked in an interview with ANI.
Hamare Baarah, jointly produced by Birender Bhagat, Ravi S Gupta, Sanjay Nagpal, and Sheo Balak Singh, is directed by Kamal Chandra.
The film features Annu Kapoor, Manoj Joshi, and Paritosh Tripathi in pivotal roles.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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