Classical Indian music festival features finest live performers
By Eastern EyeOct 12, 2022
LIVE PERFORMANCE
DARBAR FESTIVAL 2022
When: Until Sunday October 16
Where: Barbican Centre, Silk Street, London EC2Y 8DS
What: The annual classical Indian music festival featuring the finest live performers. This year’s line-up includes Shubha Mudgal, Sabir Khan, Ramana Balachandran, Satyajit Talwalkar, Wahane Sisters, Pandit Uday Bhawalkar, Eeshar Singh, Yashwant Vaishnav, Bharathi Prathap and Rajrupa Chowdury.
www.barbican.org.uk
TERE MERE MILAN KI YEH RAINA
When: Sunday October 16
Where: Salvatorian College, High Road, Harrow HA3 5DY
What: Singer Vibhuti Shah, accompanied by a live band, and talented singer Digvijay Jhala, will perform the greatest hits of legendary Bollywood composers SD Burman and RD Burman.
www.eventbrite.co.uk
SAMSARA
When: Monday October 17 – Tuesday October 18
Where: Sadler’s Wells Theatre, Rosebery Avenue, London EC1R 4TN
What: British-Indian dancer Aakash Odedra and Chinese dancer Hu Shenyuan team up for this moving dance duet, inspired by the classic Chinese novel Journey to the West.
www.curveonline.co.uk
THE BOLLYWOOD BRASS BAND
When: Saturday October 22
Where: Blackheath Halls, 23 Lee Road, London SE3 9RQ
What: The legendary Bollywood brass band continue their UK tour to celebrate 30 years of performing film songs in a unique way. Check the website for further dates.
www.bollywoodbrassband.co.uk
BOTOWN: THE SOUL OF BOLLYWOOD
When: Sunday October 23
Where: The Glee Club, 11 Renfrew Street, Glasgow G2 3AB
What: The Bollywood band of multi-cultural musicians perform classic Hindi film music with a groovy and unique soul funk twist.
www.eventbrite.com
BHAJANS WITH BHAVIK LIVE RELOADED
When: Friday October 28
Where: Elliot Hall in Harrow Arts Centre, 171 Uxbridge Road, Middlesex HA5 4EA
What: Acclaimed singer Bhavik Haria headlines a unique acoustic bhajan concert taking audiences on a soulful and immersive journey, blending heritage with eclectic sounds.
www.harrowarts.com
THE REWIND TOUR – UDIT NARAYAN, ALKA YAGNIK, KUMAR SANU
When: Friday October 28; Saturday October 29; and Sunday October 30
Where: Utilita Arena, King Edwards Road, Birmingham B1 2AA; and First Direct Arena, Arena Way, Leeds LS2 8BY; and OVO Arena, Arena Square, Engineers Way, London HA9 0AA
What: The legendary Bollywood singers return to the UK with a full live band and will perform their greatest hits.
www.ticketmaster.co.uk
THEATRE
LIFE OF PI
When: Until Sunday January 15, 2023
Where: Wyndham’s Theatre, 32-36 Charing Cross Road, London WC2H 0DA
What: Theatre play based on Yann Martel’s Man Booker Prize-winning novel of the same name, which revolves around the sole human survivor of a shipwreck stuck on a lifeboat with a Bengal tiger, as they battle to survive an epic voyage across the ocean.
www.lifeofpionstage.com
THE P WORD
When: Until Saturday October 22
Where: Bush Theatre, 7 Uxbridge Road, Shepherd’s Bush, London W12 8LJ
What: Waleed Akhtar’s sharp-witted and devastating new play charts the parallel lives of two gay Pakistani men, as it moves through casual hook-ups to the UK’s hostile environment.
What: The new play from acclaimed British Asian theatre company Rifco is a musical comedy revolving around a divorced middle-aged woman navigating rocky friendships, who is trying to make sense of a past – where she was brought up as one half of a Shirley
Bassey tribute act.
www.riversidestudios.co.uk
BROWN BOYS SWIM
When: Until Saturday October 15
Where: Soho Theatre, 21 Dean Street, London W1D 3NE
What: Comedy drama about two young British Asians preparing for a pool party by learning how to swim, which examines the pressures faced by young Muslim men.
