Actors-political personalities Kamal Haasan and Hema Malini, as well as Hindi film stars Kareena Kapoor Khan and Madhuri Dixit-Nene on Monday mourned the loss of legendary Kathak exponent Birju Maharaj, calling his passing away the “end of an era” for Indian classical dance.
Maharajji, as he was popularly known, died at his home in New Delhi in the early hours of Monday. He would have been 84 next month.
According to his granddaughter, Ragini Maharaj, the Kathak maestro died surrounded by his family and disciples. They were playing ‘antakshari' after dinner when he suddenly fell ill. The Kathak exponent had been suffering from a kidney ailment and was under dialysis treatment. He probably died of a cardiac arrest, his granddaughter said.
Dixit-Nene, who trained under Birju Maharaj and most memorably performed Devdas (2002) song 'Kaahe chhede mohe' under his guidance, shared a picture of the duo on Instagram and wrote, "There never was anyone like you guruji and there will never be".
The actor described him as a legend with a "child-like innocence". "He was my guru but also my friend. He taught me the intricacies of dance and 'Abhinay' but never failed to make me laugh at his funny anecdotes. He has left behind grieving fans and students but also left a legacy we will all carry forward. Thank you Maharajji for everything you taught me in dance along with humility, elegance, and grace," she wrote.
Birju Maharaj, one of India's most loved and well-known artistes, was instrumental in taking the traditional Indian dance form to the world. Haasan, who trained under him for the song 'Unnai Kanadhu' from his 2013 spy thriller Vishwaroopam, remembered him as an "unparalleled dancer".
The Kathak legend was honoured with the National Film Award for best choreography for the song. In her post on Instagram, actor Shilpa Shetty Kundra paid tributes to the maestro's "illustrious legacy". "Padma Vibhushan Pandit Birju Maharajji's passing is a tremendous loss to the world of performing arts. May Panditji's family & followers find peace and strength to cope with this huge loss," she wrote.
Kapoor Khan shared the news of Birju Maharaj's passing away, writing, "Rest in Peace". Actor Anushka Sharma also shared a photograph of the legend on her Instagram Story, with the folded hands and heartbreak emoticon.
Alia Bhatt took to Instagram and recalled how she had trained under Birju Maharaj for the song 'Ghar More Pardesiya' from the 2019 drama Kalank and called it one of her most creatively satisfying experiences.
"Had the honour and privilege of spending three full days with Pandit Birju Maharaj in 2018 while I was prepping for Ghar More Pardesiya. I will never forget all that he has taught me. It was possibly one of the most creative and fulfilling experiences that I have ever had. A legend who has inspired several and will always continue to do so through his art. Truly breaks my heart to write this post today. May his soul rest in peace," Bhatt wrote.
Actor Swara Bhasker tweeted that with the death of Birju Maharaj, the sun has set on the world of classical arts. "Will always cherish the blessing of having seen Maharajji live on stage, heard his lec dems, seen that magic up close. Sat-sat naman to this legend. Deepest condolences to BirjuMaharajji's family, fraternity & students. A Sun has set in the world of classical arts," she wrote.
Among the newer actors, Janhvi Kapoor and Ananya Panday remembered Birju Maharaj. While Janhvi Kapoor shared a picture with Birju Maharaj writing "a legend", Panday uploaded his picture on her Instagram story with a heart emoticon.
Filmmakers Sudhir Mishra, Anil Sharma, and Hansal Mehta also paid tributes to the veteran. Anil Sharma, who worked with Birju Maharaj for his blockbuster partition drama Gadar: Ek Prem Katha, recalled how the maestro was thrilled to choreograph a thumri in the 2001 film titled "Chanda Aaye Taare Aaye".
Sharma told PTI that he was eager to collaborate with the veteran again on Gadar 2 but it will now "remain just a dream". "He had exceptional artistry and a vision to pull it off. When I went to meet him for the first time in Delhi, he was so excited. He heard the entire story of the film and when he liked it, he then heard the song. He would rarely work in films but he was thrilled to choreograph for us."
Mishra said the veteran was deservedly called "great" as his mastery was unparalleled. "The word great is very loosely thrown around. He truly was a great artiste. In his art form, he was as good as anyone in the world. Kathak has lost its finest exponent. Om Shanti," the filmmaker tweeted. Mehta took to Twitter and hailed Pandit Birju Maharaj as "one of Kathak's greatest ambassadors". Singer Anup Jalota said Birju Maharaj has left a void that no other artiste can ever fill. "This is a huge loss to the nation. With him passing away, the league of stars has ended. He took away a lot with him. No one can fill the void he has left behind. He came here like an angel from heaven, made us all feel like heaven on earth with his art, and went back to where he belonged," he said.
Birju Maharaj is survived by five children, three daughters and two sons, and five grandchildren.
