Every year, many Bollywood films hit the big screens, and superstars try to release their films during holiday weekends so they can get a good opening which can ensure a good box office collection.
In 2020, we didn't get to see many films on the big screen because of the lockdown, but now, filmmakers and superstars are ready to release their films on the silver screen during festivals and major holiday weekends this year.
Akshay Kumar starrer Sooryavanshi and Ranveer Singh starrer 83, both the movies are backed by Reliance Entertainment, and the makers have stated that they are planning to release one of their movies on Holi this year. So, let’s wait and watch whether it will be Sooryavanshi or 83.
After much speculation, finally, a few days ago, Salman Khan announced that his movie Radhe: Your Most Wanted Bhai will hit the big screens on Eid 2021. Radhe was slated to release on Eid 2020, but now, Salman will come to take his Eidi this year.
Salman Khan’s Radhe won’t be the only film releasing on Eid this year. John Abraham and Divya Khosla Kumar starrer Satyameva Jayate 2 is also slated to hit the big screens on Eid 2021. So, it will be Salman vs John at the box office.
Kangana Ranaut starrer Dhaakad was slated to release on Diwali 2020, but now, it will hit the big screens during the Gandhi Jayanti weekend (1st October 2021). The first look of the film has already created a good pre-release buzz.
Ajay Devgn starrer Maidaan is slated to release on Dussehra 2021. Directed by Amit Ravindernath Sharma, the movie is produced by Zee Studios and Boney Kapoor, and also stars Priyamani in the lead role.
Just a few days ago, Shahid Kapoor announced that his film Jersey will hit the big screens on Diwali this year. The movie also stars Mrunal Thakur and it is a remake of Telugu movie Jersey.
On Diwali 2021, even Akshay Kumar starrer Raksha Bandhan is slated to release. But, the Aanand L Rai directorial is yet to go on the floors, so let’s see if the movie will make it to the theatres as per the schedule.
Apne 2
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Diwali 2021 is surely quite crowded. Apart from Jersey and Raksha Bandhan, even Apne 2 is slated to hit the big screens on Diwali this year. The movie stars four generations of the Deols, Dharmendra, Sunny Deol, Bobby Deol, and Karan Deol.
While many filmmakers have decided the release date of their films this year, Aamir Khan had decided to release Laal Singh Chaddha on Christmas 2021 last year itself. The movie, which also stars Kareena Kapoor Khan, was slated to release on Christmas 2020, but the makers postponed it by a year.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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