What: BAFTA and Emmy Award-winning writers Anil Gupta and Richard Pinto reimagine the classic comedy in a contemporary British Asian setting.
www.birmingham-rep.co.uk
COMEDY
ARABS VS ASIANS
When: Saturday October 15
Where: The Arts Centre, First Floor, Treaty Centre, High Street, Hounslow TW3 1ES
What: Comedy show hosted by Salman Malik, which features stand-up talents Muhsin Yesilada, Fathiya Saleh, Mani Liaqat and Preet Singh.
www.ticketsource.co.uk
DESI CENTRAL COMEDY SHOW
When: Tuesday October 18
Where: The Wardrobe, 6 St Peter’s Square, Leeds LS9 8AH
What: Stand-up show featuring Tommy Sandhu, Kane Brown, Firuz Ozari and Eshaan Akbar.
www.luventertainment.co.uk
PAUL CHOWDHRY – FAMILY-FRIENDLY COMEDIAN
When: Wednesday October 19 – Thursday October 20
Where: Hackney Empire, 291 Mare Street, London E8 1EJ
What: The acclaimed funny man resumes his new stand-up tour, with rescheduled dates. He dissects diverse topics that include UK’s handling of the Covid pandemic, fame, and England football fans. Check website for further tour dates.
www. paulchowdhry.com
THE INDIANS ARE COMING
When: Friday October 28
Where: The Core Theatre, Homer Road, Touchwood, Solihull B91 3RG
What: Stand-up comedy show featuring top talents Sukh Ojla, Anuvab Pal, Kai Samra and Raj Poojara.
www.luventertainment.co.uk
CLASSES
FREE BHARATNATYAM CLASSES
When: Wednesdays October 19, 26 and Thursdays October 20, 27
What: The Consulate General of India in Birmingham is organising free and weekly dance classes on its premises. Participants need to register beforehand and will be allocated places on a first come first serve basis.
www.eventbrite.com
BOLLYWOOD DANCE CLASS
When: Saturdays October 15, 22, 29
Where: CRATE, 35 Saint James Street, London E17 7FY
What: Bollywood dance class focusing on movement and mindfulness.
www.eventbrite.com
INDIAN VEGETARIAN COOKERY COURSE
When: Saturday October 29
Where: Hounslow, London
What: A trip to the local Indian shop to learn about ingredients will be followed by a practical hands-on cooking course learning how to make a variety of Indian dishes, along with learning how to use spices to add a depth of flavour.
AI can make thousands of podcast episodes every week with very few people.
Making an AI podcast episode costs almost nothing and can make money fast.
Small podcasters cannot get noticed. It is hard for them to earn.
Advertisements go to AI shows. Human shows get ignored.
Listeners do not mind AI. Some like it.
A company can now publish thousands of podcasts a week with almost no people. That fact alone should wake up anyone who makes money from talking into a mic.
The company now turns out roughly 3,000 episodes a week with a team of eight. Each episode costs about £0.75 (₹88.64) to make. With as few as 20 listens, an episode can cover its cost. That single line explains why the rest of this story is happening.
When AI takes over podcasts human creators are struggling to keep up iStock
The math that changes the game
Podcasting used to be slow and hands-on. Hosts booked guests, edited interviews, and hunted sponsors. Now, the fixed costs, including writing, voice, and editing, can be automated. Once that system is running, adding another episode barely costs anything; it is just another file pushed through the same machine.
To see how that changes the landscape, look at the scale we are talking about. By September 2025, there were already well over 4.52 million podcasts worldwide. In just three months, close to half a million new shows joined the pile. It has become a crowded marketplace worth roughly £32 billion (₹3.74 trillion), most of it fuelled by advertising money.
That combination of a huge market plus near-zero marginal costs creates a simple incentive: flood the directories with niche shows. Even tiny audiences become profitable.