At a time when the world feels chaotic and heavy, Disney Pixar’s Elio arrives with a message that couldn’t be more relevant: kids matter, and they’re stronger than they realise.
The animated film, which had its star-studded premiere in Los Angeles this week, follows an 11-year-old boy who accidentally becomes Earth’s ambassador in outer space. Directed by Madeline Sharafian and Domee Shi, Elio is Pixar’s first feature with a Mexican-Dominican lead, voiced by Yonas Kibreab. His character’s journey from an outsider on Earth to a confident connector among aliens mirrors what many young people feel today: lost, overlooked, and searching for belonging.
Elio’s release comes as immigration protests sweep through Los Angeles and the Latino community finds itself under pressure. For co-director Sharafian, the film taps into a very current feeling of hopelessness.
“At the start, Elio sees the world in a bleak way, and a lot of us feel that,” she said on the red carpet. “But through space and friendship, he sees Earth a bit differently by the end. That shift, that spark of hope, is what we want to pass on.”
Zoe Saldaña, who plays Elio’s aunt, added that the film encourages children to express vulnerability and parents to respond with understanding rather than control. “A child knows who they are. Our job as adults is to love them unconditionally as they figure it out,” she said.
Yonas Kibreab and Jameela Jamil attend the World Premiere of Disney and Pixar's "Elio" Getty Images
Jameela Jamil: ‘The world feels broken, but kids can fix it’
British actress and activist Jameela Jamil, who voices Ambassador Questa in the film, didn’t hold back when describing the film’s importance.
“We need hope, because the world is a dumpster fire right now,” she said. “Young people are constantly told they have no power. But this film reminds them that they do.”
Jameela Jamil attends the Los Angeles premiere of Disney Pixar’s ElioGetty Images
She added that Elio speaks to kids directly, urging them not to wait for fame or influence to make a difference. “You don’t need to be a politician or a celebrity to change things. Just care, and act.”
Elio opens in UK and Indian cinemas on 20 June, in English, Hindi, Tamil, and Telugu.
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The new trio cast as Harry, Hermione and Ron step into a world where childhood and fame rarely mix well
As HBO prepares to bring Harry Potter back to screens with a new television adaptation, excitement is high around the casting of Dominic McLaughlin, Arabella Stanton, and Alastair Stout as the iconic trio of Harry, Hermione, and Ron. But amid the buzz, a quiet voice of caution has emerged. Chris Watson, father of original Hermione actress Emma Watson, is urging parents and the industry to tread carefully when it comes to child stardom.
Chris Watson is not speaking as a critic or industry insider but as someone who watched his daughter grow up inside a global franchise. Emma was nine when she landed the role of Hermione Granger, and what followed was a decade of public attention that reshaped her life. Her father remembers the shift vividly. “Her homework would go back to school on motorbikes,” he once said, pointing to the surreal logistics fame forced on them.
Emma, who has since spoken openly about the emotional toll of growing up famous, has described feeling “terrified” and “inadequate,” and even envying her peers for being able to do ordinary things, like knowing their favourite colour or forming friendships without public scrutiny. It’s this experience that Chris is drawing from when he warns: “As a parent, you have to be scared.”
Fame at a young age comes with a price
The context this time is different. The casting process for the HBO reboot reportedly involved sifting through 30,000 applicants. The new trio are young and relatively unknown, just like their predecessors were in 2001. But the digital world they’re entering now is far more invasive. Every post, photo, or comment is dissected in real time, exposing young actors to criticism, trolling, and unwanted attention, far beyond the limited press tours of 2001.
Chris Watson, Emma’s father, and other insiders warn of the emotional toll facing today’s young starsGetty Images
Emma’s journey: Blueprint and cautionary tale
Emma Watson was nine when she won the part of Hermione. Almost overnight, their whole family life bent around filming schedules. Chris Watson deliberately downplayed Hollywood’s glamour at home. He “doesn’t actually watch films” to prevent Emma from believing the character defined her. He insisted Warner Bros. respect her schoolwork and spare time. Yet the pressure still mounted.
Emma later admitted she struggled with guilt in therapy and suffered “vertigo” from constant public attention. At 18, invasive paparazzi shots were published within hours of her birthday, while her co-stars faced parallel battles. Daniel Radcliffe used alcohol to cope, arriving on set "still drunk" and "dead behind the eyes," while Rupert Grint felt reduced: "I felt like I only knew how to do one thing: play Ron."
From online hate to AI threats, the rebooted Wizarding World may be more dangerous than magicalGetty Images
2025’s more perilous journey
The AI Boggart- Generative AI and deepfakes now make non-consensual, manipulated images or videos a real threat. These digital illusions can damage reputations and cause emotional harm in ways the original cast never encountered.
