Blessed to play Mahatma Gandhi and Jyotirao Phule onscreen, says Pratik Gandhi
Phule, written and directed by Ananth Mahadevan, features Pratik Gandhi in the role of the social activist and reformer Mahatma Phule opposite Patralekhaa's educationalist Savitribai Phule.
Actor Pratik Gandhi says he is looking forward to playing Mahatma Gandhi and Jyotirao Phule in separate projects and believes these important historical figures will allow him to go through a “tricky transformation journey”.
“Phule”, written and directed by Ananth Mahadevan, features Pratik Gandhi in the role of the social activist and reformer Mahatma Phule opposite Patralekhaa’s educationalist Savitribai Phule. Filming on the movie begins in April.
After he wraps up shooting on “Phule”, the actor will reunite with his “Scam 1992: The Harshad Mehta Story” director Hansal Mehta for a multi-season series on Mahatma Gandhi.
“Imagine how lucky one can get! The very thought of getting these opportunities gave me such joy. As actors, we are blessed as we can live multiple lives in this one life. All this gives me superlative joy that I am offered these characters and as an actor, I get to live this,” Pratik Gandhi told PTI in an interview.
Calling Phule a "tricky part", the actor said the upcoming movie is a new challenge for him.
"The language is different, the set is different and it is a period drama. So, the emotions that we feel right now, like the way the millennials react to certain situations, are very different. To set a correct context is a tricky thing. My major concentration as an actor is to create this world and these characters in a real and organic way,” he said.
The 42-year-old actor is excited to don separate looks for both projects.
“Physically, Phule has a strong appearance and it would complement his strong will. Phule has a turban, beard, and moustache look," he added.
Pratik Gandhi, who has essayed the role of a young Mahatma Gandhi in the 2015 Gujarati play "Mohan No Masalo (Mohan's Recipe)", said he will have to shed a few kilos for Mehta's series.
"It is about the young Mohandas Gandhi. I have to gain muscles and a little weight to play Jyotirao Phule and then for my role as Gandhiji, I will have to lose weight. So, it is a tricky transformation journey,” he said.
The actor said not many are aware of the contribution of these two social reformers but cinema plays a pivotal role in serving as a reminder.
“The least that I expect from the film is that people would remember these figures and understand that, in retrospect, everybody has the power to serve the nation and lead the social reforms for the betterment of the future.” Pratik Gandhi said he is fascinated with the ambitions that Jyotirao and Savitribai Phule had envisioned for the future generation of the country. January 3 was Savitribai Phule's 192nd birth anniversary.
Calling them great visionaries, the actor said, "They believed that if certain changes were not made the coming generations would suffer, they were among the first people to think about a progressive India." The actor said the makers are staying true to reality while presenting the story of Jyotirao and Savitribai Phule.
“We are not changing anything story per se, whatever is their story it is already there in the public domain. The way people are reacting to random things (it) is beyond comprehension. You may never know what hurts whom, why, how, and when,” he said, when asked if he is being cautious while playing real-life characters.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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