What mass production looks like
These AI shows are not replacements for every human program. They are different products. Producers use generative models to write scripts, synthesise voice tracks, add music, and publish automatically. Topics are hyper-niche: pollen counts in a mid-sized city, daily stock micro-summaries, or a five-minute briefing on a single plant species. The episodes are short, frequent, and tailored to narrow advertiser categories.
That model works because advertisers can target tiny audiences. If an antihistamine maker can reach fifty people looking up pollen data in one town, that can still be worth paying for. Multiply that by thousands of micro-topics, and the revenue math stacks up.
How mass-produced AI podcasts are drowning out real human voicesiStock
Where human creators lose
Podcasting has always been fragile for independent creators. Most shows never break even. Discoverability is hard. Promotion costs money. Now, add AI fleets pushing volume, and the problem worsens.
Platforms surface content through algorithms. If those algorithms reward frequency, freshness, or sheer inventory, AI producers gain an advantage. Human shows that take weeks to produce with high-quality narrative, interviews, or even investigative pieces get buried.
Advertisers chasing cheap reach will be tempted by mass AI networks. That will push down the effective CPMs (cost per thousand listens) for many categories. Small hosts who relied on a few branded reads or listener donations will see the pool shrink.
What listeners get and what they lose
Not every listener cares if a host is synthetic. Some care only about the utility: a quick sports update, a commute briefing, or a how-to snippet. For those use cases, AI can be fine, or even better, because it is faster, cheaper, and always on.
But the thing is, a lot of podcast value comes from human quirks. The long-form interview, the offbeat joke, the voice that makes you feel known—those are hard to fake. Studies and industry voices already show 52% of consumers feel less engaged with content. The result is a split audience: one side tolerates or prefers automated, functional audio; the other side pays to keep human voices alive.
When cheap AI shows flood the market small creators lose their edgeiStock
Legal and ethical damage control
Mass AI podcasting raises immediate legal and ethical questions.
Copyright — Models trained on protected audio and text can reproduce or riff on copyrighted works.
Impersonation — Synthetic voices can mirror public figures, which risks deception.
Misinformation — Automated scripts without fact-checking can spread errors at scale.
Transparency — Few platforms force disclosure that an episode is AI-generated.
If regulators force tighter rules, the tiny profit margin on each episode could disappear. That would make the mass-production model unprofitable overnight. Alternatively, platforms could impose labelling and remove low-quality feeds. Either outcome would reshape the calculus.
How the industry can respond through practical moves
The ecosystem will not collapse overnight.
Label AI episodes clearly.
Use discovery algorithms that reward engagement, not volume.
Create paywalls, memberships, or time-listened metrics.
Use AI tools to help humans, not replace them.
Industry standards on IP and voice consent are needed to reduce legal exposure. Platforms and advertisers hold most of the cards here. They can choose to favour volume or to protect quality. Their choice will decide many creators’ fates.
Three short scenarios, then the point
Flooded and cheap — Platforms favour volume. Ads chase cheap reach. Many independent shows vanish, and audio becomes a sea of similar, useful, but forgettable feeds.
Regulated and curated — Disclosure rules and smarter discovery reward listener engagement. Human shows survive, and AI fills utility roles.
Hybrid balance — Creators use AI tools to speed up workflows while keeping control over voice and facts. New business models emerge that pay for depth.
All three are plausible. The industry will move towards the one that matches where platforms and advertisers put their money.
Can human podcasters survive the flood of robot-made showsiStock
New rules, old craft
Machines can mass-produce audio faster and cheaper than people. That does not make them better storytellers. It makes them efficient at delivering information. If you are a creator, your defence is simple: make content machines cannot copy easily. Tell stories that require curiosity, risk, restraint, and relationships. Build listeners who will pay for that difference.
If you are a platform or advertiser, your choice is also simple: do you reward noise or signal? Reward signal, and you keep what made podcasting special. Reward noise, and you get scale and a thinner, cheaper industry in return. Either way, the next few years will decide whether podcasting stays a human medium with tools or becomes a tool-driven medium with a few human highlights. The soundscape is changing. If human creators want to survive, they need to focus on the one thing machines do not buy: trust.
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