The Rowling Snare- With J.K. Rowling as executive producer, her polarising views on transgender rights hover over the series. Despite assurances they won’t influence the storyline, the new actors will be drawn into cultural debates and pressured to take sides.
Although he never offered a bullet-point plan, his comments cut straight to the heart of what matters:
"As a parent, you have to be scared" “While there are many upsides, nothing is perfect and you have to recognise there are going to be downsides you could not have imagined.” His frank admission underlines the need to stay vigilant and prepared for unexpected challenges.
Keep home life sacred “It certainly helped that I don’t actually watch films... the studio and everybody else knew that this was not Emma’s whole life, and that she had homework to do, she played a little bit of cricket as well.” Here, Watson shows how he maintained normal routines including school, family time and sports to prevent Emma’s identity from merging with Hermione Granger.
Reach out and share hard-won experience “If they want to talk to someone who’s been through this… I would be more than happy.” By offering mentorship to the new parents, Chris emphasises that open communication and shared support are vital tools in safeguarding young actors.
Unlike the early 2000s, today’s child stars face nonstop scrutiny, digital dangers and cultural controversyGetty Images
Alumni perspectives: Lessons from child stars past
Several former young actors have shared insights that accentuate Chris Watson’s warnings. Evanna Lynch (Luna Lovegood) recalls feeling “adored and trapped” when the cameras stopped but expectations didn’t. Jake Lloyd (young Anakin Skywalker) describes how relentless attention led to severe anxiety. Their stories make it clear that the hardest effects often come once filming wraps up.
Behind the excitement of the reboot lies a harsh reality many child stars never escapeGetty Images
The ethical dilemma: Joy versus risk
Prospect Magazine asks whether it is ethical to place children in an environment rife with digital threats and guaranteed controversy. Can the magic of Hogwarts justify this gamble? HBO’s Francesca Gardiner and Mark Mylod praise the trio’s “wonderful” talent, and Rowling herself endorses them. But raw talent alone offers no protection.
Hollywood’s history with child stars reads grimly: Judy Garland fed amphetamines, Macaulay Culkin abused, Star Wars' Jake Lloyd broken by bullying. Can this cycle end? Chris Watson offers more than warnings; he’s extending mentorship to the parents.
Hogwarts is calling but fame’s dangers are louder for Harry Potter’s new trioGetty Images
Real magic: Protecting childhood
The return of Harry Potter also raises broader questions about corporate priorities. With J.K. Rowling returning as executive producer, a figure who now carries both creative authority and controversy, the series enters a more complex media landscape. Will the focus stay on the storytelling, or will the new stars be caught in wider debates?
For now, Dominic, Arabella, and Alastair are at the start of a journey that will define their adolescence. Whether that journey is empowering or overwhelming will depend not just on their talent, but on how well they’re protected behind the scenes. Chris Watson’s voice may not be the loudest in the room, but it carries weight, built on lived experience, and a simple truth: children in the spotlight still deserve a childhood.
With a massive music collection spanning several decades, multi-genre DJ and music producer DJ Funky T found it challenging to narrow down just 10 songs he loves. Also known as Tony Hayer, his favourites range from Michael Jackson, Dr Dre and Fleetwood Mac to Bollywood, Punjabi, Hindi, Sufi and more. Some of these diverse influences feature in his own track Tu Meri Rani Si.
Before revealing his choices, he said: “The following golden tracks have stood the test of time. It was a hard call, as many more songs could have made this list. So, in no particular order from my current conscious memory, I present 10 Indian songs I love. Check them out and enjoy.”
Chand Sifarish from Fanaa: This Bollywood track, headlined by Aamir Khan and Kajol, starts with a cheesy rock guitar but quickly transforms into a dynamic blend of beats, choppy tablas, rich harmonies, sitars and an addictive whistling motif.
Neuke Phadin Jawanan by Panjabi MC: A 2003 hit that borrows rhythm styles and melodies from Maxi Priest’s Wanna Be Close To You. It features lyrics by Lal Chand Yamla Jatt, a classic 1990s urban swing beat, as well as a fantastically groovy chorus built around tumbi plucking melodies.
Indian Dance by Kray Twinz ft Elephant Man: A powerhouse club anthem marked by the Kray Twinz’ signature sound. This thrilling blend of hard bashment and traditional gidha boliyan rides a thunderous bassline and features ragga legend Elephant Man.
Addi Mardi by Malkit Singh: This timeless party favourite tells the story of a man smitten with a girl and wanting to dance with her. From the start, it delivers plucky guitars, a cheeky bassline and a fast reggaetón-tinged rhythm. Guaranteed to lift the mood every time.
Akhiyaan by Vee/Jay Kahn: A beautifully produced love song by the exceptional Vee, younger brother of Hunterz. The track blends a spiritual mood with high production value, hypnotic melodies and subtle Sufi elements that uplift and soothe.
