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Bollywood 'Oscars' called off over coronavirus

Bollywood on Friday (6) called off its Oscars night, the International Indian Film Academy (IIFA) awards, because of the spreading coronavirus.

Organisers of the Indian cinema's biggest awards ceremony said they had to postpone the three-day event in Indore starting March 27 because of the "sensitivity" of the mounting health crisis.


Bollywood's biggest names including Shah Rukh Khan, Salman Khan and Katrina Kaif were due to attend the gala where Gully Boy, an international hit about a Mumbai rapper, was favourite for the top awards.

Organisers said in a statement the decision to call off the show was taken "with due regard to growing concerns" around the spread of COVID-19, while keeping the health and safety of fans and the general community.

"A fresh date and plans for hosting IIFA in Madhya Pradesh will be announced at the earliest," it added.

With nearly 1,800 titles released in 2018, India is the world's biggest film industry in terms of movies made and is now a major exporter.

After using venues in several countries and other Indian cities, the 2019 IIFA returned to the Bollywood capital in Mumbai.

But the government has warned against holding mass gatherings because of the virus, which has infected 30 people in India so far.

Many conferences, celebrations for next week's Holi religious festival and public events have been cancelled in recent days.

More than 3,300 people have died worldwide from the virus.

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5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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