Just like any other business across the world, the Coronavirus pandemic has crippled showbiz as well. In Bollywood, the release date of several high-profile movies has been deferred and the shooting of all upcoming projects cancelled.
Superstar Salman Khan’s Radhe: Your Most Wanted Bhai was one of the most awaited films of 2020. It was scheduled to arrive in theatres on Eid 2020. However, if reports are to be believed, the movie will not be ready for its theatrical release on Eid as its last schedule is yet to be wrapped up. The shoot can be resumed only after the Coronavirus lockdown comes to an end.
A source close to the movie informs an entertainment portal, “The shoot was supposed to get over earlier. But the Thailand schedule had to be cancelled, again due to the Coronavirus scare. It was then shifted to Mumbai. Finally, only 8-10 days of shoot remained. This included patchwork and a song featuring the lead actors Salman Khan and Disha Patani. The target was to wrap up the filming by month-end. The unit was strictly following all safety guidelines and using sanitizers. Sadly, a decision was taken on March 16 that no film shoot shall take place from March 19. Then, on March 24, Prime Minister Narendra Modi ordered a lockdown until April 14. As a result, things went for a toss.”
The source goes on to add, “Even the post-production of the scenes that were already filmed have come to a standstill. With VFX studios and other such workplaces shut, most of the work can be completed once the lockdown is lifted. And not to forget, the shoot is still left.”
Talking about the possibility of the film’s release on Eid, the source says, “Even if lockdown is lifted and the team resumes work, it will be a challenge for them to finish everything in less than 40 days since Eid falls on May 23. Hence, with a heavy heart, we have to come to terms with the fact that the film won’t be able to release on the said date.”
Apart from Salman Khan and Disha Patani, Radhe: Your Most Wanted Bhai also stars Randeep Hooda and Jackie Shroff. Prabhu Deva is the director of the film.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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