Khwaja Mere Khwaja from Jodhaa Akbar: AR Rahman delivered one of my favourite Sufi songs in this Bollywood film. He composed and sang it himself. The touching song about the relationship with a higher power is picturised beautifully, with dancers reaching up to the sky, as if to be holding God’s hand.
Discovery by Shammi Pithia: Taken from his album Cosmic, this track is very spiritual sounding. The healing song performed and produced by Shammi Pithia has world-class flute melodies. This song can both make or break you, dependent on your mood. But either way, it will leave you feeling touched.
Gutt Sapni by Jhinda Music ft Captain: The fabulous sounding track featuring Punjabi singer Captain has great keys composition, dynamic drum beats and a magnificent mixdown finish. Captain has a similar singing energy to Malkit Singh, but with his own contemporary twist. The track has terrific tumbi melodies throughout.
O Mere Dil Ke Chain from Mere Jeevan Saathi: This 1972 RD Burman composed film song sung by Kishore Kumar is an absolute classic. It personally takes me to my childhood days when everyone’s parents, including mine, played it. A huge all-time classic favourite Hindi song written with sweet, innocent love lyrics.
Tere Liye from Veer Zaara: The late legend Lata Mangeshkar along with top singer Roop Kumar Rathod. Enough said. This classic Bollywood track is an absolutely beautiful piece describing the heartache between two people deeply in love.
Qawwali remains popular with cross-cultural audiences, but very few get the chance to experience one of the world’s oldest music genres in its purest form. Whether it is the diluted style seen in Bollywood adaptations or fusion with contemporary sounds, the tradition is often watered down.
Najmuddin Saifuddin & Brothers Qawwali Group stand apart from that commercialised crowd, presenting the Sufi genre in its most authentic style. The five talented brothers – sons of the late qawwali icon Ustad Bahauddin Khan Qawwal – belong to a remarkable lineage that traces directly back to the first group formed by the genre’s founding father in the 13th century.
Currently on a UK tour, the group delivered a stunning stage performance that confirmed their brilliance. Unlike most qawwali ensembles that rely on one or two lead singers, all five brothers took turns leading, gracefully exchanging vocal passages to produce a timeless, mesmerising sound. The power, passion and grace of their high-energy performance shone through as they delivered beloved classics such as QaulQalbana, Rang and Naat Shareef. The concert opened in high gear and gained momentum with each composition, before culminating in a thunderous rendition of Mast Qalandar.
They also performed khayal and tarana-style qawwalis, alongside pieces deeply rooted in mysticism. Accompanied by a superb percussionist, their sound remained untouched by modern influences, yet felt completely relevant and accessible to audiences of all ages and backgrounds. Their tour continues across the UK until mid-July, and they are certain to keep transporting audiences back in time through a forward-looking, spiritually rich performance – the kind few qawwali acts worldwide can deliver. The only downside? The show had to end. It felt as though the group were just getting started – they could have easily played for several more hours.
They were the nurses, cleaners, activists, and everyday heroes who arrived in Britain with little more than courage and determination. Now in their 80s and 90s, six women who helped rebuild the UK after the Second World War are finally getting their due in Fearless, a powerful new documentary that brings their remarkable stories to the big screen.
Launching on Windrush Day (22 June), the film will tour select cinemas across London through July, with post-screening Q&As featuring the directors and cast. It celebrates the lives of Sheila Daniel, Aileen Edwards, Maggie Kelly, Anne Gaché, Nashattar Kang, and Nages Amirthananthar, women of Caribbean, Irish, and South Asian descent who came to Britain as part of the Windrush generation and beyond.
These women, once young migrants navigating hostility, isolation, and discrimination, found strength through solidarity and built lives that left a lasting impact. From taking part in historic strikes like Grunwick to surviving the aftermath of the Notting Hill riots, their personal journeys are woven into the wider political and social fabric of the country.
Drawing on rare archival footage and emotional interviews, Fearless preserves their legacy. But beyond that, it challenges the invisibility that has long plagued immigrant women in British history books. This is more than nostalgia, it is a necessary act of recognition.
A still from Fearless showing archive footage interwoven with first-person storiesMcasso/ Screengrab
Bold stories told by those who lived them
The documentary comes from husband-and-wife filmmaking duo Damian Paul Daniel, a BAFTA-nominated cinematographer, and Noella Mingo, a director of Guyanese-British heritage passionate about amplifying overlooked voices. Their production company, They’re Watching Us, focuses on stories that defy expectation, and Fearless is no exception.
Screenings are scheduled at The Rio in Dalston (22 June), Bertha Dochouse (29 June), Genesis in Whitechapel (1 July), and The Lexi in Kensal Rise (16 July). Each screening includes a post-film conversation with the team.
At its heart, Fearless is a tribute to courage, resilience, and the quiet force of women who shaped a nation, even when history tried to forget them.